FRANKENSTEIN: THE TRUE STORY

The Three faces of Michael Sarrazin

FRANKENSTEIN: THE TRUE STORY (1973 telefilm). Director: Jack Smight.

"Violence may be unavoidable, but clumsiness is inexcusable."

This re-imagining of the Frankenstein story certainly has an interesting cast, with James Mason stealing the picture as Dr. Polidori (an acquaintance of Mary Shelley's who was not in her novel, as well as the tragic author of The Vampyr). Leonard Whiting is Victor Frankenstein, with Michael Sarrazin [The Reincarnation of Peter Proud] as the creature. Jane Seymour [Sinbad and the Eye of the Tiger] turns in sterling work as both Agatha, and Prima, sort of the Bride of Frankenstein, who falls to pieces in the film's grossest, most bravura sequence. Other notable performances come from David McCallum as Henri Clerval; Agnes Moorehead as Mrs. Blair; and Ralph Richardson as Mr. Lacey. The telefilm also employs the talents of John Gielgud, Tom Baker [The Vault of Horror], Michael Wilding, and Margaret Leighton, but even an impressive cast can't disguise the fact that this in no way compares to the original story. This is more akin to Marvel Comics than to Mary Shelley, and often borders on the burlesque.

Verdict: Fun enough for non-discriminating Frankenstein fans. **1/2.

DOUBLE INDEMNITY (1973)

Samantha Eggar

DOUBLE INDEMNITY (1973 telefilm). Director: Jack Smight.

In one of television's more pointless exercises, this TV movie is a remake of the Billy Wilder 1944 classic. The story, based on James Cain's novel, remains the same. Insurance salesman Walter Neff (Richard Crenna) and Phyllis Dietrichson (Samantha Eggar) conspire to do away with her husband (Arch Johnson), hoping to invoke a double indemnity clause in his insurance by making it look like an unusual accident. If you've never seen the original movie, or even if you have, this version will still prove entertaining because of the suspenseful storyline, but compared to the Wilder version with Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson, this is like a high school production. The actors aren't bad, with Eggar making a suitably sociopathic Phyllis and Lee J. Cobb as good as ever in the Robinson role [if not as good as Robinson, whom he apes to some degree]. As for Richard Crenna? He rushes through the opening and closing scenes like a complete amateur [possibly he was directed that way as this telefilm is only 75 minutes long!] but for the rest of the movie he's okay, and was probably cast for the same reason MacMurray [who was much better] was, that likability factor that makes the unpleasant character more palatable. Jack Smight's direction is strictly by the numbers, completely devoid of style, and he does nothing to increase the tension. The murder scene itself might as well be  a trip to the supermarket. It also has to be said that this kind of noirish material plays better in the right time period, the forties, than updated to the seventies.

Verdict: Stick to the original. **1/2.

THE SCREAMING WOMAN

THE SCREAMING WOMAN (1972 telefilm). Director: Jack Smight.

Wealthy widow Laura Wynant (Olivia de Havilland) has just returned from a stay in a sanitarium when she encounters a strange little dog while out walking on her property, and then hears a woman calling for help from below the ground. Laura tries to get her family, staff and police to take her seriously, but no one will believe her, thinking she's "nuts," and when they finally go out to investigate, hear nothing. In spite of this Laura is determined to free the poor buried woman before she dies, and when she can't do it herself tries to enlist the aid of some neighbors, one of whom knows more about the situation than she suspects ... The Screaming Woman is based on a short story by Ray Bradbury which was adapted [probably more than once] for the infamous EC comics back in the fifties. [I believe in the original story the protagonist is a child given to tall tales.] This version is intriguing, although it runs out of gas long before the expected finale. Another problem is that the audience knows all along that Laura isn't imagining things because we're shown the woman under the ground at the beginning. Along with de Havilland there are some other familiar faces, including Ed Nelson as a neighbor, Walter Pidgeon as Laura's doctor, Charles Drake as another embittered neighbor, and Lonny Chapman as the police sergeant. Charles Robinson is Laura's son; Laraine Stephens is his hateful wife; and Alexandra Hay is a young woman who is friends with Nelson. This was presented as an ABC "Movie of the Week." Miss de Havilland [spelled DeHavilland in the credits] is adequate but then this is not exactly The Heiress.

Verdict: Acceptable TV thriller. **1/2.