THE HOUND OF THE BASKERVILLES (1939)

On the moors with Holmes and Watson

THE HOUND OF THE BASKERVILLES (1939). Director: Sidney Lanfield. 

"Oh, Watson, the needle." 

This is the first of two Sherlock Holmes films made by Twentieth Century-Fox and the first in which the wonderful Basil Rathbone created perhaps the definitive movie portrayal of the famous detective -- he is simply outstanding. The plot has to do with Holmes and Watson (Nigel Bruce) trying to save the life of an heir (Richard Greene) while dealing with rumors of the huge title beast roaming the foggy moors where the story takes place. John Carradine has a small role as a servant, and Wendy Barrie is the love interest. Lionel Atwill, who played Holmes' nemesis Professor Moriarty in a later film, Sherlock Holmes and the Secret Weapon, is excellent in the more sympathetic role of Dr. Mortimer. Mary Gordon played Mrs. Hudson for the first time in this picture. Barlowe Borland scores as the cranky, litigious old Frankland. Morton Lowry is fine as John Stapleton. The 1959 color remake is also quite creditable, and some may feel it has the slight edge. Followed by The Adventures of Sherlock Holmes. 

Verdict: Fine introduction to the Rathbone portrayal. ***.

MY FAVORITE BLONDE

Gale Sondergaard and Bob Hope

MY FAVORITE BLONDE (1942). Director: Sidney Lanfield.

Larry Haines (Bob Hope) has an act with a trained penguin named Percy. Larry is about to make his way out to Hollywood from New York -- Percy has gotten a movie contract, but not Larry -- when he encounters a blonde named Karen (Madeleine Carroll of The Prisoner of Zenda), who is secretly a British agent. With the unwitting aid of Larry, Karen tries to keep herself and a scorpion-shaped pin containing secret information, out of the clutches of nasty spies Madame Runick (Gale Sondergaard) and Dr. Streger (George Zucco of Fog Island). Meanwhile Larry and Karen are off on a cross-country chase, trying to get safely to Las Angeles where they can give the pin to a military contact. Along the way they get involved with an Irish picnic and some stubborn Irishmen, encounter Bing Crosby in his first cameo in a Hope film, wind up at a lecture for a baby doctor impersonated by Larry, and confront Carl "Alfalfa" Switzer at his most obnoxious. My Favorite Blonde begins rather grimly with the murder of more than one agent, but it is also consistently amusing, has some great and funny sequences, and Hope and Carroll -- who at first seem an odd team -- are both excellent and play extremely well together. Percy is adorable, but Sondergaard [The Cat Creature] and Zucco, although wonderful, don't get nearly enough to do. There are a host of fine and funny character actors in this as well. A top-notch comedy-thriller. Among the many great scenes in this picture is one in which Sondergaard, Zucco and their henchmen get in a staring contest with Hope!

Verdict: One of Hope's best and most entertaining movies with the comic in fine form. ***1/2.

KING OF BURLESQUE

Alice Faye and a bevy of chorus cuties

KING OF BURLESQUE (1936). Director: Sidney Lanfield.

Kerry Bolton (Warner Baxter of Just Before Dawn) has been very successful as a producer of burlesque entertainment, but he longs for Broadway respectability and embarks on a new career. He also decides to romance a society lady named Rosalind Cleve (Mona Barrie), who is down on her luck and already engaged to handsome singer, Stanley Drake (Charles Quigley of The Crimson Ghost). In a bizarre development Rosalind agrees to marry Kerry if the latter will back Drake financially for a career in opera as well as give him the lead in a high-brow Broadway show. Obviously this is not a recipe for marriage -- or musical -- success. In the meantime, Pat Doran (Alice Faye), who's been carrying the torch for Kerry, is heartbroken and leaves his employ. Will true love win out in the end? Since not enough is made of the strange marital triangle, we're left with some winning production numbers, especially when Bolton finally stages his big show for a comeback. You have to see the gals swinging like trapeze artists over a supper club set to believe it. Fats Waller sings "Got My Fingers Crossed;" little Gareth Joplin tap dances his little heart out; Kenny Baker does a sterling rendition of another of the catchy numbers; and a piece with the chorus boys adroitly tap dancing with Faye is also delightful. The leads are all fine, with nice work from Jack Oakie as Kerry's pal, Joe; Dixie Dunbar as secretary turned singer, Marie; and especially Gregory Ratoff [All About Eve] as a man who impersonates a wealthy Russian backer of the revue. This is a near-MGM style musical from Twentieth Century Fox. Remade as Hello, Frisco, Hello, also with Faye and Oakie, and John Payne replacing Warner Baxter.

Verdict: The story takes a back seat to the snappy numbers. ***.

THE MEANEST MAN IN THE WORLD

Jack Benny and Priscilla Lane

THE MEANEST MAN IN THE WORLD (1943). Director: Sidney Lanfield.

Richard Clark (Jack Benny) is a struggling small-town lawyer with a fiancee, Janie (Priscilla Lane), who wants him to make good. Janie's father, Arthur (Matt Briggs), suggests that Richard go to New York where there is real opportunity, so he packs up his employee-confidante Shufro (Eddie "Rochester" Anderson) and heads to Manhattan. When business proves just as dismal as it was back home, Richard somehow rents a Park Avenue apartment to impress Janie and her dad, but Shufro advises him that only by becoming "mean" and ruthless can he ever hope to achieve success. Richard is somewhat dubious, but takes Shufro's advice, leading to him taking a lollipop away from a small boy on the sidewalk. Literally taking candy from a baby, Clark becomes known as the Meanest Man in Town. When Janie discovers that he helped toss an old woman into the street, she wants to call off the wedding -- and things get worse from there! -- but maybe the poor sap isn't quite as mean as she and everybody think ... The Meanest Man in the World is a very funny movie, with Benny, Anderson, Lane, and the supporting cast all in fine fettle. Anne Revere [Fallen Angel] is amusing as Clark's slightly acerbic secretary; Edmund Gwenn is great in a surprisingly nasty role as one of his clients; and we've got bits by Nick Stewart as the wide-eyed elevator operator and Ralph Byrd as a reporter. Tor Johnson [The Black Sleep] of Plan Nine from Outer Space infamy even shows up in a long black wig as the Russian wrestler and wannabe bodyguard Vladimir Pulaski! Anderson [Honolulu] is up there with Benny all the while, playing an employee who is never truly subservient, thank goodness, but who displays an inoffensive wise and sassy quality. This is a remake of a silent movie made twenty years earlier.

Verdict: Lots of big laughs in this amiable and often zany movie. ***.

LET'S FACE IT

Zasu Pitts, Eve Arden, and Phyllis Povah

LET'S FACE IT (1943). Director: Sidney Lanfield.

"When we were first married he could lull me to sleep with his tuba." -- Zasu Pitts

"Now he can't even lift it." -- Eve Arden

Private Jerry Walker (Bob Hope) secretly sells food to some of the larger, starving ladies at the fat farm run by his fiancee, Winnie (Betty Hutton). Along come three middle-aged ladies -- played by Eve Arden [Three Husbands], Zasu Pitts and Phyllis Povah -- whose husbands have bundled them off to the fat farm while they go fishing. These women are convinced their husbands are secretly meeting honeys at a summer lodge, so they inveigle three soldiers into coming to the lodge to make their men jealous. Jerry desperately needs money so he agrees to go but he drags along two buddies -- neither actor makes much of an impression -- because he insists that the ladies "look like Veronica Lake, with two eyes!" Let's Face It has some cute moments, good lines and performances, but it runs out of plot around halfway through. The songs are forgettable, even if they are by Cole Porter, though there are two excellent dance numbers: Bob and his pals do a very cute shuffle; and a bizarre, violent dance act in which the couple seem to be illustrating the battle of the sexes. The script is kind of rough on women who have the misfortune not to be young and beautiful, and it's full of what you might call "fat abuse." What's ironic is that Hope and his buddies act as if the three ladies are so hideous, even Arden, when they are not exactly prizes themselves. Hutton gets one especially horrible song number and sings it horribly. Joe Sawyer [Roses are Red] is swell as Jerry's gruff sergeant and Hope's gal pal Dona Drake [Valentino] has a small role.

Verdicts: Some funny moments to be sure but not the hilarity you're hoping for. **.

BRING ON THE GIRLS

BRING ON THE GIRLS (1945). Director: Sidney Lanfield.

"You're a real tin horn. First you tried to buy me off and now you're trying love. Well, that won't work, either."

J. Newport Bates (Eddie Bracken), who has twenty million dollars, is sick of people liking him just because he's rich, so he joins the Navy incognito with Phil (Sonny Tufts) as a kind of chaperon. Just his luck to run into a gold digger, Teddy (Veronica Lake), on his first night out, although Sonny, who was once involved with Teddy, mistakenly thinks his charge has actually fallen for society singer Sue (Marjorie Reynolds). There are a few complications before everything is worked out. Sonny Tufts sings a couple of novelty numbers, and Reynolds also does a couple of songs, all of which are forgettable. Lake is saucy, Reynolds is pretty and competent, Bracken is Bracken, and I'm not sure what to make of Sonny Tufts, who doesn't disgrace himself but who lacks a certain something. In any case as the butler, August, Alan Mowbray steals the whole movie away from everyone else in one brief scene when he thinks Bracken is deaf and tells him what he really thinks of him. Huntz Hall and Noel Neill have smaller roles and Marietta Cantry is fun as the maid, Ida. Joan Woodbury of Brenda Starr, Reporter plays another gold digger and Norma Varden plays Bracken's Aunt Martha with her customary aplomb. There are a few amusing moments.

Verdict: At least it's in Technicolor. **1/2.

THIN ICE

THIN ICE (1937). Director: Sidney Lanfield.

An entire Swiss village is excited to learn -- erroneously -- that Lili Heiser (Sonja Henie) is dating the handsome Prince Rudolph (Tyrone Power). Ironically, not much later Lili does meet the prince, who's incognito, but doesn't realize the man she eventually falls in love with (and vice versa) is the famous Prince. Therefore she's quite upset to learn that everyone thinks she's dallying with Prince Rudolph. That's the thin premise of this disappointing comedy that has few if any laughs, even with the presence of Joan Davis as an orchestra leader. Tyrone Power displays his usual charm and ability, but while Henie is cute and appealing in some ways, she's not much of an actress and certainly no gifted comedienne. Arthur Treacher plays Power's manservant. Pretty boring to be honest.

Verdict: Unless you're crazy for ice skating, you can miss it. *1/2.