Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.

Thursday, August 27, 2026

VALERIE

Sterling Hayden and Anita Ekberg
VALERIE (1957). Director: Gerd Oswald. Colorized.

Valerie begins with a literal bang as two men enter a home, shots are fired, and in short order there are three corpses lying in the living room. However, one of these corpses, Valerie (Anita Ekberg of Back from Eternity), is still alive, although it is a question if she will ever wake up out of a coma. Her husband, John Garth (Sterling Hayden of The Asphalt Jungle), is put on trial but insists he only fired in self-defense. He tells his story on the witness stand,  as does Reverend Stephen Blake (Anthony Steel of Another Man's Poison), who tried to get Valerie to safety although Garth claims he was "running off" with his wife. These conflicting accounts have everyone confused, until Valerie wakes up and tells everyone her side of things -- and a completely different story emerges. 

Peter Walker and Sterling Hayden
Nowadays Valerie -- which takes place in the post-Civil War period -- is a forgotten movie, but it doesn't deserve to be, as it has themes that resonate even today. It's fascinating the way the viewer is carried along by the original narrative -- poor John Garth married a faithless woman who's just after his money -- only to have it turned on its head by the climax, which is as violent as the opening. One also comes to conclusions about Valerie because of her voluptuousness. Hayden's performance seems slightly off in this perhaps because in many scenes he has to play it a certain way to keep the viewer in suspense. Ekberg is not only gorgeous, but convincing as the confused and tormented Valerie. There is also good work from Anthony Steel, who was (briefly) married to Ekberg at the time. Peter Walker, who mostly did television work, is adequate as Garth's brother, Herb. 

Anthony Steel
Valerie is well-photographed by Ernest Laszlo. It also has a good and interesting score by Albert Glasser, who usually scored science fiction and monster movies such as The Beginning of the End, but here is allowed to flex his musical muscles and delivers. Gerd Oswald also directed Ekberg in Screaming Mimi and Paris Holiday, but he got his best work from her in Valerie. Oswald's most famous film is A Kiss Before Dying

Verdict: An unusual and twisted romance. ***. 

2 comments:

angelman66 said...

Interesting. Have never seen Anita Ekberg in a movie, only cheesecake pictures.
-C

William said...

You gotta see ol' Ekberg in at least one movie. This is a good one!