Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Lillian Hellman. Show all posts
Showing posts with label Lillian Hellman. Show all posts

Thursday, January 9, 2014

ANOTHER PART OF THE FOREST

Ann Blythe, Edmund O'Brien and Fredric March
ANOTHER PART OF THE FOREST (1948). Director: Michael Gordon. From the stage play by Lillian Hellman,.

"I don't like you, Ben. I don't like any of my children. I just feel sorry for you." -- Lavinia Hubbard.

In this prequel to The Little Foxes set in the post-Civil War period, war profiteer Marcus Hubbard (Fredric March) is father of young Regina (Ann Blyth), who has set her cap for John Bagtry (John Dall); Oscar (Dan Duryea), who is basically a screw-up; and Ben (Edmond O'Brien), who is of the same diabolical mind-set as his father. The story begins on Confederate Day, when the town remembers the slaughter of many rebel soldiers because an unknown person sold them out [it seems hard to believe that the entire town wouldn't know right away who the traitor was]. Oscar has fallen for Laurette (Dona Drake of Beyond the Forest), a woman from the wrong side of the tracks, and things are quite unpleasant when she meets his father at a party at the Hubbards. Birdie Bagtry (Betsy Blair of The Snake Pit) hopes to get a very important loan from Marcus, a situation that Ben hopes to take distinct advantage of. In the meantime, the tired matriarch, Lavinia Hubbard (Florence Eldridge), reminds her husband that she still remembers where the bodies are buried ... William Wyler could have probably made this a more powerful and memorable movie, but as it is it features some fine acting, especially from Duryea, Eldridge, Blair and Drake. March is good but seems to lose his footing toward the end; it's not one of his best performances in any case. Some great dialogue throughout. Eldridge, who was married to March in real life, also played his wife in Inherit the Wind and other movies.

Verdict: Portrait of a fairly appalling family. ***.

Friday, March 28, 2008

THE DARK ANGEL


THE DARK ANGEL (1935). Director: Sidney Franklin.

Kitty (Merle Oberon) adores the two boys who live nearby, Gerald (Herbert Marshall) and his cousin (who was adopted by Gerald's mother), Alan (Fredric March, pictured). During a brief return home from World War One, Oberon agrees to marry March but they can't find anyone to marry them -- they spend the night together anyway. Gerald thinks Alan has been with another woman and this leads to tragic misunderstandings that affect everyone's lives. The storyline is good, but the script (co-written by Lillian Hellman), acting, and direction conspire to make this a tedious failure with only a nice ending to redeem it. Although the lead actors all have some good moments, for the most part the acting is artificial and stilted. Oberon and March have zero chemistry as a couple, and sometimes March acts as if he still thinks he's in a silent movie. Franklin's insensitive direction muffs scenes that should have had more emphasis, and strips them of all dramatic value. There isn't enough music -- Alfred Newman did the score -- and what there is of it is mediocre. The best performances come not from the leads but from Cora Sue Collins, the adorable little girl who winningly plays Kitty as a child, and the uncredited actor who plays the agitated blind man that March tells to shut up.

Verdict: Disappointing and a bit tedious. **.