CAUSE FOR ALARM!

CAUSE FOR ALARM (1951). Director: Tay Garnett. 

Although Ellen (Loretta Young ) was sort of keeping company with handsome Dr Ranney Grahame (Bruce Cowling of Song of the Thin Man), she is swept off her feet by army officer and flier George Jones (Barry Sullivan), whom she marries. Years later George is a paranoid who's taken to his bed and is certain that his wife is carrying on with the dreamy doctor, who thinks he should be in a hospital. George writes a letter detailing his unfounded suspicions to the district attorney, and when a tragedy occurs, Ellen has a devil of a time trying to get the letter back from the whining, complaining mailman (Irving Bacon) before it reaches the D.A. -- she is fully aware of how things look. 

Loretta Young gives an outstanding performance in this minor suspense film that never quite gets up to the level of nail-biting tension. It's one of those movies in which someone just assumes someone is dead without checking a pulse or calling an ambulance. The other actors are all on target, with a very effective Sullivan and a stalwart Cowling, and there are nice turns from Margalo Gillmore (of Elopement) and Georgia Backus playing a kindly neighbor and George's aunt (although I confess I'm not certain which is which). Irving Bacon (Ethel's dad on I Love Lucy), Don Haggerty as a business associate of George's, and little Brad Morrow (of Annie Get Your Gun as the little boy, Billy, who lives next door, round out the cast. 

Verdict: Reasonably engaging suspense film bolstered by fine performances. ***. 

THE POSTMAN ALWAYS RINGS TWICE (1946)

Garfield and Turner

THE POSTMAN ALWAYS RINGS TWICE (1946). Director: Tay Garnett.

Cora Smith (Lana Turner) and her husband Nick (Cecil Kellaway) run a combination gas station and cafe, but their placid lives become unsettled when Nick hires a drifter named Frank (John Garfield) to help around the place. Cora and Frank are attracted to one another, and suddenly she can't see herself spending the rest of her life with her much older and unattractive husband, especially when he abruptly tells her that they're selling the restaurant (for which Cora had a lot of plans), moving in with his sister, and Cora will have to be nursemaid for the paralyzed woman for the rest of her life. (In other words, Nick is almost begging to be killed. His complete disregard for his wife's feelings makes him quite unsympathetic). What happens next is a black comedy of errors, accusations, recriminations -- and murder. Although Lana Turner gave some good performances in later years, such as in A Life of Her Own, she's a little too unseasoned to make the most of Cora, although she isn't terrible. Garfield and Kellaway come off much better, of course (although they're hardly as pretty!) and they have some solid support from the likes of Leon Ames as a D.A., Hume Cronyn as a lawyer, and Audrey Totter as a gal who briefly dallies with Frank. The Postman Always Rings Twice is a good, entertaining picture -- much better than the dreadful remake with Jessica Lange and Jack Nicholson -- but somehow it's not quite a classic like the superior Double Indemnity, which was also taken from a James M. Cain novel. This Hollywood version takes a lot of liberties with the plot and characters, the usual case with Cain. For instance, in the novel the lovers were practically kids.

Verdict: Not the best adaptation of a Cain novel, but certainly not without merit. ***.

CHEERS FOR MISS BISHOP

CHEERS FOR MISS BISHOP (1941). Director: Tay Garnett.

Ella Bishop (Martha Scott) graduates from a small town college and becomes a teacher there. Chances for love pass her by as the years roll on. This may sound like a dull, sappy movie, but it's actually an engrossing, warmly sentimental drama about small-town life and values, but it doesn't have a puritanical streak: at one point Miss Bishop becomes involved with a married man (Sidney Blackmer) whose wife refuses to divorce him. Donald Douglas plays Del, the man she nearly marries before her bitchy cousin Amy (Mary Anderson) steals him away, and William Gargan is the loyal Sam, who probably loves her better than anybody. There are memorable performances from the aforementioned as well as Edmund Gwenn, as president of Midwestern, Dorothy Peterson as Ella's mother, Rosemary DeCamp as Minna, Marsha Hunt as Amy's daughter, and the always-odd Sterling Holloway as the campus janitor. Martha Scott offers a simply outstanding performance as Ella; she's on top of the part whether she's playing the young student or the old lady retiring at seventy.

Verdict: A lovely movie. ****.