ALL THE KING'S MEN (1949)

Broderick Crawford, Mercedes McCambridge, John Ireland

ALL THE KING'S MEN (1949). Director: Robert Rossen.

All the King's Men traces the parallel rise and fall of Willie Stark (Broderick Crawford of Scandal Sheet) and a reporter, Jack Burden (John Ireland), who's covering his story as he goes up against seemingly impossible odds to become governor. Just as Stark wants to prove himself to the public and his cronies, Jack needs to prove himself to his fiancee, Anne (Joanne Dru), who has been raised by her presumably incorruptible uncle, Judge Stanton (Raymond Greenleaf of Over-Exposed). Stark, however, is certainly not incorruptible, as power goes to his head and his path leads inexorably to tragedy. Others in his orbit include his wife (Anne Seymour); his mistress-associate, Sadie (Mercedes McCambridge); his son, Tom (John Derek); and Anne's brother, Adam (Shepperd Strudwick of Three Husbands). All the King's Men is an absorbing and well-acted film, although none of the players. including Crawford, are especially outstanding (although Crawford and McCambridge won Oscars, along with the picture itself). Ralph Dumke and Walter Burke have smaller roles. The score is by Louis Gruenberg, and Burnett Guffey is director of photography. A similar plot was used for the later A Lion is in the Streets, in which James Cagney also played a Willie Stark-type. Remade in 2006.

Verdict: Solid drama with an interesting cast. ***.

SCANDAL SHEET

Broderick Crawford

SCANDAL SHEET (1952). Director: Phil Karlson.

"You're a neurotic screwball!"

The stockholders of the New York Express are up in arms because new editor-in-chief Mark Chapman (Broderick Crawford) has decided to increase profits and circulation by turning the paper into a vulgar tabloid. Chapman has been promised a significant bonus if he can really turn the paper around, and he's determined to publish hard-hitting stories no matter who he upsets. His protege, Steve (John Derek), wants to be just like Chapman, while Steve's girlfriend, Julie (Donna Reed), wishes he'd emulate just about anybody else. Things become complicated when a woman at a lonely hearts gathering sponsored by the Express recognizes Chapman as the husband who deserted her twenty years before, only now he has a different name ... Before long Steve is tracking down a story that Chapman wishes he could bury twenty miles deep. Scandal Sheet has an interesting premise and characters, is quite well-acted by the entire cast, but somehow it just misses the boat, perhaps because you're always one step ahead of most of the characters -- it just lacks sizzle and tension. Crawford is fine, and Henry O'Neill makes a notable impression as the alcoholic ex-reporter, Charlie, as does Rosemary DeCamp [Nora Prentiss] as Chapman's wife. Others in the cast include Kathryn Card and Ida Moore [The Egg and I], both of whom appeared on I Love Lucy. This was based on a novel by Samuel Fuller.

Verdict: Comes so close but misses. **1/2.  

KNOCK ON ANY DOOR

KNOCK ON ANY DOOR (1949). Director: Nicholas Ray. 

"Live fast, die young, have a good-looking corpse." 

Against his better judgment lawyer Andrew Morton (Humphrey Bogart) takes the case of "Pretty Boy"Nick Romano (John Derek), who's been accused of killing a cop. Morton believes that Romano is innocent, but during the trial, he tries to convince the jury that it was society that made Romano -- who is guilty of other crimes -- the angry young man he is. The point is never made, even by the prosecutor, that many others came from the same environment as Romano and were able to rise above it. Knock on Any Door is an entertaining film with two excellent lead performances, but the movie is staggeringly simplistic and one-sided. The dead cop is completely forgotten and his family is never shown. An alternate point of view is never presented. Even when the truth about the murder is revealed at the end of the film, the bleeding heart approach still continues. Absurd. Prosecutor George Macready is given a disfiguring scar as if to imply that he hates the defendant because of his good looks, but the film makes clear that Romano is pretty much a stinker of a human being any way you slice it. 

Verdict: Fast-paced but foolish. **1/2.

THE FAMILY SECRET

THE FAMILY SECRET (1951). Director: Henry Levin.

David Clark (John Derek, pictured) kills his drunken, knife-wielding best friend in self-defense but he and his father Howard (Lee J. Cobb) decide to keep quiet about it. Unfortunately, an innocent man (Whit Bissell) is arrested for the crime and Howard winds up defending him. The Clarks' silence ultimately proves tragic. Interesting, but irritating, drama has some good performances and situations, but never quite comes to grips with the moral questions and dilemmas it poses. Erin O'Brien-Moore is David's concerned, over-protective mother, and Dorothy Tree is the wife of the man put on trial for David's crime. This could have used a few more plot twists. For one thing, we have only David's word that it was self-defense. Jody Lawrance is appealing as Lee, Howard' secretary and a romantic interest for David.

Verdict: Unsatisfactory but holds the attention. **1/2.