BLACK BELLY OF THE TARANTULA

Giancarlo Giannini

BLACK BELLY OF THE TARANTULA (aka La tarantola dal ventre nero/1971). Director: Paolo Cavara.

Inspector Tellini (Giancarlo Giannini) investigates a series of murders in which people are paralyzed with a drug and then are stabbed in the belly, in much the way a wasp kills a tarantula (to explain the title and little else). Black Belly of the Tarantula is a very confusing picture with an awful score by Ennio Morricone, who was clearly not much inspired by the material. Stefania Sandrelli plays Anna, Tellini's wife, who figures in the moderately tense finale, and also in the cast are Barbara Bach, Barbara Bouchet, and Claudine Auger [Twitch of the Death Nerve] as women connected to s spa and modeling agency. Gianinni, who went on to much, much better things in a long career, gives an okay if somewhat disinterested performance as a cop who wants to get out of the business (even as the actor probably wanted to get out of the movie). Black Belly is not an especially intriguing nor admirable example of the Italian giallo film. In fact, one could rightly state that the best thing about the movie is its title. A much, much better horror flick for Giannini was Mimic. 

Verdict: Blah dubbed thriller which wastes everyone's talents. **.  

SHORT NIGHT OF GLASS DOLLS

Barbara Bach and Jean Sorel

SHORT NIGHT OF GLASS DOLLS (aka La corta notte delle bambole di vetro/1971). Director: Aldo Lado.

In Prague  journalist Gregory Moore (Jean Sorel) discovers that his fiancee, Mira (Barbara Bach of The Spy Who Loved Me), has gone missing. He enlists the aid of his boss, Jessica (Ingrid Thulin), who also has a yen for the handsome reporter. The police seem to think Mira has simply gone off on her own despite the fact that her clothing and possessions are still in her apartment. Most of the story is told in flashback from the bizarre pov of Moore, who is supposedly found dead and put in a morgue, where we can hear his thoughts but he is unable to communicate that he is still alive. (This is reminiscent of a famous Alfred Hitchcock Presents episode with Joseph Cotten.) That is really the only interesting element of this dull and confusing movie that features an inexplicable scene when Moore's friends come to witness his ... well, that would be telling. Sorel [Sandra] and Thulin [Cries and Whispers] both deserved much better assignments than crap like this. Ennio Morricone's eerie musical score is much better than the picture deserves. You have to see the orgy of elderly nudists to believe it! This could have used some gruesome murder scenes. An Italian-West German-Yugoslavian co-production, which tells you something.

Verdict: A real stink bomb. *1/2.

THE SPY WHO LOVED ME

James Bond versus Jaws

THE SPY WHO LOVED ME (1977). Director: Lewis Gilbert.

James Bond/agent 007 (Roger Moore) is on assignment to stop megalomaniac Karl Stromberg (Curt Jurgens), who is stealing submarines and nuclear warheads, and operating from his impressive underwater headquarters. Since the Russians have also lost one of their nuclear subs, Bond joins forces with red agent Triple X/Major Amasova (Barbara Bach), unaware that he killed her lover during a mission and she plans to murder him when their dual assignment is over. [How Amasova's lover could be in two places at the same time is never explained, as she is seen in bed with a man even as he and Bond are fighting many miles away -- unless the good major was unfaithful.] The Spy Who Loved Me introduced Richard Kiel as Jaws, a metal-toothed adversary who seems modeled on the old comic book villain Iron Jaws. Bach is attractive and competent enough as Triple X, but when luscious Caroline Munro briefly appears as a hit woman for Stromberg, she pretty much blows Bach right out of the water. Moore plays this comic book stuff in the right mode, even if he's a far cry from Ian Fleming's original creation. Jurgens is excellent. The suggestive "Nobody Does It Better," composed by Marvin Hamlisch and sung by Carly Simon, is one of the better James Bond theme songs.

Verdict: Good to look at and lots of fun. ***.