Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Richard Gere. Show all posts
Showing posts with label Richard Gere. Show all posts

Thursday, November 6, 2014

DR. T AND THE WOMEN

DR. T AND THE WOMEN (2000). Director: Robert Altman.

Dr. Travis (Richard Gere with a white-haired dye job) is a Dallas gynecologist with an exclusive clientele. His wife Kate (Farrah Fawcett) has a public meltdown -- she takes off all of her clothing and steps into a fountain -- and winds up institutionalized, after which he embarks on an affair with new golf club employee, Bree (Helen Hunt of Empire Falls). Meanwhile his family and patients are bothering him with an assortment of problems: nurse Carolyn (Shelley Long) is secretly in love with Dr. T, and his daughter, Dee Dee (Kate Hudson of The Skeleton Key), has invited her former female lover (Liv Tyler) to her wedding (to a man) as maid of honor; Dee Dee's sister thinks the marriage is a mistake,  for obvious reasons. [Bree has a supposedly open-minded but pretty stupid reaction to this whole rather contrived business.] Other cast members include Lee Grant as a shrink; Andy Richter, who makes no impression, as a buddy; Janine Turner as a neurotic patient; and Laura Dern. In its treatment of the lesbian couple the movie strikes some liberated, if awkward, sparks, but somehow it still seems old-fashioned and unsatisfying, although it's more watchable than a lot of Altman's[Popeye] movies. One interesting sequence graphically shows the miracle of child birth.

Verdict: Typically rambling and unfocused Altman with some good scenes and okay acting. **1/2.

Thursday, December 15, 2011

THE HOAX

THE HOAX (2006). Director: Lasse Hallstrom.

"No one flew you to Nassau, Cliff -- you're not that important."

In 1971 writer Clifford Irving (Richard Gere) comes up with an idea to secure respect and power in the publishing field by purporting to have worked with the infamous Howard Hughes on his autobiography. Excited by what they think they've got in their hands, his agent and publishers go along with him, quelling suspicions, until the questions become insurmountable. The film details how Irving, aided by collaborator Dick Suskind (Alfred Molina) and Irving's wife, Edith (Marcia Gay Harden), comes up with some immoral if gutsy maneuverings to outwit his doubters, rips off his publishers for hundreds of thousands of dollars, and basically disgraces himself -- although Irving himself probably wouldn't have put it that way. Irving tries to convince people that his real goal was to "take down a corrupt president" in a clumsy attempt to tie it all in with Watergate and come out smelling like a rose. Irving published a book about his experiences as a con artist, which was turned into this film, for which he was undoubtedly paid good money for the screen rights, sort of proving that sometimes crime does pay. By all rights, Irving should have been completely shunned by the publishing world but he managed to see a few more books in print. Gere is quite good as Irving, if probably less obnoxious than the real man, and an excellent Molina (Spider-Man 2) steals the show as his buddy-in-crime, the forgotten Suskind. Harden and other cast members, including the always-oustanding Eli Wallach, are also notable.

Verdict: Entertaining, but basically another hoax. **1/2.