WORLD WITHOUT END (1956). Director: Edward Bernds.
Four American astronauts on a trip to observe but not land on Mars, wind up caught in a super-speed time warp and arrive on Earth in 2508 AD. There they find that one-eyed mutates rule over savage humans who roam the countryside, while the dregs of intelligent humanity hide inside a mountain HQ. The men are old and eunuch-like and wear hideous outfits, while the younger women are clad in glamorous gowns that show up sexy legs. Yes, welcome to the future -- or rather 1956! The astronauts also encounter two giant mutated spiders -- unconvincing mock-ups -- in a cavern. World Without End has a few ideas -- it's not as dumb, say, as Queen of Outer Space, also directed by Edward Bernds -- but most of them are recycled. Like Queen, this is also decked out in CinemaScope and Technicolor. The astronauts are played by Hugh Marlowe, Rod Taylor (who would have somewhat similar adventures in The Time Machine a few years later), Nelson Leigh (The Adventures of Sir Galahad), and Christopher Dark, while the attractive ladies are Nancy Gates, Shawn Smith (The Land Unknown), and Lisa Montell. Everett Glass plays aged Timmek, who rules the underground society, and Booth Colman is Mories, who can hardly wait to take over. The credits for most of these actors were largely on television. Not enough is made of the fact that the astronauts will never see their loved ones or time period again, but then this isn't exactly intellectual material. Very influential, for better or worse, on such later movies as Beyond the Time Barrier.
Verdict: Even big spiders can't save this from being rather boring. **.
Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Shawn Smith. Show all posts
Showing posts with label Shawn Smith. Show all posts
Thursday, October 23, 2014
Thursday, October 25, 2012
IT THE TERROR FROM BEYOND SPACE
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| Peekaboo! The Martian monster on the loose |
An expedition to Mars picks up the sole survivor, Lt. Carruthers (Marshall Thompson), of the first team to reach the planet. Carruthers is suspected of murdering his team mates so the food would last longer, but he insists they were actually decimated by a ferocious monster [but what about that bullet hole in a skull? everyone wonders]. Said monster becomes a stowaway on the voyage back to Earth, and pretty soon this new crew discovers Carruthers was telling the truth. The creature absorbs all of the bodily fluids from his victims via osmosis, and is amazingly strong as well. It, an obvious forerunner of Alien, is a taut, adroit little B movie that builds up suspense as the surviving crew members do everything they can think of to stay alive and destroy the monster. Bixby wrote the classic horror story "It's a Good Life" that was adapted by The Twilight Zone. The competent cast members [who sometimes seem to be holding back laughter] include Shawn Smith [The Land Unknown], Ann Doran, Kim Spalding as the captain, and Dabbs Greer [The Vampire] as a science officer. Thompson appeared in First Man Into Space and many other films of various genres. Cahn directed 125 movies; Bixby wrote a lot for television but did only a few full-length screenplays.
Verdict: Lively, low-budget sci fi horror. ***.
Thursday, March 15, 2012
THE LAND UNKNOWN
THE LAND UNKNOWN (1957). Director: Virgil Vogel.
A helicopter carrying passengers lands in a lost world full of prehistoric animals and dangerous plant life. No, it's not The Lost World, it's The Land Unknown, which came out from Universal three years earlier and was similarly in CinemaScope [if black and white]. The Technicolor 20th Century-Fox production of Lost World, with bigger names in the cast and a ton of publicity, sort of eclipsed this earlier film, which is not bad at all. Commander Roberts (Jock Mahoney), reporter Maggie Hathaway (Shawn Smith), Lt. Carmen (William Reynolds) and machinist's mate Steve Miller (Phil Harvey) set out in their copter to explore the South Pole and wind up descending through mist into a lost world of monsters, discovering the sole human inhabitant is a crashed scientist, Dr. Hunter (Henry Brandon). There are lots of gigantic slithering lizards (which Hunter can control with a horn), some mechanical T-Rex's with slobbering jaws, and a creditable lake monster with big flippers and a long memory, not to mention a big rubbery plant that badly wants to wrap its tentacles around Maggie Hathaway. The optical work can be uneven, but there are many effective shots, as well as an exciting bit with Comdr. Roberts running from a voracious T-Rex. There are some impressive and elaborate sets and excellent art direction, and the film manages to work up some suspense [if the group doesn't get out of this valley in a certain number of days, their ship will leave without them]. Despite their phony appearance, the T-Rex's are better than the ones in Unknown Island and actually work well enough in context. Despite the absence of stop-motion effects, which would have greatly improved the picture, The Land Unknown is still quite entertaining, with the cast more than adequate for the proceedings. Vogel also directed The Mole People. Henry Brandon had a very long list of credits, probably his most famous role being nasty old Barnaby in the 1934 Laurel and Hardy masterpiece Babes in Toyland, in which he was made up to look older than he does in Land Unknown 23 years later! He also had the title role in the 1940 cliffhanger serial Drums of Fu Manchu. Phil Harvey appeared in a number of Universal horror/sci fi films of the period, including The Monolith Monsters. NOTE: This movie is now available in a remastered DVD which keeps the widescreen ratio intact and is complete, a far better way to see it than on TV with commercials, missing sequences, and no Cinemascope, which is how most people have seen it, unfortunately.
Verdict: For big lizard and lost world lovers. ***.
A helicopter carrying passengers lands in a lost world full of prehistoric animals and dangerous plant life. No, it's not The Lost World, it's The Land Unknown, which came out from Universal three years earlier and was similarly in CinemaScope [if black and white]. The Technicolor 20th Century-Fox production of Lost World, with bigger names in the cast and a ton of publicity, sort of eclipsed this earlier film, which is not bad at all. Commander Roberts (Jock Mahoney), reporter Maggie Hathaway (Shawn Smith), Lt. Carmen (William Reynolds) and machinist's mate Steve Miller (Phil Harvey) set out in their copter to explore the South Pole and wind up descending through mist into a lost world of monsters, discovering the sole human inhabitant is a crashed scientist, Dr. Hunter (Henry Brandon). There are lots of gigantic slithering lizards (which Hunter can control with a horn), some mechanical T-Rex's with slobbering jaws, and a creditable lake monster with big flippers and a long memory, not to mention a big rubbery plant that badly wants to wrap its tentacles around Maggie Hathaway. The optical work can be uneven, but there are many effective shots, as well as an exciting bit with Comdr. Roberts running from a voracious T-Rex. There are some impressive and elaborate sets and excellent art direction, and the film manages to work up some suspense [if the group doesn't get out of this valley in a certain number of days, their ship will leave without them]. Despite their phony appearance, the T-Rex's are better than the ones in Unknown Island and actually work well enough in context. Despite the absence of stop-motion effects, which would have greatly improved the picture, The Land Unknown is still quite entertaining, with the cast more than adequate for the proceedings. Vogel also directed The Mole People. Henry Brandon had a very long list of credits, probably his most famous role being nasty old Barnaby in the 1934 Laurel and Hardy masterpiece Babes in Toyland, in which he was made up to look older than he does in Land Unknown 23 years later! He also had the title role in the 1940 cliffhanger serial Drums of Fu Manchu. Phil Harvey appeared in a number of Universal horror/sci fi films of the period, including The Monolith Monsters. NOTE: This movie is now available in a remastered DVD which keeps the widescreen ratio intact and is complete, a far better way to see it than on TV with commercials, missing sequences, and no Cinemascope, which is how most people have seen it, unfortunately.
Verdict: For big lizard and lost world lovers. ***.
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