Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label poverty row. Show all posts
Showing posts with label poverty row. Show all posts

Thursday, November 2, 2017

TOUGH KID: THE LIFE AND FILMS OF FRANKIE DARRO

TOUGH KID: THE LIFE AND FILMS OF FRANKIE DARRO. Lulu; 2008.

This look into the life and career of actor Frankie Darro is a labor or love for author John Gloske, who knew the man in his final years when the author was just a star-struck youngster. Darro's father pushed his son into show business, but didn't set aside any of the boy's income for a rainy day. Frankie had a successful career in silent films as a child star, and because of his short stature remained a "juvenile" well into adulthood. The book goes into Darro's cliffhanger serials such as Burn 'Em Up Barnes and The Phantom Empire; his team-ups with Kane Richmond [Anything for a Thrill] and Mantan Moreland [The Gang's All Here]; his starring role in Wild Boys of the Road for William Wellman, who always admired the man's talent; his three marriages; and his descent into poverty row productions and alcoholism. The jobs got scarcer and Darro drank more than ever, and even ruined one possible opportunity for a TV interview show by showing up soused to the gills. He guest-starred on numerous TV shows, including a memorable part on Peter Gunn; his two Alfred Hitchcock Presents episodes were "I Can Take Care of Myself" and "Ten O'Clock Tiger." Darro also appeared in a series of "Teen Agers" films, and some of the Bowery Boys programmers, and played more jockeys than you can shake a stick at. Darro was hired to move around inside Robby the Robot in Forbidden Planet but was fired for drunkenness when in truth the hot and heavy outfit would have been difficult for anyone to tolerate. In his later years, Darro looked years older than he actually was due to his alcohol consumption. The sad thing about Darro is that he was genuinely talented, which was noted by critic after critic no matter what kind of production he was in. Tough Kid gets credit for being very well-researched, as the author digs up much more information on Darro (some of which, of course, came from Darro himself) than you might expect for a C-list actor. If the book ever has a new edition, however, careful proof-reading is a must. With many personal photographs and a complete filmography.

Verdict: Good, informative, enthusiastic, sometimes fascinating, and ultimately moving look at the often bizarre life and career of Frankie Darro. ***.

Thursday, August 22, 2013

ON THE SPOT

Frankie Darro and Mantan Moreland
ON THE SPOT (1940). Director: Howard Bretherton.

Frankie Kelly (Frankie Darro), a soda jerk in a drug store with an eye on becoming a doctor, and his buddy Jefferson (Mantan Moreland) are in the store when a dying gangster with a bullet in him comes in and tries to impart information before expiring. Everyone -- townspeople, cops and crooks alike -- thinks the fellows were told where the dead man stashed some loot, but they actually know nuthin'. When another mobster is shot in the drug store, Frankie makes up his mind to find out who the killer is. John St. Polis is the "doc" who owns the drug store, and Mary Kornman is his daughter, Ruth. Maxine Leslie plays a lady investigator who gets a room in Frankie's house, making Ruth slightly jealous. I could swear that's Tristram Coffin in the role of her boss, but he is neither credited nor listed on imdb.com. In any case, Darrro and Moreland are as likable and professional as ever, but this very minor poverty row movie is pretty much a waste of time. The two actors did a whole series of similar films for Monogram studios.

Verdict: Darro and Moreland always make a good team, but ... **.