WHERE TIME BEGAN (aka The Fabulous Journey to the Centre of the Earth/1977). Director: Juan Piquer Simon.
In 1898 Hamburg Professor Otto Lindenbrock (Kenneth More) discovers an old book that details a trip into the interior of the earth by one Arne Saknussemm. With his niece Glauben (Ivonne Sentis), her boyfriend Axel (Pep Munne), and a shepherd named Hans (Frank Brana), he descends into an extinct volcano and discovers giant mushrooms, living sail-back reptiles, mammoth turtles, a giant ape a la King Kong, and an underground sea full of slimy rubber monsters with big teeth This is a low-budget Spanish version of Verne's novel, which makes quite a few changes [the professor has a niece instead of a nephew] but in some ways is more faithful than the vastly superior 1959 Hollywood version. At least the cavern scenes aren't over-lit as in the Hollywood film, and there are some good sets and effective sequences. This version adds another character, Olsen (Jack Taylor), who shows up inside the earth, appears to be some kind of time traveler, and at one point shows his companions a futuristic laboratory in a cavern in which all of the workers look just like him -- this is never explained and adds nothing to the movie but confusion. The special effects throughout are variable, with no process shots combining man with monster. The cast is all right, with Sentis and Munne making an attractive couple. Ultimately, the whole production is somewhat tedious and unmemorable. Simon later directed another Verne adaptation, Mystery on Monster Island, which was somewhat better.
Verdict: A C+ for effort and a C- for execution. **.
Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Kenneth More. Show all posts
Showing posts with label Kenneth More. Show all posts
Thursday, June 28, 2012
Thursday, June 4, 2009
A NIGHT TO REMEMBER

A NIGHT TO REMEMBER (1958). Roy Ward Baker.
A Night to Remember takes a more detached, clinical view of the Titanic tragedy than other cinematic versions, and while there are vignettes of various characters, we never get to know any of them very well. There is much more detail concerning the final fates of the people left aboard the ship -- scrabbling frantically as the ship begins to tilt, jumping into the frigid water, and so on -- and we see the squabbling on some of the lifeboats as people argue as to whether or not they should go back to pick up survivors. Certain moments are unsparing, such as when a pair of newlyweds are apparently crushed by the falling smokestack. But while the final scenes in Remember are harrowing and horrifying -- and you can't help but be moved by them -- they lack the human drama, and therefore, the emotional intensity, of the Webb/Stanwyck Titanic. Furthermore, the actor who plays the ship's designer essays it in a stoic, completely unreal manner, and certain scenes, such as Isadore Strauss and his wife deciding to stay on the ship together, lack the impact of their counterparts in the original.
Verdict: Enough to make you take a plane. **1/2.
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