THE WORLD WAS HIS JURY

Paul Birch 

THE WORLD WAS HIS JURY (1958). Director: Fred F. Sears. Colorized. 

During the party for the last night of the voyage of a luxury liner, Captain Barrett (Robert McQueeney) is accidentally struck on the head and appears drunk when he staggers onto the bridge. A fire causes much loss of life and serious injuries, and the ship sinks as well. Barrett then finds himself accused of dozens of charges of manslaughter, not just facing the loss of his career but decades in prison. Assisted by private eye Tony Armand (John Beradino), attorney David Carson (Edmond O'Brien of The Bigamist) decides to defend Barrett, something which even his wife, Robin (Mona Freeman of That Brennan Girl) -- who thinks he has been defending far too many creepy guilty people -- is against. Carson will discover that it will be an uphill battle to prove that his client isn't guilty of criminal negligence, and the damaging testimony of officer Martin Ranker (Paul Birch of Not of This Earth) certainly won't help.

Mona Freeman and Edmond O'Brien

The World Was His Jury not only has an interesting and completely absorbing storyline, but it features fine performances from (as expected) O'Brien but also from the rest of the cast. Paul Birch is outstanding and riveting as Ranker, who is forced to give negative testimony despite his alleged friendship with the defendant. Richard H. Cutting (of Seven Were Saved) and Harvey Stephens (of The Flight that Disappeared) score respectively as the prosecuting attorney and the no-nonsense judge. There's also nice work from McQueeney, Mona Freeman and  Karin Booth as the captain's wife. Director Sears [Earth vs the Flying Saucers] passed away before the film was released, and this was Freeman's last movie, although she frequently appeared on television afterwards. McQueeney was primarily a television actor. 

Verdict: Highly interesting drama with an excellent cast -- and Paul Birch makes the grade! ***.

THE GUN RUNNERS

Hemingway hero: Audie Murphy

THE GUN RUNNERS (1958). Director: Don Siegel.

Sam Martin (Audie Murphy of World in My Corner) has a charter boat operation that is barely squeaking by, and a pretty wife named Lucy (Patricia Owens of The Fly). One day a supposed fisherman named Hanagan (Eddie Albert) charters his boat and brings along his girlfriend, Eva (Gita Hall, who was introduced in this film). Hanagan makes Sam a proposition: to take him on an illegal voyage to Cuba, Sam is wary, but his boat is on the verge of being dispossessed, so he agrees, but he has his regrets as bodies begin to pile up.

Audie Murphy and Gita Hall

The Gun Runners is yet another adaptation of Ernest Hemingway's novel "To Have and Have Not," originally filmed as To Have and Have Not and later under the title The Breaking Point, the best and most faithful version of the three. On its own terms The Gun Runners -- even without Bogie and Bacall -- is at least as entertaining as To Have and Have Not. Murply's acting got better with each picture, and he's fine as an essentially decent man who makes some unfortunate decisions. Eddie Albert [On Your Toes], cast against type, is superb as the villain of the piece, and makes the most of his very nasty portrayal.

Everett Sloane

Another actor who almost steals the picture is Everett Sloane [The Big Knife], generally cast as executives and solid citizen types, herein also cast-against-type as an old rummy, Sam's alcoholic first mate, Harvey; he is outstanding. Alas the ladies in the cast don't fare as well. Patricia Owens simply doesn't have enough screen time to really register, and Gita Hall, although sexy and adequate in her femme fatale role, made only one other movie the same year and had one television credit fifty-five years later! Also in the cast are Richard Jaeckel and Paul Birch.

Verdict: Not the best version of the story, but Murphy makes an appealing and more-than-competent leading man. **1/2.

DAY THE WORLD ENDED

"You're dimestore, Ruby, you're cheap!" Adele Jergens and "Touch" Connors

DAY THE WORLD ENDED (1955). Produced and directed by Roger Corman.

"He's a mutation, Rick, a freak of this new atomic world of ours."

After nuclear holocaust, a taciturn fellow named Maddison (Paul Birch) holes up in his valley home with his daughter, Louise (Lori Nelson), whose fiance is missing and presumed dead. Unwelcome visitors looking for food and shelter include hoodlum Tony (Mike Connors, billed as "Touch"), his moll and former striptease "artist" Ruby (Adele Jergens), old prospector Pete (Raymond Hatton of The Three Musketeers) and his mule; and the radioactive, supposedly dying Radek (Paul Dubov of Girls' Town), who is developing a taste for raw meat. A more welcome addition is geologist Rick (Richard Denning), who is able to handle Tony and has a mutual attraction for Louise. Meanwhile a strange mutated creature (Paul Blaisdell) roams the grounds as the others wonder if the threatening rainfall will wipe them all out with radiation sickness. Day the World Ended may use some of the same settings as Attack of the Crab Monsters, but it doesn't have that film's cleverness, imaginative touches, and creepy atmosphere. Jergens offers the zestiest performance as the ill-fated Ruby. Like many films of the period, it suggests that a person can't be decent unless he or she is religious. There's a vague twist ending involving the "dead" fiance, but nothing much comes of this. Filmed in widescreen "Superscope."

Verdict: Even mutations can only do so much. **.

THE TATTERED DRESS

THE TATTERED DRESS (1957). Director: Jack Arnold.

Famous criminal lawyer James Gordon Blane (Jeff Chandler) comes to a small town in Nevada to defend a couple who have been accused of murdering a bartender who supposedly raped the wife but more likely was one of her lovers. This alone might have made for an interesting movie, but this trial is over so quickly that many viewers may not even be aware of it. The main trial in The Tattered Dress comes about when Blane is accused of trying to bribe a witness, and he winds up defending himself in court (and doing such a lousy job of it that the outcome is highly improbable). This is an odd movie, with mostly unsympathetic characters, but some good performances to help put it over. Chandler adds no nuances to his character but he plays with intensity and authority. As the sheriff and his main adversary -- and a clever, dangerous one at that -- Jack Carson scores in one of his best roles since Mildred Pierce. Gail Russell certainly makes an impression as the almost hysterical woman who claims that Blane gave her five thousand dollars, and Elaine Stewart and Phillip Reed are fine as the sleazy couple who brought Blane to Nevada in the first place. Ed Platt, Edward Anderson, Jeanne Crain, and Paul Birch are fine in smaller but important roles. The film is interesting but not terribly convincing.

Verdict: Less here than meets the eye but it holds the attention and Carson is excellent. **1/2.

NOT OF THIS EARTH (1957)

NOT OF THIS EARTH (1957). Director: Roger Corman. Screenplay by Charles B. Griffith and Mark Hanna. 

The inhabitants of the planet Davanna are dying from a blood disease due to nuclear war so an emissary is sent to Earth to see if human blood will be suitable for inter-species transfusions. Paul Birch is perfect as the emissary who calls himself Paul Johnson, even affecting a kind of otherworldly accent as if English is not his natural language. Beverly Garland is also top-notch as a nurse who comes to work for Johnson when he offers her an unusually high salary. Jonathan Haze of Little Shop of Horrors is Johnson's human assistant. Johnson walks around in dark shades with a suitcase in which he puts a person's blood after he has removed it all. He also has hypnotic powers and a cosmic death stare. The movie is at times a black comedy -- funny Dick Miller of Bucket of Blood is one of the victims -- but it's also creepy and disturbing, particularly the scene when one poor guy is sent through a teleporter to be dissected but winds up crushed instead [off-screen]. A flying bat-like monster that attacks and kills one cast member is not that convincing but it's still shuddery in spite of it. Exciting climax. Hanna also scripted Amazing Colossal Man and Attack of the 50 Foot Woman. Griffith scripted Attack of the Crab Monsters. 

Verdict: Effective B movie with many nice moments and good acting. ***.