SUSPENDED ALIBI

Naomi Chance and Patrick Holt

SUSPENDED ALIBI (1957). Director: Alfred Shaughnessy. 

Editor Paul Pearson (Patrick Holt of The Unholy Four) has been playing around with a fashion writer, Diana (Naomi Chance of Wings of Danger), despite his having a loving wife, Lynn (Honor Blackman), and young son, Bobby (Toby Winterbottom). He is trying to call it off with Diana, and uses a buddy, Bill (Bryan Coleman) as a beard. Unfortunately Bill is stabbed to death and Paul becomes a suspect. He tells the police he spent most of his time away from home with Diana, but when questioned she refuses to give him an alibi. Just in case she might change her mind, the real killer pays a call on Diana ... and then Paul is really in trouble.  

Patrick Holt and Honor Blackman

In some ways Suspended Alibi plays like something made twenty years earlier. The characters are not developed very well, and there are no scenes where the impossibly understanding wife has a strong confrontation with her adulterous husband -- he seems to get a free pass. There is a little suspense at the end as the police rush to apprehend the killer, but otherwise the film is watchable but has little tension. Another murder scene in which someone gets thrown out of a window is laughably muffed. Others in the cast include Andrew Keir as a reporter-friend of Paul's; Valentine Dyall as Inspector Kayes; and Lloyd Lamble as the neighbor Waller. 

Verdict: Distinctly minor-league British mystery that could have been developed into something much more worthwhile. **1/4. 

THE SAINT'S GIRL FRIDAY

THE SAINT'S GIRL FRIDAY (1953). Director: Seymour Friedman.

"I have a hobby of reforming burglars." 

Simon Templar, famously known as the Saint (Louis Hayward), returns to London from New York and learns that a woman he cared for, Julie (uncredited), has died in an accident, plunging her car off a bridge during a high-speed chase. Templar discovers that Julie had somehow gotten involved with a gang of gamblers who blackmailed people into working for them and conveniently resorted to murder for their ends. As Templar investigates -- to the chagrin of friendly adversary Chief Inspector Teal (Charles Victor) -- he encounters a woman named Carol (Naomi Chance of Wings of Danger) and a flirtatious hostess named Kate (Jane Carr), one or both of whom may be working for the mysterious boss of the gang. Templar also has a brief dalliance with a sluttish blonde acquaintance of the chief, an unnamed woman played by Diana Dors (who briefly livens up the picture but not enough to do it much good). William Russell, Fred Johnson and Sam Kydd also have supporting roles in this uninspired late Saint adventure that barely has any suspense or excitement. Hayward is fine as Templar and the other actors are all good.

Verdict: Distinctly minor fifties entry in the shady sleuth sub-genre. **.

WINGS OF DANGER / HAPPY ACTUAL 35OOTH POST

Zachary Scott and  Naomi Chance

WINGS OF DANGER (aka Dead on Course/1952). Director: Terence Fisher.

Pilot Richard Van Ness (Zachary Scott of The Unfaithful) has a secret: he gets black outs that come on without warning. For this reason he has delayed in marrying Avril (Naomi Chance of The Gambler and the Lady) but keeps on flying. Avril's brother, Nick (Robert Beatty) flies off one afternoon and is presumed dead after his plane crashes into the drink. Richard discovers that Nick may or may not have been involved with a gang who cleverly smuggle gold that has been disguised as tools. Nick has a girlfriend, Alexia (Kay Kendall), who may also be involved with the dangerous smugglers, and there is more than one murder. Zachary Scott was one of a number of American leading men who went to England to make "B" movies where their names still had marquee value. Scott deserves better than this TV-type "thriller" that is rather dull despite Terence Fisher's very brisk and efficient direction. The performances by all the named actors are fine, and there is good work from the supporting cast as well, but despite a positive conclusion relating to Richard's condition and his relationship with Avril, the movie is strictly ho hum. This was another of Lippert's Hammer studio "film noir" non-classics. Diane Cilento [Stop Me Before I Kill!] has a small role as a woman who gets involved with Nick. Malcolm Arnold's music helps a bit.

Verdict: You can't say it's awful but it just doesn't excite despite the occasional car chase and crash. **.

NOTE: A while ago I erroneously reported that Great Old Movies had reached its 3500th post. Well, I was never good at math! This is the real 3500th post for GREAT OLD MOVIES (wish it had been about a better picture)! 

THE GAMBLER AND THE LADY

Dane Clark

THE GAMBLER AND THE LADY (1952). Directors: Patrick Jenkins; Sam Newfield, Written by Sam Newfield,

After getting out of jail for manslaughter, Jim Forster (Dane Clark) sets up operations in London, where he owns a nightclub, a boxer, a racehorse, and several illegal gambling dens. Jim is on a self-improvement kick, and wants to be just like, and accepted by, the titled lords and ladies with whom he wishes to mingle. He falls for Susan Willens (Naomi Chance), the sister of Lord Peter Willens (Anthony Forwood), a patron of one of Forster's gambling dens. But two things stand in the way of Jim achieving all of his goals: his nasty ex-girlfriend, Pat (Kathleen Byron); and a business deal with the Willens family that may blow up in all of their faces. The Gambler and the Lady has a 1940's style script -- one could easily see Bogart or Gable in  the lead role -- but the picture is still quite entertaining and Clark [A Stolen Life] gives a very memorable performance. The above-mentioned ladies are also notable, as is Eric Pohlmann as Colonna, one of Jim's business "rivals."  Anthony Forwood, who has a pleasing screen presence, later became the life-partner of Dirk Bogarde. [Mr.] Meredith Edwards, George Pastell [The Stranglers of Bombay], and Martin Benson [Battle Beneath the Earth] also give flavorful performances as, respectively, Jim's good right-hand, Dave; a nasty character Jim fires named Jacko; and Tony, Pat's dancing partner.

Verdict: Snappy British crime picture. ***.