Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Sammy Davis Jr.. Show all posts
Showing posts with label Sammy Davis Jr.. Show all posts

Thursday, March 29, 2018

MY WAY: AN AUTOBIOGRAPHY PAUL ANKA

MY WAY: AN AUTOBIOGRAPHY. Paul Anka with David Dalton. St. Martin's Press; 2013.

Seeing Anka in some low-budget films early in his career, I remembered how my sister had been a big fan of his, and recalled some of his early hits which he both wrote and performed ("Diana;" "Put Your Head On My Shoulder;" "Puppy Love"). My curiosity sparked, I decided to give Anka's memoir a try. Although he's hardly the most riveting figure, there was enough interesting material about the music industry back in the day, and how it's changed, to keep me reading -- at least at first. Aggressive and talented, the 15-year-old Canadian Lebanese teen successfully promoted himself into a career in New York and elsewhere. Anka writes how the "British Invasion" of the Beatles and others wiped out most of the other teen idols of the period, and Anka had to reinvent himself as a Las Vegas club act and write songs for singers other than himself (Sinatra's "My Way" is the most famous, although Anka only contributed lyrics to a French melody). The early sections of the book, in which Anka tells of interacting with performers he spent a lot of time with while on the road in buses and hotels, are more interesting than the rehashed stuff of the later chapters, in which Anka tries to make himself a mini-member of the Rat Pack. Frankly, the stories about Sinatra and the gang and all the mobsters simply seem recycled from other books. If we're to believe Anka, every famous person he encountered became a close friend. The most jaw-dropping moment occurs when Anka writes of ending his 38-year marriage to his first wife because "getting divorced from Anne was just something I had to do for myself." Huh! Quite a few pages later Anka writes how in his sixties he got involved with a much younger personal trainer whom he married and who apparently took him to the cleaners. While I wouldn't exactly call the book a "tell-all," there is some material about Sammy Davis Jr..'s  bisexuality (already mentioned in more than one previous book) and an anecdote about Angie Dickinson giving her husband Burt Bacharach a blow job while she was driving in their car, something Dickinson probably didn't need to see in print. Lest you think this makes My Way a fascinating read, be advised that for much of its length the book is just tedious name-dropping. The material is so badly organized, jumping around in time and back and forth from subject to subject (such as Sinatra), that it's as if the co-author just took Anka's stream of consciousness ramblings and absolutely made no attempt to make them coherent. Things are repeated -- and even contradicted -- throughout the book. Despite this, the book received some startlingly good reviews, such as an embarrassing one from the Huffington Post. Anka clearly did not know Donald Trump would become president, or he would have played him up even more in the book.

Verdict: Some people should not write their life stories. **.

Thursday, August 27, 2009

DECONSTRUCTING SAMMY-- PAPERBACK EDITION


Deconstructing Sammy, Matt Birbeck's excellent book on Sammy Davis Jr. and the legal entanglements that developed before and after his death, will be released in a paperback edition on September 1st, 2009. To the left is the new cover to look for. [Davis looks kind of sexy in that pose!]

Click here to read my review of this wonderful book.

This book is a fascinating read and is highly recommended!

Thursday, April 16, 2009

ANNA LUCASTA


ANNA LUCASTA (1959). Director: Arnold Laven. Screenplay by Philip Yordan from his play.

"Don't you want to see me respectable?"

"You'd only be cheapening yourself."

Caught by her father necking with a boy in the park, Anna (Eartha Kitt) is thrown out onto the street by her father, (who seems scared of her sexuality perhaps due to incestuous feelings on his part) and has to do what she can to survive. But when an opportunity comes up to marry Anna off to the well-off son, Rudolph (Henry Scott) of an old friend, the father, Joe (Rex Ingram), goes to bring her back home. When it looks as if Anna will have a new life with a very understanding Rudolph, Joe sets out to make sure her happiness is destroyed. This is a powerful family drama that happens to be about a black family. Eartha Kitt gives an outstanding performance as Anna, and the rest of the cast is splendid. Scott offers a sensitive and appealing portrayal of a decent, kind man who can overlook anything out of love. Anna's mother Theresa (Georgia Burke) says "Women play dumb. Men are born that way." Frederick O'Neal, James Edwards, Rosetta LeNoire, Isabel Cooley, Alvin Childress, and especially Claire Leyba as the old lady who only wants a drink, Blanche, are all notable.

And then we come to Sammy Davis Jr, who plays one of Anna's boyfriends, Danny. As much as I admire Davis, I have to say he isn't very good in the movie. His acting is too broad and almost amateurish. The scene when Anna runs off with Danny goes on much too long, and even has inappropriate sequences of Davis tripping the light fantastic. And this is what we get instead of a strong dramatic climax that the movie has been building toward but never quite arrives at. Otherwise, this is a very absorbing drama with an effective cast.

Verdict: Nearly derailed by Davis but still worthwhile. ***.

Wednesday, January 7, 2009

DECONSTRUCTING SAMMY


DECONSTRUCTING SAMMY. Matt Birkbeck. Amistad; 2008.

I started this book and lapped it up until the wee hours -- what a read! Instead of writing yet another biography of the great and talented Sammy Davis Jr., Birkbeck follows the efforts of African-American lawyer Albert "Sonny" Murray to disentangle Sammy's widow, Altovise Davis, from the IRS and other entanglements and to free up the rights to Sammy's recordings, name and image for her and Sammy's children. Along the way there emerges fascinating portraits of Sammy, Altovise, and Tracey, Sammy's daughter by May Britt, as well as her adopted brothers. After awhile the book takes on the tension of a thriller. Just as Sonny seems on the verge of brokering a terrific deal for Altovise, the chase is on to find the master tapes of Sammy's recordings -- without them, no deal! Suspense is generated over wondering whether or not Sonny will ever untangle all the legal messes left behind by the irresponsible Rat Packer, and if his widow won't ruin it all at the last minute by once again turning into her own worst enemy. Ultimately the book is a sobering study of lost glory, missed opportunities, neglectful parents, and innocent children caught up in a sorry wake that was not of their own making. If that weren't enough, there is also an interesting portrait of Sonny's father, a judge who opened a resort for the African-American community and wanted to keep it that way. Sonny felt the resort would close down if it didn't go after a wider clientele, but his father's Black Pride felt otherwise. Touching. NOTE: To read about other books on Davis, click here.

Verdict: Fantastic! ****.

Monday, October 6, 2008

2 SAMMY DAVIS JR. BIOGRAPHIES



In Black and White: The Life of Sammy Davis Jr. Wil Haygood. Knopf.
Gonna Do Great Things: The Life of Sammy Davis Jr. Gary Fishgall. Scribner.

Sammy Davis Jr. was far more than just one fifth of “The Rat Pack,” which both of these fine biographies make clear. Starting as a child in the days of vaudeville he worked his way up to become a top club entertainer, Broadway star, movie actor, and TV host. While he was more successful at some things than at others, he always gave 200% and was a literal bundle of talent. Sammy could sing, emote, play the drums, dance (including classic tap-dancing), and do dead-on impressions of a host of celebrities (not just saying the lines most associated with them but singing). These books both detail Sammy's hungry early years when he traveled with his father and “uncle” as part of the Will Mastin Trio. His relationship with Frank Sinatra is analyzed, as well as his relationships with JFK (a bitter disappointment) and Richard Nixon (a bitter disillusionment). Both books do an excellent job of unveiling the demons that drove Sammy, and why he made the decisions – and many mistakes – that he did. His affect on and interaction with the black civil rights movement and its leaders also comes in for scrutiny. Haygood's book perhaps places its subject more in the context of the times as they pertained to black Americans, providing some fascinating details about the attitudes of, and toward, black Americans during the different periods of Sammy's career. On the other hand, Fishgall provides much more information on Sammy's army career, making the point that in all likelihood he would have been segregated from white soldiers and many of the things he wrote about his Army experiences in his memoirs have to be taken with a grain of salt. Haygood provides a highly interesting look at the writing of said memoirs, Yes I Can, although he seems to take Sammy's clearly ghost-written book Hollywood in a Suitcase at face value (Fishgall reveals that the book was actually written by Simon Regan). Sammy was a fascinating, influential character with a fascinating life. These books are both recommended for adult readers.

Verdict: Good stuff. ***1/2 each.

NOTE: For teen readers I immodestly recommend my own I Can Do Anything: The Sammy Davis Jr. Story, currently available on ebay.

Friday, May 30, 2008

SERGEANTS 3


SERGEANTS 3 (1962). Director: John Sturges.

Along with Ocean's 11, Robin and the 7 Hoods, and 4 for Texas, this was one of the "Rat Pack" movies made during the sixties. It's a variation on the Gunga Din story set in the old west. Dean Martin, Frank Sinatra, and Peter Lawford as the three sergeants, and Sammy Davis Jr. -- in the Gunga Din role -- plays bugler Jonah Williams (and probably gives the best performance; in any case he has more to do in Sergeants 3 than in the other RP movies he appeared in. Joey Bishop has a small role as well.) One critic called this "a 4 million dollar home movie for Sinatra's gnat pack," and while it isn't especially memorable, it does have its good points. Winton C. Hoch's sweeping wide screen cinematography is excellent, and the boys' performances are acceptable. The storyline has them up against a maverick band of white-hating Indians; a sub-plot has Martin and Sinatra trying to talk an engaged Lawford out of quitting the Army (Ruta Lee is very appealing as Lawford's fiancee.) Although essentially light-hearted, the movie does have its "serious" moments. Some of the action is well-staged, although the climactic battle scene is mediocre. There's a funny and tense moment involving a rope bridge wherein Martin nearly falls to his death and for added measure a horse tries to climb out on the already precarious construction. The obvious matte paintings in this and other scenes are a minus, however. Overlong, and a bit slow at times.

Verdict: Some amusing and exciting moments but basically for Rat Pack fanatics only. **.