THE DOLLY SISTERS

June Haver, Betty Grable and John Payne

THE DOLLY SISTERS (1945). Director: Irving Cummings.

Latsie Dolly (S. Z. Sakall) brings his two nieces from Hungary to America where Jenny (Betty Grable) and Rosie (June Haver) become a popular singing and dancing sister act. Jenny falls for entertainer Harry Fox (John Payne) but their romance hits a couple of snags. Lest you think that the Dolly Sisters were a mere invention of 20th Century-Fox, these gals actually existed, and a true story of their lives would have shocked the hell out of staid 1940's movie house patrons. In this sanitized version of their backstage history, the focus is on the love affair and marriage of Jenny and Harry -- Harry Fox was also a real person -- but the latter was only one of Jenny's husbands -- and lovers. This movie completely ignores the fact that the two gals became more famous for gambling and bed-hopping with wealthy men than they did for their singing and dancing! A car crash which necessitated plastic surgery for Dolly is presented in the movie, and would seem like a lame attempt to add "drama" were it not for the fact that it actually happened. Reginald Gardiner [Black Widow] plays a duke who dallies with Jenny after she and Harry part ways, and Frank Latimore [Shock] is a real-life store owner, Irving Netcher, who marries Rosie. Trudy Marshall [Mark of the Gorilla] has a nice bit as Lenora, a woman who has the misfortune of falling for Harry even though he's still in love with Jenny. While the screenplay is mediocre, The Dolly Sisters is bolstered by sumptuous Technicolor, high-class cinematography from Ernest Palmer, professional performances (from Sig Ruman and others), and some pleasant songs (Gordon and Monaco), although the best numbers are standards such as "I'm Always Chasing Rainbows." Two ladies who make an impression are Collette Lyons as (fictional?) entertainer Flo Daly and an uncredited chorus cutie who plays "Rosie Rouge" in a production number devoted to make up. (This song, in particular, has a weird off-kilter melody, if you can even call it that.) I have no idea what they were like in real life, but as embodied by Haver and Grable, the Dolly Sisters come off as a decorative but not terribly mesmerizing or especially talented vaudeville act.

Verdict: Smooth and entertaining and good to look at it nothing else. ***.

MARK OF THE GORILLA

Johnny Weissmuller and Suzanne Dalbert

MARK OF THE GORILLA (1950). Director: William Berke.

Skulduggery is afoot in a government game preserve in the Nagandi district of Africa. For one thing murderous gorillas are stalking about, even if this isn't their natural territory. Do these big apes perhaps have a secret? One thing that isn't a secret is that there's a horde of Nazi gold hidden on the preserve, and several people are trying to find it. These include the suspicious Professor Brandt (Onslow Stevens of The Couch) and the pretty Nyobi (Suzanne Dalbert, who has a distracting resemblance to Ingrid Bergman)! Then there's Warden Bentley (Selmer Jackson) and his niece, Barbara (Trudy Marshall of The Dancing Masters), who may be on the side of the angels. Jungle Jim (Johnny Weissmuller) takes care of the gorillas as well as the treasure hunters, though he has a tough time of it in spots. Mark of the Gorilla is fast-paced and well-directed, and surprisingly entertaining. There's a great scene when a chimp keeps stealing Jungle Jim's fish behind his back; a bit with a panther having a set-to with a crocodile; and exciting sequences featuring an attack by a hawk on a mountain and a prop moray eel under the water. As usual in these JJ pictures, the uncredited (and probably stock) score is a big help.

Verdict: This darn thing is fun! ***.

THE DANCING MASTERS

THE DANCING MASTERS (1943). Director: Malcolm St. Clair.

Laurel and Hardy run a dance studio but are way behind in their bills. They have one wealthy student, Trudy (Trudy Marshall) who's in love with Grant (Robert Bailey), whom her father detests. Hardy tries to make Laurel break his leg so they can collect on an insurance policy, then the two help Grant demonstrate his "invisible" ray gun. A protracted climactic sequence with a runaway bus that winds up on a roller coaster track is frenetic but not very funny, but there are some amusing bits in the film, including an auction for a grandfather clock that ends in disaster. Margaret Dumont is amusing as Trudy's mother, but she hasn't enough to do. Robert Mitchum has a small role as a small time hood selling "insurance" to the boys. Nestor Paiva plays another crook. The script for this picture never really jells, and despite some good moments, it can't be considered one of the better L&H features.

Verdict: Not the boys at their best. **.