THE TERROR OF DR. MABUSE

Wolfgang Preiss as Mabuse

THE TERROR OF DR. MABUSE (aka Das Testament des Dr. Mabuse1962). Director: Werner Klingler.

"Mabuse -- the criminal? No -- Mabuse the genius!"

"Dr. Mabuse will very much enjoy this -- watching you squirm, hearing you shriek."

This remake of The Testament of Dr. Mabuse follows the story pretty closely. A series of ingenious robberies -- of everything from armored cars to banks -- befuddle Inspector Lohmann (Gert Frobe of Goldfinger) and his assistant, Kruger (Harald Juhnke). Mortimer (Charles Regnier) leads the men on their assignments, but they all answer to "Dr. Mabuse," who has resided in an institution for many years. Mabuse's strong will and hypnotic powers have turned Professor Pohland (Walter Rilla ), the head of the institution, into a carbon copy of himself. In the meantime, Mortimer enlists a washed up boxer, Jonny (Helmut Schmid), into the gang, but he has a crisis of conscience, and winds up imprisoned with his girlfriend, Nellie (Senta Berger of The Spy with My Face). The chief differences between both films is that in the latter Mabuse is strictly a criminal mastermind while in the earlier film he is an out and out terrorist. There is no scene in the remake equivalent to the sequence involving the room with a bomb that fills with water in the original, although this version has a suspenseful bit in regards to a descending elevator car. Unlike the first film, Lohmann winds up tortured by electroshock by the professor. The main problem with this film is that it doesn't improve on Fritz Lang's version, which itself was not exactly a masterpiece. The acting in this isn't bad, and Anneli Sauli makes a brief impression as the prostitute, Heidi.

Verdict: So-so Mabuse. **1/2.

DIABOLICALLY YOURS

Senta Berger and Alain Delon

DIABOLICALLY YOURS  (ala Diaboliquement votre/1967). Director: Julien Duvivier.

An accident victim (Alain Delon) wakes up in the hospital with amnesia and is told he is "Georges Campo." He is confused, but has few complaints as his wife, Christiane (Senta Berger), is beautiful, and they live in a magnificent home on a large estate. His old friend, Freddie (Sergio Fantoni), a doctor, tells him he needs bed rest and shouldn't even make love to his wife until he remembers her. But his dog doesn't recognize him and there are several more accidents that nearly kill him ... Diabolically Yours, a French-Italian-West German co-production. comes off like a poor Movie-of-the-Week, with an unoriginal plot and mostly uninspired performances. Considering the things that have happened to him, Delon [L'eclisse] can only muster up a mildly perturbed air instead of the outrage he would be feeling. Berger [The Spy with My Face] is very pretty but she is only adequate, while Peter Mosbacher steals the show as her odd, devoted servant, Kim. Made ten years earlier with a zestier cast and better direction, this might have come off like a lively if minor film noir such as Strange Awakening, which actually has a similar plot. This was the last film directed by Julien Duvivier, who did both French and American films, such as Flesh and Fantasy and Lydia, both of which were much better than this clap-trap. Duvivier, of course, needed a much better script, but he does very little with what he's been offered.

Verdict: Even Delon's fans will find this a bore. *1/2.

THE SPY WITH MY FACE

THE SPY WITH MY FACE (1965). Director: John Newland.

The Man from U.N.C.L.E. was such a successful program that the producers decided to try to make even more money by expanding certain episodes and turning them into movies. (Later on they only did this with two-part episodes, which generally needed no extra material.) This was fine for the foreign market, but a bit of a rip-off for Americans who had to pay to see what they'd already seen for free on TV. The Spy with My Face began life as "The Double Affair," a first season episode of the show in which THRUSH replaces Napoleon Solo (Robert Vaughn) with a surgically-altered lookalike. Senta Berger is the sexy THRUSH villainess who dallies with both the original Solo and the copy, and Sharon Farrell is the perky stewardess who falls for Solo. The plot has to do with Project Earthsave, which will employ a unique and deadly force developed by scientists in the event Earth were to be attacked from space. Naturally THRUSH wants to get its hands on this energy for its own purposes. The best scene has several agents approaching the underground vault that holds the mysterious force as the director (an effective Paula Raymond of Beast from 20,000 Fathoms fame) warns them not to look into the vault without goggles once it's opened -- for some reason you could be sucked inside the vault and killed. The Solo-double murders someone who's on to him by "accidentally" knocking off his goggles. Strangely, no one even makes an attempt to rescue the poor guy as, mesmerized, he walks into the vault and the director intones "we can't save a man who no longer exists." Scenes added to the telecast include an opening raid on a THRUSH HQ, and some sexier bedroom and shower scenes with Vaughn, Berger, and Farrell. This may be basically minor-league all the way, but it's still fun if you're an U.N.C.L.E. fan. Still at its shorter length as a TV episode it probably worked much better. (The TV episode was shown in black and white; the movie version is in color.)

Verdict: Fun for Man from U.N.C.L.E. maniacs. **1/2.