THERE'S NO BUSINESS LIKE SHOW BUSINESS

The technicolor finale of There's No Business ...

THERE'S NO BUSINESS LIKE SHOW BUSINESS (1954). Director: Walter Lang.

Molly Donahue (Ethel Merman) and her husband Terence (Dan Dailey) are long-time vaudevillians who have three children who join their act: girl-happy Tim (Donald O'Connor); pretty Katy (Mitzi Gaynor); and jazz baby Steve (Johnnie Ray), who actually prefers to enter the priesthood. Tim falls hard for a sexy lady named Vicky (Marilyn Monroe), but a misadventure with her sends him running off from a role in a Broadway show on the eve of WW 2. Is this the end of the Five Donahues? Aside from the title tune (which actually comes from Annie Get Your Gun), you'd be surprised that the music is by Irving Berlin, as the new numbers are pretty terrible and the older ones are ruined by inappropriately jazzy arrangements. As Steve, Johnnie Ray over-sings everything and makes faces, and his rendition of "Alexander's Ragtime Band," which he butchers, has to be seen to be believed. Ray also delivers the pious "If You Believe" (while mimicking Elvis' movements!) while the Adorable One -- La Monroe -- sexes up "Tropical Heatwave" in her inimitable style, although she's dubbed by Delores Gray and the number is otherwise not especially memorable. Although Monroe isn't quite up to her more "serious" scenes, she's positively luminescent in this and delivers her comedy sequences with her usual panache. As for the rest of the cast, Merman is terrific, with fine support from Dailey, Gaynor [The Joker is Wild] and O'Connor; Ray is fairly pleasing when he isn't singing. Hugh O'Brian [Rocketship X-M] shows up briefly as a theater man who falls for Katy; Robin Raymond [The Glass Wall] is the crude Lillian, who dates Tim; and Chick Chandler and Lee Patrick hardly get any lines as a couple of old vaudevillians at the Donahues party. The ending is nicely sentimental, and the last production number is a positive riot of brilliant technicolor.

Verdict: It would be all too easy to quibble about this picture's general mindlessness and often hokey numbers, but it all plays in spite of it. ***.

WE'RE NOT DRESSING

Gracie Allen encounters a lion in the South Pacific!

WE'RE NOT DRESSING (1934). Director: Norman Taurog.

"This is beginning to depress me." -- Uncle Hubert

Wealthy Doris Worthington (Carole Lombard) is taking a cruise on her yacht with a group of friends, two handsome princes (Ray Milland and Jay Henry) who are both courting her, her Uncle Hubert (Leon Errol) and her pal, Edith (Ethel Merman). Doris is attracted to a singing sailor named Stephen (Bing Crosby), but she finds him impertinent and he thinks she's a snob. When the yacht sinks, almost everyone winds up on a deserted island in the south pacific, where the husband and wife team of George and Gracie (George Burns and Gracie Allen) are doing research on the flora and fauna! Stephen declares that everyone has to pitch in and work for their supper, while he and Doris fight their increasing attraction to each other and he sings one catchy number after another ["Love Thy Neighbor;"  "Lovely Little Lady;" "May I"]. This doesn't have much of a plot, and the dialogue and lyrics aren't always winning, but the cast is game, although these will not go down as great performances for either Der Bingle or Lombard. Errol is his usual comical self, Merman is very amusing, and if you like Burns and Allen you'll enjoy their sequences in this movie. This is clearly a "Bing Crosby Picture" with the others sort of along for the ride, but on that level it's easy enough to take, if no world-beater, and it does have its charming and amusing moments.

Verdict: Amiable silliness with pleasant old tunes. **1/2.

THE LUCY SHOW SEASON TWO

Lucy and Viv try to get the "world famous Thunderbolt" to move

THE LUCY SHOW Season 2.1963.

The first season of The Lucy Show had its moments but was certainly no I Love Lucy. The second season also has some laughs, but there isn't a single really outstanding episode. The more memorable ones feature Jay Novello as a safe cracker; Robert Alda and John Carradine as art student and instructor [and a very clever bit involving the Mona Lisa]; Lucy's all-woman fire department putting out a fire at the bank; Lucy and Viv opening a restaurant [though it can't compare to "The Diner" episode on I Love Lucy]; Lucy working with Mr. Mooney [Gale Gordon, who is introduced on the fourth episode of the season] at the same bank; the gals competing in a bake-off; and the frenetic couple organizing kiddie parties [the funniest bit has the gals trying to get a recalcitrant dog, "the world-famous Thunderbolt" -- see photo -- to just get up and move]. The problem with The Lucy Show is that everyone thinks that all Ball needs is a little shtick to be hilarious, but the episode with her conducting an orchestra is just plain bad, and there are other overly silly and unfunny episodes with labored and poor material that even the talents of Ball and Vance can't save. However, the gals get some good support from Gale Gordon, Mary Jane Croft, Kathleen Freeman, and others. Ball's second husband, comic Gary Morton, appears in one episode and is quite good. Season three was slightly better. In the introduction to the show, there are nuermous photos of Lucy, and only one of Vivian Vance, who is still billed only as a "co-star."

Verdict: "Ethel Mertz" is one thing, but you can really miss her teaming up with Ethel Merman. **.  

CALL ME MADAM

CALL ME MADAM (1953). Director: Walter Lang.

Entertaining if minor adaptation of Irving Berlin musical stars a vibrant Ethel Merman as Sally Adams, who becomes ambassador to the Duchy of “Lichtenbourg” (Adams thinks that “Duchy” means that the people are Dutch!) She falls hard for General Cosmo Constantine, who is very well played by George Sanders. The delightfully irritable Billy DeWolfe is annoyed by Adams' usurping of his power so he causes trouble any way he can, while her young press attaché (Donald O'Connor) finds himself falling for the princess (Vera-Ellen) who is betrothed to a handsome sourpuss (Helmut Dantine). It all works out okay in the end, of course. Merman and Sanders are a rather odd pairing, but they actually play very well together, and the other cast members are all fine. There are times, however, when some of the funny lines aren't given the best delivery. Songs include such standards as “It's a Lovely Day Today” and “I Wonder Why/You're Just in Love” (“I hear music and there's no one there”), and there are other nice tunes as well [“Old-Fashioned Idea;” “International Rag;” “The Best Thing for You”]. By the way, Sanders' singing is not dubbed. He reveals an excellent baritone voice in this. Sanders was signed to replace Ezio Pinza in the Broadway production of South Pacific – and would have been both dramatically and vocally marvelous in it – when he chickened out at the last minute.

Verdict: Not a masterpiece, but tuneful and entertaining. ***.