THAT TOUCH OF MINK

Doris Day and Cary Grant

THAT TOUCH OF MINK (1962). Director: Delbert Mann.

"When a man donates $200,000, he's entitled to use the facilities."

Wealthy entrepreneur Philip Shayne (Cary Grant) is in his limousine when it splashes mud on out-of-work Cathy Timberlake (Doris Day.) Philip sends his associate, Roger (Gig Young of Hunt the Man Down) to apologize for him, but Cathy insists Philip do it himself. When she meets him, however, she is so instantly smitten that she apologizes to him. Thus begins a difficult romance in which Cathy does her best to maintain her virtue even as Philip flies her off to exotic places and wines and dines her par excellance. A series of comical misunderstandings may or may not lead to the altar ...

A date from Hell: Doris Day and John Astin

That Touch of Mink is a funny movie, greatly abetted by the performances of the two leads. One could quibble that both of them, especially Grant, are a bit too old to be dancing around this whole sex-or-no-sex business, but they make the skirmishes amusing in spite of it. John Astin is also notable as a sleazy man in the unemployment office who has a hankering for Cathy and winds up wishing that he didn't.

Although there's nothing necessarily wrong with Audrey Meadows' performance, I was somehow disappointed by it. Meadows certainly knew how to slap down a line on The Honeymooners, but maybe this part should have been essayed by Eve Arden. Laurie Mitchell, the Queen of Outer Space herself, has a bit part as a showgirl, and John Fiedler is amusing as a confused bridegroom who gets the wrong idea about his wife. That Touch of Mink is typical of many sixties comedies in that it milks some humor out of a misunderstanding over a character's sexual orientation -- in this case Roger's shrink (Alan Hewitt, who is also very good) thinks he is gay. It does lead up to a silly but nevertheless hilarious final sequence.

Verdict: Despite its dated qualities (on so many levels), this is a consistently amusing picture with extremely adept leads. ***. 

CAVALCADE OF STARS

Original Honeymooners: Jackie Gleason and Pert Kelton

CAVALCADE OF STARS (1949 - 1952). Featuring "The Honeymooners."

The great Jackie Gleason was the primary star of the classic variety series, Cavalcade of Stars, which ran for four years. He replaced Jerry Lester as the host of the show in 1950. The greatest contribution of this classic series was "The Honeymooners," which began as an approximately six minute sketch with Gleason as dyspeptic bus driver Ralph Kramden and Pert Kelton [Meet the Boyfriend] as his long-suffering wife, Alice. Art Carney showed up in the first sketch as a cop, but he appeared as Ed Norton for the first time in the sketch entitled "The New TV Set." Trixie was played for the first time by none other than Elaine Stritch, but she was never to repeat the role, being replaced by Joyce Randolph in "The Ring" sketch (meaning Randolph actually appeared in The Honeymooners before Audrey Meadows did). Meadows first appeared in "The New Bowling Ball," which may be the first time Ralph says "Pow. Zoom. Right on the kisser!" (Ralph's earliest catch-phrase was "Don't steam me, Alice, I'm steamed!") Apparently the blacklist, which primarily affected Pert Kelton's husband, Ralph Bell (who later appeared in Zelig) forced her out of the series when it metamorphosed into The Jackie Gleason Show, and she was replaced by Meadows, who was a more than creditable Alice but who was a less realistic partner for Ralph/Gleason. These early Gleason/Kelton sketches were certainly well-acted and funny, but they also had an undertone of pathos to them  that were arguably missing from later episodes. Ralph's mantra "baby, you're the greatest!" replaced scenes of genuine love and affection between him and Alice. As good as Meadows and Sheila MacRae were playing Alice Kramden, for my money Kelton made the best Alice, and her performances have all been preserved on DVDs of the "Lost Honeymooners" episodes.

Verdict: Pert Kelton as Alice is simply terrific. ***.