SPECIAL EDITION -- ANNUAL LGBT ROUND-UP

This year is the 50th anniversary of Stonewall, what is considered the start of the modern-day Gay Rights/LGBT pride movement. I couldn't let it pass without compiling reviews of some interesting LGBT motion pictures. Not all of these are "gay" movies, as such, but they all deal with LGBT elements in one way or another. Sadly, not all of these are especially memorable, but they do have a place in cinematic and LGBT history in spite of that.  

GAY PRIDE SPECIAL: GAY-THEMED MOTION PICTURES

Dirk Bogarde in Victim

SEVERAL GAY-THEMED MOVIES FOR GAY PRIDE WEEK.

New York City celebrates Gay/LGBT pride this coming weekend, and in honor of that, Great Old Movies looks at several gay-themed movies and documentaries from different time periods and countries. First we have Victim, the classic 1961 drama about a British lawyer victimized by a blackmail ring (back when it was a crime just to be gay); the more recent film, Jonathan, a German drama in which a young man deals with the fact that his dying father once had a loving relationship with another man; the Israeli short Summer Vacation, in which a closeted man with a wife and children is confronted with his gay past at the beach; the 1974 Butley, with Alan Bates as a teacher who learns that both his estranged wife and boyfriend are moving on to other men; and the documentaries A Bit of Scarlet (gay depictions in British film), Uncle Bob (about the gay activist who streaked the Oscars), and Do I Sound Gay?, which kind of deals with gay stereotyping.

For more gay-themed films just type "gay" or "LGBT" into the search bar on the upper left hand corner of the blog. Thanks for reading!

A BIT OF SCARLET

A BIT OF SCARLET (1997). Director: Andrea Weiss.

Taking its cue from The Celluloid Closet, this documentary looks back at depictions of queer characters in older British movies, with various sections on such subjects as "unrequited love," suicidal characters, and the like. It counts down the rules that gay characters seemed to have to adhere to in the British cinema if they were to appear at all. A Bit of Scarlet takes a while to get going, but eventually it turns into an interesting compilation, consisting primarily of unidentified clips put together in such a way as to create an amusing or thematic juxtaposition. Many of the clips, of course, present faux homosexuality as well as a lot of silly cross-dressing. I recognized clips from such films as Victim, The Family Way, The L-Shaped Room, The Naked Civil Servant, and Staircase, among others, but there's no way to tell what the other films are just because they're all listed at the end. (Flashing the title of each film as the clip is shown would have certainly made sense.) A Bit of Scarlet is entertaining enough, but it's a minor LGBT documentary. Ian McKellen "narrates" the film, but there is actually very little commentary.

Verdict: Okay survey of LGBT images in the British media. **3/4.

ANNUAL LGBT ROUND UP

Something rotten's in this "Lake"

ANNUAL LGBT ROUND-UP.

Well, in honor of Gay Pride, here is Great Old Movies' annual round-up of LGBT films. There's not as many this year, because I spent too much time on my B Movie Series and Round Up of Movie Bad Guys  -- even I  have only so much time to watch movies -- but I may have a fresh crop of gay flicks later in the year.

Anyway, we've got The Christine Jorgensen Story from 1970, and more recent flicks such as Robin Williams in Boulevard; the kind of sleazy crime drama King Cobra; the disappointing and rather regressive Stranger By the Lake from France; and the excellent Jeffrey Schwarz-directed documentary, Vito, about gay writer and activist Vito Russo.

CRUISING / INTERIOR: LEATHER BAR

Al boogies in  the gay bar 

CRUISING (1980). Director: William Friedkin.

INTERIOR: LEATHER BAR (2013). Director: James Franco; Travis Mathews.

Steve Burns (Al Pacino) is assigned to go undercover in the gay leather milieu to see if he can get leads on whoever is murdering the patrons of these bars. Burns feels uncomfortable in his assignment, but his superior (Paul Sorvino) talks him into continuing. Burns seems to have caught the killer when another murder occurs .... Modern-day viewers may wonder what the fuss was about when they look at this through 21st century eyes. But in 1980, decades before LBGT sections on Hulu and Netflix, there weren't that many films about the gay lifestyle, and it was enraging that the best that two major filmmakers (Pacino of The Godfather and Friedkin of The Exorcist)  could come up with was this mediocre slasher film that exploited the gay community, presenting one-dimensional characters to be slaughtered. Most of the film's opponents (which included this critic and activist) didn't object to the movie exploring the gay s & m scene (which was always more about role-playing than anything else) but to its complete failure in any way to positively illuminate that scene aside from sexual activity. While Cruising is well-produced, with a lot of atmosphere due to James Contner's cinematography, and Pacino's performance is okay, it is a much less effective* "slasher" film than, say, the original Friday the 13th,which came out the same year. (Friday the 13th was also much more influential, and while also excoriated by critics, made a lot more money than Cruising.)

Seen today, how is the movie? Well, it's still mediocre, not only due to its exploitation of gay men but to its penny dreadful script. Its use of multiple maniacs (which is apparent once you try to figure out who the killer is) only makes the pic much more confusing than it needs to be. Then there's that ridiculous early sequence where we see two men clad half in leather and half in drag -- like that ever happens (except maybe on Halloween)! At one point Burns expresses sympathy for a gay suspect beaten by police (in an utterly ludicrous sequence that was supposedly based on fact), which makes the implied ending more ridiculous. (This suggests that Burns murdered his friendly gay neighbor as the character did in the crappy source novel)  There's no point in trying to figure out who the different murderers are because it's clear that -- while Friedkin today tries to make it sound like he had some master plan all along -- the movie is simply badly structured and edited, a sloppy hack job in every sense of the word. Friedkin and company could have made a much more positive (and coherent and fascinating) film while remaining true to its thriller/slasher origins. 

One of the cast members of Interior: Leather Bar

And now we come to Interior: Leather Bar, a silly documentary made by actor James Franco and Travis Mathews. The idea was to recreate the supposedly lost forty minutes cut from Cruising that presented more raw footage from the backroom gay bar scenes. The reality is that only a few minutes have been recreated; most of the film is about actor Val Lauren's discomfort in being associated with the project. In some sequences he looks like he'd rather be anywhere else than in this movie. There's at least one gay sex scene, and James Franco admirably talks about why it's unfair that such scenes are often suppressed in major theatrical movies, which is not the case with straight sex scenes. The whole idea of this movie seems to be to get a group of both gay and straight actors in a room and have them interacting in a homoerotic manner, but I get the impression this is more about the filmmakers' fantasies than anything else. One can imagine this is one way the recognizable Franco can be in a gay bar without actually being in a gay bar!

[*Friday's shock/murder scenes are better handled, the film has more suspense, as much atmosphere, and its characters are no less dimensional than Cruising's. In addition, the movie's victims aren't members of a persecuted and marginalized community, unless you think camp counselors are a minority group.]

Verdict: Cruising: **1/2.
              Interior: Leather Bar *1/2.

GREAT OLD MOVIES EXTRA -- MORE GAY-THEMED MOVIES

Chad Allen and Robert Gant of Save Me

In honor of New York's Gay Pride March this Sunday June 29th, 2014, we present our second annual round-up of gay-themed movies (or at least films with gay characters). This year we focus on a drama about the ex-gay industry, Save Me; a political thriller with a gay lead character, The Walker; a Lifetime telefilm about a young woman's coming out, The Truth about Jane; the cable biopic about the flamboyantly stereotypical Liberace, Behind the Candelabra; the first major Hollywood movie on gay relationships, Making Love; the first telefilm to deal with homosexuality, That Certain Summer; and the controversial The Dying Gaul, which has been called a "gay revenge fantasy" -- among other things.

More reviews on their way! [including The Jones Family Go to Provincetown].