RAIDERS OF GHOST CITY

Wanda McKay, Joe Sawyer, and Dennis Moore

RAIDERS OF GHOST CITY (13 chapter Universal serial/1944). Directed by Lewis D. Collins and Ray Taylor. 

Near the end of the Civil War an organization of Confederate spies is actually the front for gold thieves operating out of Oro Grande, California. But even these desperadoes are being double-crossed by a couple of Prussian agents who need the gold so that they can buy Alaska! Trying to thwart their efforts is Captain Steve Clark (Dennis Moore) of the U.S. Secret Service, aided by Idaho Jones (Joe Sawyer), a Wells Fargo detective, and Cathy Haines (Wanda McKay), a Wells Fargo county agent. 

Lionel Atwill and Virginia Christine

Their main antagonists are Erich von Rugen (Lionel Atwill of Captain America) and the deliciously ruthless Countess Elsa von Merck (Virginia Christine of Three Brave Men), who doubles as a saloon singer named Trina Dessard. They report to a Count Manfried von Richten (Emmett Vogan of Docks of New Orleans). Regis Toomey is Captain Clay Randolph, a legitimate rebel who doesn't realize what the others are up to and only wants the gold to aid the war effort.

Moore, Christine and Sawyer

Westerns have never been my favorite serial genre, but I must say that Raiders of Ghost City -- the title refers to a ghost town not far from Ora Grande -- has made a believer of me, for this is quite well-made, with an especially flavorful screenplay. In cliffhanger sequences a runaway stage coach falls into a river, and Steve is trapped in a cave with rapidly rising water. Chapter eight features a thrilling, expertly-edited chase scene with an entire gang in pursuit of Idaho. The first and tenth chapters have the best cliffhangers: an uncoupled car begins rolling backwards towards disaster during a frantic fist fight; and Idaho is nearly drawn and quartered by Modoc Indians in a very suspenseful sequence. The four main players are all excellent and the supporting players are well cast. 

Verdict: Very exciting, well-made, and well-played Columbia serial. ***1/4. 

ELLERY QUEEN AND THE MURDER RING

Blanche Yurka and Ralph Bellamy

ELLERY QUEEN AND THE MURDER RING (1941). Director: James P. Hogan.

Augusta Stack (Blanche Yurka) is a nasty old lady who runs a hospital, senses chicanery everywhere, and treats her own children like crap. We learn early on that son John (Leon Ames) is plotting murder with the help of two bumbling confederates. But when the termagant kicks off, are the conspirators actually responsible for her death? Then there are more murders. Writer/amateur sleuth Ellery Queen (Ralph Bellamy) investigates with the help of his cop father, Inspector Queen (Charlie Grapewin), and Ellery's secretary, Nikki (Margaret Lindsay). Ellery has a very condescending attitude toward Nikki, who also seems to be his girlfriend, but she also seems a lot smarter than he is. Notable cast members include George Zucco [The Mad Monster] as a doctor suspected of assorted bad things; James Burke as a cop; Olin Howland (Howlin) as another, rather merry doctor; and especially Mona Barrie [King of Burlesque] in a vivid turn as nurse Marian Tracy, who is involved with John. Dennis Moore has a small role as another doctor, and wouldn't you know Pierre Watkin shows up as lawyer Crothers and is as bland and minor as ever. The basic plot is workable, but there is too much unfunny "comedy" relief surrounding the hit men, and the movie becomes fairly tedious before too long. Characterization is minimal; there's no attempt to explain why Mrs. Stack has such a bad relationship with her children, for instance. The Spanish Cape Mystery, with Donald Cook playing Ellery Queen, was better than this. This was Bellamy's last appearance as Queen.

Verdict: Some people like this picture; they're welcome to it. *1/2.

SUNSET MURDER CASE

SUNSET MURDER CASE (aka Sunset Strip Case/1938). Director: Louis J. Gasnier.

Dancer Kathy O'Connor (Sally Rand) is determined to get the man who ordered her cop father's death, and comes up with a rather implausible plan. She will go to Europe, develop a reputation as the Toast of the Continent under the name "Valerie," and come back to the US to work in a night club owned by bad guy Stephani (Paul Sutton), whereupon she will get the goods on him. Two men are vying for her favors: Detective Helton (Reed Hadley), who had worked with her father; and reporter Lou Fleming (Dennis Moore), who has feelings for Kathy but may have to make do with the slightly pixelated singer, Penny Nichols (Kathryn "Sugar" Kane). Sally Rand made quite a few movies before this, including many silents, but Sunset was her last picture. She became more famous as a burlesque performer with a famous fan dance than as an actress. There's a funny scene when Helton registers his disapproval of dancer Kathy without realizing she's the daughter of his partner. Rand is cute and likable, but Dennis Moore [The Fearmakers] makes the biggest impression as Lou, giving a fine performance of charm and humor. Orchestra leader Henry King plays himself. Handsome Hadley made more of an impression as the lead in the classic serial Zorro's Fighting Legion.

Verdict: Easygoing vehicle for Rand with a potpourri of a script. **.

THE MYSTERIOUS MR. M

THE MYSTERIOUS MR. M. 13 chapter Universal serial/1946). Directed by Lewis D. Collins and Vernon Keays. 

Anthony Waldron (Edmund MacDonald of Great Guns), who is presumed dead by the police, is holed up in his wealthy grandmother's estate with an evil brother and sister team who are helping him with his plans. Calling himself "the mysterious Mr. M," Waldron uses a drug called hypnotreme to keep the old lady (Virginia Brissac of The Scarlet Clue) compliant and get many others to do his bidding even while he piles up corpses in the river from his experiments. He is particularly interested in getting the plans for a device that will enable submarines to be as large as ocean liners and do more than forty knots an hour. But Waldron and his cronies get a surprise when somebody else calling himself "Mr. M" sends them recordings giving them orders and threatening to tell the cops Waldron is alive if they don't comply with his wishes. As the gang wonders who this new "Mr. M" could be, agent Grant Farrell (Dennis Moore) is on the case, especially after his brother, Jim (William Brooks/Ching), is hypnotized and killed; Farrell is aided by Detective-Lt. Kirby Walsh (Richard Martin) and insurance investigator Shirley Clinton (Pamela Blake of Ghost of Zorro). 

The Mysterious Mr. M is an entertaining and suspenseful serial with Moore in good form as the hero, Waldron suitably gruff, and Jane Randolph [Abbott and Costello Meet Frankenstein] and Danny Morton [The Royal Mounted Rides Again] effective as the nasty brother and sister team. Byron Foulger [The Master Key] scores as Grandmother Waldron's lawyer, who nearly becomes a victim of Mr. M more than once. Memorable sequences include the fight between the Farrell brothers as electricity discharges all around them; a bit with a cigarette lighter that has a dart inside it; a cliffhanger concerning falling high-tension wires; and another in which Grant's car goes hurtling down a high shaft in a parking garage. The best cliffhanger -- one of the best ever, in fact -- has Waldron and Grant struggling on one parachute after they fall out of a plane even as a train races towards them on the ground below, with Grant eventually falling off the chute right into the path of the express!The serial also keeps you guessing as to the true identity of "Mr. M."

Verdict: Universal's very last serial is one of its best. ***.

UP IN THE AIR

Darro, Renolds, Moreland, and Coffin have a conference

UP IN THE AIR (1940). Director: Howard Bretherton.

Frankie (Frankie Darro) is a page boy in a radio studio who tries to impress new receptionist Anne (Marjorie Reynolds of The Time of Their Lives) by pretending to be a producer, which doesn't sit well with her or with their boss, Mr. Farrell (Tristram Coffin). Farrell and others at the station are having problems with difficult, bitchy radio singer Rita Wilson (Lorna Gray of The Perils of Nyoka) but those problems abruptly end when she's shot dead by an unknown person during a rehearsal. Will Anne be chosen to go on in her place? Will Frankie and his buddy Jeff (Mantan Moreland) unveil the murderer before the police do? Yes, it's another Darro-Moreland mystery comedy from Monogram studios, full of flavorful actors but without much of a story. Gordon Jones (The Green Hornet) is a lousy cowboy singer; Dennis Moore (The Purple Monster Strikes) is a gag writer; Dick Elliott is Hastings, the station owner; and John Holland (The Girl in Black Stockings) -- also Alice's handsome boss on an episode of The Honeymooners -- is Sam Quigley, another executive. Neither of the "girl" singers really do justice to the snappy number "Conga;" the best scene has Mantan Morelamd doing a soft shoe routine.

Verdict: Very likable leads but where's the decent script? **.

IRISH LUCK

Purcell, Darro, Flavin [background], Moore and Darcy

IRISH LUCK (1939). Director: Howard Bretherton.

"Can't you see I'm just one step from finding out who the murderer is?" -- Buzzy

"And you got your other foot on a banana peel." -- Jefferson

Buzzy O'Brien (Frankie Darro) is a bellboy in a hotel but he has an interest in mysteries and crime-solving, much to the consternation of cop Steve Lanahan (Dick Purcell of Captain America and Mystery House). When a man is found dead in the hotel, Buzzy covers up for a pretty gal named Kitty Monahan (Sheila Darcy) who he spotted coming out of the dead man's room; his mother (Lillian Elliott) just likes her because she's Irish. Kitty is concerned about her brother, Jim (Dennis Moore), who found out about some shady stock manipulations or something along that order and is hiding out. When Buzzy gets in a jam confronting the killer, his buddy Jefferson (Mantan Moreland) saves the day. James Flavin is hotel detective Fluger, and Tristram Coffin shows up briefly as a desk clerk. This is another Monogram quickie teaming Darro with Moreland; they are both swell, as are Purcell, Moore and Elliott; the picture runs less than an hour. Bretherton directed The Monster and the Ape and other serials. Moore was in The Master Key and others.

Verdict: Amiable silliness with likable performers. **1/2.

THE MASTER KEY

THE MASTER KEY 13 chapter Universal serial (1945). Directed by Ray Taylor and Lewis D. Collins.

Professor Elwood Henderson (Byron Foulger) is kidnapped by the Master Key, a mysterious character who heads a group of Nazis hoping to cause mischief and keep the U.S. out of the war in 1938. Henderson has invented a device called an oratron that can extract gold from sea water. Among those hoping to find Henderson are agent Tom Brant (Milburn Stone), Detective Lt. Jack Ryan (Dennis Moore), and intrepid reporter Janet Lowe (Jan Wiley), whose half brother Walter Stark (John Eldredge) becomes unwittingly embroiled with the Master Key's gang. There's also an old woman named Aggie (Sarah Padden), who leads a group of boy junior reporters, which includes Dan (Jerry Shane). There are some interesting cliffhangers involving a drawbridge, and a flying boat crashing into the ocean, among others. The cast is game, with Foulger giving the most memorable performance as the professor. The surprise identity of the Master Key seems to come out of nowhere!

Verdict: Not top-notch but has its exciting passages. **1/2.

THE FEARMAKERS

THE FEARMAKERS (1958). Director: Jacques Tourneur.

Alan Eaton (Dana Andrews) comes back from a POW camp in Korea to find out that the partner in his polling firm has been killed and that he apparently sold out to a man, Jim McGinnis (Dick Foran), who uses shady methods and who seems to have a communist agenda. Although it's not the main point of the film, The Fearmakers examines how polls can be influenced by loaded questions, poor research, etc. to say whatever the pollster wants them to say -- an "unamerican" practice that has, sadly, been going on in America for decades now. Eaton agrees to join the firm only to investigate it for a concerned Senator friend, and winds up threatened and victimized by McGinnis and his cronies just as he was by the Koreans. The film has interesting casting, especially singer Mel Torme who plays an employee of the firm -- the "velvet fog" is quite good as the man who turns against his bosses out of love for a pretty secretary (Marileee Earle) whose life is endangered. Veda Ann Borg and Kelly Thordson are vivid as a battling married couple with whom Eaton boards for a hectic night. Senator Walder is played by Roy Gordon, who was the doctor in Attack of the 50 Foot Woman. When Eaton sees the Senator's picture on the cover of Time, you almost expect Eaton to open the magazine to find pictures of a giant Allison Hayes in her underwear with Gordon pontificating on her in a sidebar. Dennis Moore, who plays an Army doctor, also appeared in serials The Mysterious Mr. M and The Purple Monster Strikes, not to mention The Mummy's Curse. The main problem with this movie is that it has few thrills.

Verdict: Not fearful enough. **.

THE PURPLE MONSTER STRIKES

THE PURPLE MONSTER STRIKES (1945). Directed by Spencer Bennet and Fred Brannon. 

A man from Mars who is inexplicably known as the Purple Monster (Roy Barcroft) lands on Earth and literally takes over the body of Dr. Cyrus Layton (James Craven). He does this by dematerializing into a phantom form and simply sitting down in Leyton's body. He hopes to steal Layton's scientific devices -- especially a jet ship launching rocket -- for use in a planned Martian conquest of Earth, and by becoming Layton leads good guy Craig Foster (Dennis Moore) and Layton's niece Sheila (Linda Stirling), on a merry chase. The Purple Monster Strikes is snappy and fast-paced. There are some exciting cliffhangers involving a ladder dangling high over the ground, a pit that fills with water, a car in an auto shop that smashes rapidly downwards towards Moore, and spiked cell bars that threaten to impale Moore as he goes to use the phone (he uses his ingenuity to escape this trap). There's a zesty "cat-fight" between Sheila and Martian Bitch Marcia (Mary Moore) in chapter 12, and the fisticuffs are even more furious than before in chapter thirteen. Tom Steele is one of the thugs, and even Ken Terrell, butler Jess from Attack of the 50 Foot Woman, has a small role, as he usually did in these things. 

Verdict: The cast serves up this zany stuff with relish. ***.

THE MUMMY'S CURSE

THE MUMMY'S CURSE (1944). Director: Leslie Goodwins.

Back in the days long before DVDs and VCRs producers figured they could fudge a bit in the details of their sequels because nobody would remember the details anyway. Thus the fact that Kharis walks into a swamp in Massachusetts with his beloved Ananka at the end of The Mummy's Ghost doesn't prevent the two of them emerging from a swamp in Louisiana halfway across the country in The Mummy's Curse. The fact that the reincarnation of Ananka was actually a lovely young woman named Amina has also been forgotten or simply dispensed with as irrelevant. [While it might have been interesting if Amina's parents were still alive and saw her with her youth preserved, the movie doesn't explore this situation.] Twenty-five years have gone by since Kharis and Ananka entered the swamp and the Scripps museum wants to interfere with an engineering project in the hopes of getting both mummies back. Lon Chaney Jr. gets to emote much more as the slow but unstoppable mummy in this venture, the last of the series, and the movie is especially rich in atmosphere. Dr. Zandab (Peter Coe) and Ragheb (Martin Kosleck) are the bad guys, and Virginia Christine (best known years later as the matronly Mrs. Olson of the Folger coffee commercials) gives a particularly effective performance as Ananka, who screams like the Bride of Frankenstein seeing old Franky when she spots her ancient lover sheathed in bandages. The scene where Ananka claws her way out of the mud is memorable, and there are great shots of a ghostly abandoned monastery where the bad guys wait and plot. "Most Egyptians doubt the legend of Kharis," we're told. Addison Richards is the head engineer, Walsh; Kay Harding is his daughter Betty; Kurt Katch is Cajun Joe; and Dennis Moore is Betty's love interest, Dr. Halsey. [Moore starred in the 1946 serial The Mysterious Mr. M.] Next came Abbott and Costello Meet The Mummy.

Verdict: Universal's final Kharis epic is still good fun. ***.