Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label rock 'n' roll. Show all posts
Showing posts with label rock 'n' roll. Show all posts

Thursday, May 25, 2017

SHAKE, RATTLE & ROCK

Holloway, Dumbrille, Dumont and Helton
SHAKE, RATTLE & ROCK (1956). Director: Edward L. Cahn.

"Rock 'n' Roll is destroying the youth of our nation."

DJ Gary Nelson (Mike "Touch" Connors) is the host of a teen rock and roll program which inspires the ire of a group of old fogies who are offended by its alleged vulgarity. They form the Society for the Prevention of Rock and Roll and the Corruption of American Youth or SPRACAY. The most interesting thing about the movie is that the members of this group include no less than Margaret Dumont [Little Giant], Douglass Dumbrille, and Percy Helton [The Crooked Way], all of whom are marvelous (Dumbrille is especially wonderful in his comic portrayal, but the others score as well). Unfortunately, while these veterans are aware that they are in a comedy, the same cannot be said for Mike Connors and Lisa Gaye as his girlfriend, who display little skill at humor. As Connor's good right hand, Sterling Holloway [Wild Boys of the Road] is pure camp as an early "Maynard G. Krebs" type. Shake, Rattle & Roll tries to have it both ways by trying to be "serious" at times, but it certainly doesn't work in this picture. The movie displays its own prejudices when it introduces a lisping nerd as the voice of classical music (although even he ends up "rockin'" at the end). Some rock and "swing" movies (from an earlier decade) respected classical and operatic music while celebrating the new type of sounds, while others got defensive and put down classical stuff the same way others derided rock 'n' roll; this is in the latter category. Raymond Hatton is fun as Dumont's hen-pecked but eventually liberated husband, Clarence Kolb plays a judge, and Fats Domino sings a couple of numbers. Much more screen time should have been given to Dumont, who can be very, very funny.

Verdict: Very amusing at times, but the fun eventually peters out and a lot of opportunities for great comedy are muffed. **1/2.

Thursday, May 12, 2016

LOVING YOU

Elvis!
LOVING YOU (1957). Director: Hal Kanter.

"He's the one -- the one with jumping beans in his jeans!"

Press agent Glenda Markle (Lizabeth Scott of Dark City) and her sort of boyfriend "Tex" Warner (Wendell Corey), hope to improve their situation and get lots of publicity by bringing young Deke Williams (Elvis Presley) into their band. Deke's hip-swinging antics incur the wrath of old biddies and the town council, but even the biddies are eventually won over by Deke's obvious likability and sex appeal. Jailhouse Rock, the next Presley film after Loving You, also juxtaposed an older has-been singer with an up and coming youngster but made a little more of the older man's angst, although Loving You has a slightly more serious script than Jailhouse. Elvis is fine, Scott and Corey are excellent, Delores Hart [Wild is the Wind] makes little impression as another band member and Presley's love interest. The title tune and "Teddy Bear" are the best numbers, and Presley betrays a not-terrible baritone when he warbles a ballad. One of the best scenes has Glenda reminding a disapproving council that years ago there was an outcry against jazz, and even against Debussy and Stravinsky decades before. Whatever you think of his acting and singing, Presley had presence in spades.

Verdict: Appealing performances help put this over. **1/2.

Thursday, May 5, 2016

JAILHOUSE ROCK

Judy Tyler and Elvis!
JAILHOUSE ROCK (1957). Director: Richard Thorpe.

"Without money you might as well be dead."

Vince Everett (Elvis Presley) delivers one punch too many to an obnoxious guy in a bar, and winds up in stir for a year for manslaughter. There he meets aging country singer "Hunk" Houghton (Mickey Shaugnessy of King of the Roaring 20's), who gives him musical advice and signs him to a contract. Vince has a massive chip on his shoulder that puts up barriers between himself and the people he meets, including a woman, Peggy (Judy Tyler), who is in the recording industry and helps him get started. Becoming successful, insolent Vince plays around on Peggy. Then Hunk, newly out of jail, arrives and reminds him of that contract ... Jailhouse Rock is an entertaining flick that features a pretty good performance from Presley, whose hip-shaking movements remind one, oddly, of Rita Hayworth! Shaughnessy and Tyler are excellent, and we also have a bizarre scene between Presley and Percy Helton -- "bizarre" because of the juxtaposition of these two very different individuals --  with the latter playing a bar owner. Dean Jones has a brief appearance as a friendly DJ who dates Peggy. Movies like Jailhouse Rock aren't to be taken seriously, but the movie so glosses over details about the recording industry that it seems like a fantasy at times! S. John Launer, who plays the judge who sentences Vince, often played a judge on Perry Mason. Judy Tyler was an attractive and talented woman who starred on Broadway in Rodgers and Hammerstein's musical Pipe Dream the year before this picture. She was killed at age 24 in a car accident before Jailhouse was even released. Whatever you think of Presley, there is no denying the man had presence in spades!

Verdict: The "Jailhouse Rock" production number is a hoot! *** out of 4.