Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label George Gershwin. Show all posts
Showing posts with label George Gershwin. Show all posts

Thursday, October 19, 2017

WHEN THE BOYS MEET THE GIRLS

Harve Preesnell surveys the scene
WHEN THE BOYS MEET THE GIRLS (1965). Director: Alvin Ganzer.

Playboy Danny Churchill (Harve Presnell) is sent by his lawyer to an obscure college so he can avoid the clutches of a gold-digging dame, Tess (Sue Ane Langdon), threatening a breach of promise lawsuit. Danny and his buddy, Sam (Joby Baker of Girl Happy), run into Ginger (Connie Francis), whose property is falling into disrepair because her father (Frank Faylen of The Mystery of the 13th Guest), is a gambleholic. But somebody gets the bright idea of converting their property into a ranch-resort near Reno where ladies who want divorces and others can congregate. But will Danny's passion for Ginger hit a snag when Tess shows up in town? The trouble with the picture is that "when the boys meet the girls" not much happens that hasn't been seen -- and seen and seen -- many times before. You may not recognize this as a remake of the Mickey Rooney-Judy Garland starrer Girl Crazy, although some of the Gershwin tunes have been happily preserved. Both Francis and Presnell do creditable versions of "Embraceable You" as well as "I've Got Rhythm," a bouncy classic that it's hard to ruin. Presnell has an appealing personality and a very nice voice, and Francis -- playing the leading lady for the second and last time (after Looking for Love) -- is fine, but Presnell is so pleasant and mild in his role that her aggressive anger towards him makes her seem like a real bitch at times, and it's hard to see what he sees in her. Langdon does her usual fair-to middling sexpot bit, and we have guest appearances by Herman (Peter Noone)  and the Hermits (singing "Listen People"), Sam the Sham and the Pharaohs, and Liberace (!) doing his 'Liberace Aruba" mambo. An unfunny bit with a moronic boxer named Canvasback Davis (mercifully uncredited) goes on forever and nearly kills the picture.

Verdict: Nice Gershwin tunes and good performances save this from total schlock. **.

Thursday, September 29, 2016

STRIKE UP THE BAND

Mickey!
STRIKE UP THE BAND (1940). Director: Busby Berkeley.

High school student Jimmy Connors (Mickey Rooney) has one passion: playing the drums in a band. Mary Holden (Judy Garland) has just one passion: Jimmy Connors. Mary can also sing quite well. Jimmy wants to take his band to Chicago to play on Paul Whiteman's radio show in a band competition, but where oh where can  he get the money for traveling expenses. Just when the money is raised, a dear friend, Willie (Larry Nunn), becomes seriously ill and needs an operation ... The sentiment is thick  but somehow never overbearing in this charming musical which boasts the talents of Rooney and Garland, both of whom are typically superb. Larry Nunn offers a highly appealing and sympathetic portrait of Willie, who has a hopeless crush on Mary and proposes -- at thirteen! William Tracy [Terry and the Pirates] and June Preisser [Judge Hardy and Son] play two more of the kids, most of whom look like they've been out of high school for quite a few years. The title tune was composed by Gershwin, but the other songs are by Freed and Edens, including the memorable "Our Love Affair," expertly warbled by Garland, and "I Ain't Got Nobody." (Garland's torch song, "The Curse of an Aching Heart," was cut.) Ann Shoemaker [Seventeen] plays Jimmy's mother, who has always wanted him to be a doctor. While Shoemaker is always good, in this she just seems to come on too strong and smothering.  Nunn was a very talented child actor but his film career only lasted eight years.

Verdict: Rooney and Garland in top form! ***.