FOREIGN INTRIGUE

Robert Mitchum and Genevieve Page

FOREIGN INTRIGUE (1956). Produced, written and directed by Sheldon Reynolds.  

"Did he say anything before he died?" -- numerous characters

Dave Bishop (Robert Mitchum) works for a millionaire philanthropist named Danemore (Jean Galland). When Danemore dies of a sudden heart attack, Bishop realizes that he knows very little of the past of his employer. A mysterious letter and a sealed package to be opened only if Danemore's death was suspicious ignites Bishop's interest. His curiosity brings him into contact with a bald little man named Spring (Frederic O'Brady), who may be much more sinister than he seems. Bishop is involved with two women: Danemore's widow (Genevieve Page), who discovers that her marriage of convenience may not have as big a pay-off as she'd hoped for; and Brita (Ingrid Thulin) -- the daughter of another widow, Mrs. Lindquist (Inga Tidblad) -- who quickly falls in love with Dave. Bishop is then contacted by various government agents who convince him to pretend to be a blackmailer so he can get the goods on several men who each betrayed their country. 

Ingrid Thulin with Mitchum

Foreign Intrigue is greatly bolstered by a solid and engaging performance by Robert Mitchum, who always seems interested in what's happening even when at least half the audience has stopped giving a damn. The movie has a fairly decent premise but few outstanding incidents nor indeed any sequences that stand out in the mind (except perhaps when a little boy gives Mitchum a playful kick in the leg); there is no style, suspense or tension and after while you just want it to be over. Both Genevieve Page and Ingrid Thulin (billed as Ingrid Tulean) were "introduced" in this film, and they are both attractive and more than competent, although neither -- in this film, at least -- is especially distinctive. Thulin [Return from the Ashes] had appeared in several Swedish films previously, and of course worked with Ingmar Bergman a few years later. Genevieve Page [Youngblood Hawke] had also appeared in numerous films previously and had a lengthy international career. Paul Durand's score is interesting if not always appropriate. In Eastmancolor.

Verdict: You can miss Mitchum speaking French! **.

INTERMEZZO (1936)

INTERMEZZO (1936). Director: Gustaf Molander.

Holger Brandt (Gosta Ekman), a famous violinist, is married to Margit (Inga Tidblad) and has two children, the self-assured little girl, Ann-Marie (Britt Hagman), and the handsome engineer student, Ake (Hasse Ekman). Into their lives comes the aspiring pianist, Anita Hoffman (Ingrid Bergman). Despite a 25-year age difference, Holger and Anita drift into an affair, which the former eventually tells his wife about. Burning his bridges behind him, Holger takes off on a tour with Anita as his accompanist, but when his wife sues for divorce he hesitates in signing the papers. Do those old feelings for his family still linger? Ingrid Bergman had already made a few films in Sweden when she did Intermezzo, the film in which Hollywood took notice of her. Although never a great beauty by conventional standards, she generally looks quite striking and attractive in this picture, and her performance is excellent. The other cast members are equally good, but Intermezzo is rather on the slight and superficial side and becomes too melodramatic at the end. This is chiefly known as the film that started Bergman on her way to major stardom; she appeared in the American remake three years later. Intermezzo's basic story of a man who leaves wife and children for a younger woman had been done many, many, many times before and this would hardly be the last time. The best scene is actually between Holger and his son towards the end.

Verdict: Very good performances almost disguise that this is soap opera. **1/2.