VAL LEWTON: MAN IN THE SHADOWS

VAL LEWTON: MAN IN THE SHADOWS (2008). Writer/director: Kent Jones. Narrated by Martin Scorsese.

Turner Classic Movies presented this interesting, informative look at the life and work of the producer and writer Val Lewton, who is best-known for a series of moody, low-budget, yet elegant horror films from the 1940's. Lewton published several novels and works of non-fiction before entering the movie business, and he tried to make tasteful films that were often given highly exploitative titles such as I Walked with a Zombie. He tried other genres in later days but these films failed to make much of an impression. Like many documentaries of this nature, the film tries a bit too hard to convince us of Lewton's genuis, and some of the film scholars who talk about him are pretentious to the extreme. They also ignore the fact that if Lewton's films worked it wasn't due to his influence alone -- he worked with highly gifted cinematographers and directors such as Jacques Tourneur. (Tourneur directed one of the finest horror films ever made, Curse of the Demon, in 1958, and Lewton had nothing to do with it, although it could be argued that it was influenced by the Lewton style, which did seem to pervade a film regardless of the director.) Some of Lewton's films still hold up quite well, while others are vastly over-rated, but his work remains interesting and watchable. Talking about him as if he were on a par with Hitchcock, however, is seriously over-stating the matter.

Verdict: Holds the attention. ***.

I WALKED WITH A ZOMBIE

I WALKED WITH A ZOMBIE (1943). Director: Jacques Tourneur.

One of the better-known horror films produced by Val Lewton, this is typically tasteful, moody and interesting, if it never quite jells. Although Lewton is said to have appropriated the plot of Jane Eyre for the movie -- and there are plot similarities -- this is really nothing like Jane Eyre (the first film version with Joan Fontaine and Orson Welles, with a score by Bernard Herrmann, is far superior to this, for one thing). Frances Dee comes to Haiti to care for Jessica Holland, who acts as if she's been lobotomized but supposedly suffers from the disastrous effects of a fever. Dee learns that there is bad blood between her husband Paul (Tom Conway) and his half brother Wesley (James Ellison) because Jessica and Wesley had been planning on running away together. Conway is supposed to be such a fine man -- and Jessica a viper -- but we never really get to learn her side of things, and Paul -- although Conway's performance is good -- never seems like that nice a fellow. Dee is fine, but James Ellison is a little too lightweight to convincingly get across Wesley's torment over the sad fate of the woman he illicitly loved. Edith Barrett (one of the wives of Vincent Price) nearly steals the picture as Wesley and Paul's mother. There is some very interesting dialogue in Curt Siodmak's screenplay, such as when Conway tells Dee that most of the inhabitants of St. Sebastian were brought over in slave ships and had miserable lives. Which is why they "weep when a child is born and make merry at a funeral." The atmospheric photography is by J. Roy Hunt. Of the African-American cast members, Theresa Harris as the maid, Alma, and calypso singer Sir Lancelot, make the best impression, while Darby Jones certainly has a memorably eerie look as the purported "zombie" Carrefour. There is much to admire in I Walked with a Zombie, but if you're not tuned into its charms, you're liable to think it's much ado about nothing.

Verdict: Okay, but give Jane Eyre a try, too. **1/2.