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Emma Stone as Abigail Hill |
THE FAVOURITE (2018). Director: Yorgos Lanthimos.
Queen Anne (Olivia Colman) supposedly rules England but most of her decisions of state are made by her confidante and lover, Lady Sarah Churchill (Rachel Weisz). Into this household comes Sarah's cousin, Abigail (Emma Stone of
La La Land), who once was a lady herself, but thanks to her now-dead alcoholic father, has become a mere servant subject to Sarah's patronizing attitude. But Abigail has her own ambitions, and manages to draw the attention and favor of the queen, eventually replacing Sarah in Anne's bed. But Sarah is not about to take that, uh, lying down, and Abigail may have to take drastic steps to remain "The Favourite."
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Olivia Coleman as the queen |
The Favourite takes actual historical characters, uses some of the bare facts of their inter-relationships, then pretty much invents everything else --
The Favourite is the very epitome of "dramatic license." Thrown out of the queen's favor, Sarah did intimate that there might have been a sexual relationship between Anne and Abigail, and presented a very negative portrait of the queen in her memoirs. However, later biographers, who were much more objective, say that Anne was not the dunderhead she was portrayed as in both the memoirs and this movie. While there is no doubt that history has often been subjected to LGBT erasure, there is no real substantiation that a lesbian love triangle existed in the palace in the first place (Anne's husband, Prince George, is never even mentioned let alone depicted, not that would necessarily have meant that she was strictly heterosexual.) But why let the facts get in the way of a good story?
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Rachel Weisz as Sarah Churchill |
Not that
The Favourite necessarily has a good story. Everything is presented in very contemporary terms, vulgarized and dumbed-down, as if the film were a campy black comedy. The acting is professional but not especially memorable (even if Colman managed to net a Best Actress Oscar). The movie seems directed at a young, immature audience who wants their slice of history with lots of sex and a liberal sprinkling of "f" and "c--t" words. Because of the lesbian interplay, I'm also afraid some viewers will see this as some sort of progressive LGBT movie when it is anything but. While I'm not saying the film is homophobic as such, it's hard not to notice that the gay or bisexual ladies in it are pretty much presented as grotesque and not at all sympathetic. The director did not want to really deal with the sexuality of the characters or their attitude towards same, but then the characters are fairly one-dimensional to begin with. (Let me make it clear that I completely disassociate myself from viewers who hated the film simply because it presented LGBT characters.)
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Queen Anne's court |
Incredibly,
The Favourite garnered Oscars and nominations and dozens and dozens of awards (GLAAD even nominated it as "Best Picture," although it didn't win.) What on earth has happened to people's critical faculties these days? The only award the film really deserved was for the cinematography by Robbie Ryan. As with the equally over-rated
Moonlight or
Call Me By Your Name this is an example of the Academy and Hollywood in general being overly impressed with a film because it is seen as progressive when it really isn't. The historical inaccuracies alone are enough to make this a sham of a production, and I can only imagine that poor Queen Anne, gay or not, is spinning in her grave.
Verdict: This is hardly history -- or
herstory. **.
2 comments:
LOL@Bill. YES! My sentiments exactly! Perfect example of an overhyped, must-see Quality picture that Colman's Oscar win sucked me into seeing...Loved the production design, the attractive actors and Colman's valiant histrionics, but the story is reed-thin and the dialogue so unmemorable. Total bloated bore and waste of time!!
Nice to see we are so often on the same wavelength, especially when it comes to recent movies!
-Chris
Yes, Chris, we seem to agree more often than not. Glad you saw through this travesty, too. So many wonderful things could have been done with these characters, but ...
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