THE BANK DICK

THE BANK DICK (1940). Director: Edward F. Cline.

W. C. Fields is simply splendid as Egbert Souse (pronounced Sousay, and don't you forget it!), who inadvertently foils a bank robbery and is given a job as a bank guard as a reward. Egbert's future son-in-law, Og (the wonderful Grady Sutton) borrows money from the bank for an investment opportunity and discovers to his horror that the bank examiner J. Pinkteron Snoopington (the superb Franklin Pangborn) is in town to look over the books! Egbert does what he can to prevent Snoopington from discovering the missing loot until Og can return it and has other assorted misadventures as well, even winding up directing a film. Una Merkel and Cora Witherspoon are terrific as members of Egbert's family. Jan Duggan from The Old-Fashioned Way has a cameo as a customer in the bank, and Pierre Watkin [Atom Man vs. Superman] is actually excellent as the bank president.

Verdict: This is a very funny and well-acted movie. ***1/2.

MIDNIGHT INTRUDER

Louis Hayward

MIDNIGHT INTRUDER (1938). Director: Arthur Lubin.

"Houses without people, people without houses." -- Barry musing on the inequities of life.

Barry (Louis Hayward) and his older pal Doc (J. C. Nugent) are completely broke after Barry loses all of their money at the track. Seeking shelter in a rainstorm, they enter a big empty house and later are mistaken by servants for wealthy John Reitter Jr. and one of his friends. Learning that the real Reitter won't be coming home, Barry decides to keep impersonating him and enjoying the good food and liquor and high-toned companions, although Doc is increasingly nervous until he meets rich widow Mrs. Randolph (Jan Duggan of The Old-Fashioned Way). Then Barry learns that the real Reitter (Eric Linden) has been jailed for murder under an assumed name and things get complicated. The oddly-titled Midnight Intruder [which makes it sound almost like a horror film] starts out as a light-hearted comedy and turns into a mediocre mystery halfway through, although it is continuously bolstered by the work of most of the cast, especially Hayward in another absolutely winning lead performance. Nugent is also fine, and the supporting actors include Irving Bacon and Pierre Watkin. Duggan is as much fun as ever in her brief turn as the widow and Robert Grieg scores as the butler Willetts.

Verdict: Amiable, even if it goes off course at the midway point. **1/2.