Thursday, July 7, 2022
ELMER GANTRY
Thursday, April 16, 2020
NIGHT AND THE CITY
| Richard Widmark |
In London Harry Fabian (Richard Widmark of Don't Bother to Knock) is a hustler for a night club and is always coming up with one get-rich-quick scheme after another. His loving girlfriend, Mary (Gene Tierney), sings at the same club and tries her best to keep Harry's flights of fancy from careening out of control. He meets the son, Nikolas (Ken Richmond), of a famous retired wrestler. Gregorius (Stanislaus Sbyszko), and decides to become the younger man's manager. But this doesn't sit well with Gregorius' other son, Kristo (Herbert Lom), who has the fight racket in London sewn up. Besides, Harry needs money to stage a match, and if he can't get it from the corpulent club owner, Philip Nosseross (Francis L. Sullivan of Hell's Island), he'll get it from the man's wife, Helen (Googie Withers), who has a thing for him. But Harry may find he's bitten off more than he can chew as he attempts to balance all these factions and emerge a winner ...
| Tierney and Widmark |
The Connecticut-born Jules Dassin also directed Rififi. Night and the City was remade in 1992 with Robert De Niro in the Harry Fabian role but the film was not well-received.
Verdict: Unusual drama with a rich and interesting cast. ***.
Thursday, March 2, 2017
THE DAY THE EARTH STOOD STILL (1951)
| "Gort" and Patricia Neal |
Klaatu (Michael Rennie), an emissary from a group of united planets, arrives on earth in a large saucer, accompanied by a potentially destructive law enforcement robot named Gort. Klaatu has come to earth to warn the world that the other planets will not tolerate earthlings, who have recently discovered atomic power, bringing their violent aggressiveness into outer space. His solution if earth doesn't mend its ways: destroy the entire planet! [Talk about aggressiveness!]
Held prisoner by the military, Klaatu, who wants to learn earth ways, escapes and moves into a boarding house, where he meets the lovely widow, Helen (Patricia Neal) and her likable little boy, Bobby (Billy Gray). Once Helen discovers the truth about the mysterious visitor and his plan, you keep waiting for her to argue about all the good in the world, the notable doctors, scientists, artists, and to tell Klaatu that most of the world's wars are caused by a mere handful of residents. You expect her to say "innocent children like my son will be killed along with the warmongers," but she never does. This is the major reason why I've never particularly cared for this "classic." While Helen and Bobby represent good earthlings, too much of this portrayal is distinctly negative and unfair.
One can imagine, of course, that none of the aliens really wish or intend to wipe out the billions of earth's inhabitants, but foolishly hope this warning might suffice. But surely these powerful aliens can simply deal with the spaceships of more aggressive nations instead of dooming every person on the earth? No one even suggests this much more sensible solution.
That being said, The Day the Earth Stood Still is modestly entertaining and thought-provoking, although probably not in the way the filmmakers intended. Michael Rennie offers perhaps his best performance as the enigmatic Klaatu, his face registering amusement or bafflement and suggesting a certain superiority without becoming obnoxious about it. Neal is warm and sympathetic, but probably wasted in this movie. Billy Gray [The Navy vs the Night Monsters], Hugh Marlowe (as Helen's fiance) and others all give good performances and Robert Wise's direction is fine. The film also boasts Leo Tover's [The Snake Pit] excellent cinematography, and a superb score by Bernard Herrmann, whose spooky, jangling music influenced dozens of later scores. [Tover and Herrmann also worked on Journey to the Center of the Earth] The film itself was also very influential, with Hugh Marlowe headlining Earth vs the Flying Saucers a few years later and many other aliens-visit-earth films to come.
One last troubling aspect to the movie: After an over-zealous soldier shoots Klaatu at the beginning of the film, Gort responds by disintegrating tanks and rifles, but doesn't injure any men. Later, however, he completely disintegrates two soldiers who weren't even firing at him! Klaatu explains at one point that Gort is like a policeman, apparently one who is as quick-to-shoot as that first soldier was. The two dead men, whose deaths were completely unnecessary, are never mentioned again. Most likely they were killed so that the audience could feel Helen was in danger when she goes to give Gort a command that will stop him from further action. Still ...
The Day the Earth Stood Still (the title refers to Klaatu suppressing all energy world wide as a demonstration of his power) was remade in 2008 with Keaua Reeves playing a variation of Klaatu. Kathy Bates played an aggressive secretary of defense. Despite some good performances and effects and a much higher body count, the movie was not really an improvement over the original, itself no masterpiece.
Verdict: A bit too simplistic and even childish at times, but Herrmann's score is great. **1/2.
Thursday, May 19, 2016
GARDEN OF EVIL
| Gary Cooper contemplates eternity |
"Age before beauty." -- Richard Widmark to Gary Cooper.
Down in Mexico, a desperate woman, Leah Fuller (Susan Hayward), importunes a group of strangers to take a long trip through Apache country to rescue her husband, John (Hugh Marlowe), who is trapped in a mine. The strangers consist of Hooker (Gary Cooper), Fiske (Richard Widmark), Luke (Cameron Mitchell), and Vincente (Victor Manuel Mendoza). As they effect this rescue, the restless Apaches are keeping watch ... That's the slight storyline to this mediocre picture that does boast some stunning CinemaScope photography (Krasner and Stahl), beautiful location settings, and a score by Bernard Herrmann that is much, much better than the movie deserves. As for the acting, Cooper is listless, Mendoza is fine, Marlowe [Elmer Gantry] is relatively terrible, Hayward is just okay, Widmark [The Tunnel of Love] has a bit more vitality, and Mitchell [Man-eater of Hydra] comes off best as the deceptively friendly Luke. In its attitude towards Native Americans, this is not a progressive western, but then in this pretentious and weak screenplay all of the characters are paper thin. Rita Moreno shows up very briefly as a saloon singer.
Verdict: Great to look at and listen to, but that's it! **.
Thursday, October 23, 2014
WORLD WITHOUT END
Four American astronauts on a trip to observe but not land on Mars, wind up caught in a super-speed time warp and arrive on Earth in 2508 AD. There they find that one-eyed mutates rule over savage humans who roam the countryside, while the dregs of intelligent humanity hide inside a mountain HQ. The men are old and eunuch-like and wear hideous outfits, while the younger women are clad in glamorous gowns that show up sexy legs. Yes, welcome to the future -- or rather 1956! The astronauts also encounter two giant mutated spiders -- unconvincing mock-ups -- in a cavern. World Without End has a few ideas -- it's not as dumb, say, as Queen of Outer Space, also directed by Edward Bernds -- but most of them are recycled. Like Queen, this is also decked out in CinemaScope and Technicolor. The astronauts are played by Hugh Marlowe, Rod Taylor (who would have somewhat similar adventures in The Time Machine a few years later), Nelson Leigh (The Adventures of Sir Galahad), and Christopher Dark, while the attractive ladies are Nancy Gates, Shawn Smith (The Land Unknown), and Lisa Montell. Everett Glass plays aged Timmek, who rules the underground society, and Booth Colman is Mories, who can hardly wait to take over. The credits for most of these actors were largely on television. Not enough is made of the fact that the astronauts will never see their loved ones or time period again, but then this isn't exactly intellectual material. Very influential, for better or worse, on such later movies as Beyond the Time Barrier.
Verdict: Even big spiders can't save this from being rather boring. **.
Thursday, February 27, 2014
SEVEN DAYS IN MAY
| Kirk Douglas, Martin Balsam and Fredric March |
U.S. President Lyman (Fredric March) has pushed through a nuclear disarmament pact with the U.S.S.R. that most of the people and military disagree with, not trusting the Russians. Colonel "Jiggs" Casey (Kirk Douglas) thinks he may have uncovered a plot by General Scott (Burt Lancaster) to capture Lyman and have a military take-over of the United States. Some people think Casey is paranoid and has no real proof -- although he has also uncovered a top-secret military base that the president has never heard of -- but as the time approaches, the evidence, and the suspicious death of at least one investigator, indicates that he may be right. Seven Days in May is a crackling good suspense thriller bolstered by excellent performances from the entire cast, including those already named, as well as Martin Balsam, Edmond O'Brien, George Macready, and Ava Gardner (as an old girlfriend of the general's). John Houseman plays an admiral, Andrew Duggan an Army man, and Hugh Marlowe, Whit Bissell, Richard Anderson, and Malcolm Atterbury have smaller roles. Fredric March is especially outstanding.
Verdict: Taut, fast-paced and terrific. ***1/2.
Thursday, May 1, 2008
ILLEGAL

When District Attorney Victor Scott (Edward G. Robinson) discovers that he's sent an innocent man to the electric chair, he resigns, drinks, and winds up in a downward spiral that leads to him working with hoodlum Frank Garland (Albert Dekker). There comes a conflict of interest when he defends a former associate and close friend, Ellen Miles (Nina Foch), who is accused of murder and whose defense is tied in with Garland's activities. Hugh Marlowe has one of his more interesting roles as Foch's husband, and Jayne Mansfield, chest out-thrust, plays one of Garland's girlfriends (her performance is mediocre at best). DeForest Kelley of Star Trek fame plays the innocent man who goes to the chair, and Ellen Corby scores as Scott's no-nonsense secretary. Illegal is a snappy if pat movie with a great performance by Robinson -- his drunk scenes are masterful. Jan Merlin makes a striking and sinister gunsel and hit man, Andy Garth, and Nina Foch does a nice job as well.
Verdict: Minor but entertaining. **1/2.
Friday, March 21, 2008
EARTH VS. THE FLYING SAUCERS

