Lily James (Lana Turner) leaves her dead-end small town for a life of glamor, modeling, and excitement in New York and gets a little more than she bargained for. After a variety of adventures and mis-adventures, she becomes involved with a married man (Ray Milland) who has a crippled wife (Margaret Phillips). Dismissed as soap opera and "fluff" by the critics at the time of its release and after, this is actually a hard-hitting drama with an excellent script and dialogue by Isobel Lennart. Cukor, well-known as an actors' director, certainly worked his magic on the cast. Lana Turner is first-class throughout, giving what may have been her best performance in films, and Ray Milland, often a Great Stone Face, is much more impressive than usual. Ann Dvorak almost walks off with the movie as the aging model, Mary Ashlon, who is hoping for a comeback that even she realizes is unlikely. Tom Ewell, Louis Calhern, Margaret Phillips and Sara Haden (as a nurse) are also notable. Barry Sullivan superbly delivers a great super-cynical speech near the end of the film. Although one could argue that the movie sticks to a dated sin-and-suffer formula, it actually is true to its essentially dark tone (even though the original ending was softened quite a bit).
Verdict: Fascinating stuff in its own way and very well-performed. ***1/2.