MARLOWE (1969)

Sharon Farrell and James Garner

MARLOWE (1969). Director: Paul Bogart. 

Philip Marlowe (James Garner of The Children's Hour) is hired by mousy Orfamay Quest (Sharon Farrell of It's Alive) to find her brother, but during his search the P.I. uncovers a blackmail plot involving squeaky queen sitcom star Mavis Wald (Gayle Hunnicutt of Dallas), who is having an affair with a racketeer named Steelgrave (H. M. Wynant). Little does he know that both cases are connected. Marlowe stumbles over a couple of corpses of men who have been killed with an icepick, and does his best to get along with Lt. French (Carroll O'Connor) and Sgt. Beifus (Kenneth Tobey). Two other characters Marlowe has to deal with are sexy stripper Delores Gonzales (Rita Moreno) and the karate-chopping enforcer Winslow Wong (Bruce Lee). 

Garner with Hunnicutt

Marlowe is an adaptation of Raymond Chandler's 1940's novel "The Little Sister," and this film almost manages to make a little more sense of its convoluted plot, but not quite. The movie updates the story to the sixties when it was filmed, so one has to look at Garner -- who is not bad -- as an alternate modern version of Philip Marlowe, but hardly the real deal. The best performances in this are actually from a truly excellent Sharon Farrell, O'Connor (who gets one speech taken from the novel), Tobey, and Moreno, who does a very sexy dance late in the proceedings. William Daniels and Jackie Coogan also have good roles and run with them. Hunnicutt is adequate in a smaller and less showy role than Garner or Farrell, although she gets billed after Garner. She and Farrell have a brief "cat fight."

Paging Rockford

Bruce Lee features in two sequences. The first is a funny one in which Lee breaks up Marlowe's office, upsetting the apparently straight hairdresser, Chuck (Christopher Cary), who is friendly with Marlowe, takes his messages, and teaches his trade to women in the office next door. The second is a really stupid sequence in which Lee -- discombobulated after Marlowe suggests he's gay -- hurls himself at his opponent and goes right over a railing several stories high. (As others have noted, any fight between Lee and Garner would actually not have ended well for Garner.)

Garner never appeared again as Marlowe, but he fled to television and starred as a private eye in The Rockford Files for several years beginning in 1974. 

Verdict: This is a modestly entertaining, somewhat confusing private eye flick made twenty years too late. **1/2. 

LADY IN THE LAKE

Audry Totter and Robert Montgomery's reflection

LADY IN THE LAKE (1946). Director: Robert Montgomery.

Philip Marlowe (Robert Montgomery) submits a short mystery story based on truth to a pulp magazine and is invited in to meet the editor, a woman named Adrienne (Audrey Totter). She is more interested in hiring Marlowe to look for her boss, Derace Kingsby's (Leon Ames), wife, who has supposedly run off with a man named Chris (Dick Simmons of Man with the Steel Whip). This leads into a series of murders and a kind of strange affair between Marlowe and Adrienne, whom the private eye doesn't quite trust. Then he starts tripping over bodies ...

Man in the mirror: Marlowe gets first aid

Lady in the Lake is one of six films directed by star Montgomery, who decided to shoot this as an ill-advised stunt. Except for three brief sequences in which he addresses the camera to move the plot along, Marlowe/Montgomery is only seen in mirrors. While the plot and acting is interesting enough to keep the viewer entertained for most of the film's length, the gimmick gets a little tiresome and one longs for a more traditional approach. Another problem is that Montgomery is miscast as Marlowe (the detective's first name is misspelled as "Phillip"); he's as gruff and obnoxious as the script requires but he doesn't make a convincing Marlowe.

Audrey Totter and Leon Ames

On the other hand, Audrey Totter steals the picture as Adrienne, giving a fascinating and multi-leveled performance, a snarling bitch one minute, a cloying child the next, belting out orders and disdain in equal measure with one hand, and purring kittenishly with the other. She lacks the raw sex appeal of, say, Veronica Lake, but she's extremely effective nevertheless. Leon Ames, Tom Tully [A Kiss for Corliss] as a police captain, and especially Lloyd Nolan [Sergeant Ryker] as a vicious cop are all terrific. Jayne Meadows also has some fine moments, although she isn't always completely convincing in her portrayal. Dick Simmons makes a positive impression as the oddly likable gigolo, Chris.

One has to pay careful attention while watching this picture, because at the end you still may not be certain who did what to whom and why. Raymond Chandler's source novel undoubtedly spelled it out in more detail. In any case, the movie is suspenseful, and there's at least one creepy scene when Marlowe searches inside a bathroom.

Verdict: Watch for Totter if nothing else. **3/4. 

THOSE FORGOTTEN PRIVATE EYE SHOWS

Frank Lovejoy as McGraw

THOSE FORGOTTEN PRIVATE EYE SHOWS.

Most baby boomers will have heard of and possibly even seen such well-known private eye/adventurer shows as Peter Gunn with Craig Stevens, Michael Shayne with Richard Denning, Mike Hammer with Darren McGavin, and Richard Diamond, Private Detective with David Janssen, among others. But back in the fifties and sixties there were a whole bunch of private detective shows that resurface from time to time on DVD or on youtube, but which never quite caught on with the public, or at least are not too well remembered all these decades later. For instance:

Meet McGraw, also known as The Adventures of McGraw, lasted for one season and 42 episodes in 1957. Frank Lovejoy [The Crooked Web] plays a sort of private eye who gets involved in various adventures. Lovejoy was good in the part, and first played the character on an episode of Singer's Five Star Playhouse entitled "One for the Road." In this Audrey Totter plays a woman who supposedly wants protection from her jealous husband. Very few episodes of this show are available. The first one I saw, "The Fighter," about a boxer who is inexplicably nervous about his upcoming match, is supposed to be one of the best but is mediocre. Much better is "Ballerina," an interestingly convoluted piece with someone apparently trying to frame a dancer's husband for nefarious acts, with Hans Conreid as guest-star. I liked Lovejoy and hope someday to come across more episodes of this series. **1/2.

Philip Carey as Marlowe, outfitted with scar

Philip Marlowe is, of course, Raymond Chandler's famous private eye, but this 1959 show only lasted for one season and 26 episodes. Philip Carey [Zane Grey Theater] is fine in the part, and the show seems interesting. In "The Ugly Duckling" the mistress (Barbara Bain) of a married man is murdered and his wife (Virginia Gregg) is arrested; Marlowe tries to find out who really killed the woman. In "Murder is a Grave Affair" Gene Nelson plays a director with a dismissive wife (Betsy Jones-Moreland) whose delusional girlfriend is found murdered. Both episodes are good enough to make me wish more were available. **1/2.

The Files of Jeffrey Jones (aka From the Files of Jeffrey Jones) only lasted for 16 episodes in 1952. I have seen one episode, "Pigeon Hunt," which has L.A. private investigator Jones (Don Haggerty) investigating when a boxer he knows tells him that he is afraid he might have murdered a woman while under the influence. Lyle Talbot plays his manager, and Alix Talton is a hard broad who is also involved in the case. Tristram Coffin plays a cop on the show. This episode was good enough to make me want to see more. There's a lively and amusing fight scene between Jones and a hulking bouncer in this one. **1/2.

Don Haggarty and Patricia Morison

Don Haggarty [Footsteps in the Night] also starred in another 1952 series, and this one lasted just 13 episodes: The Cases of Eddie Drake. In this Haggarty plays a more traditional hard-boiled private eye; he also plays the role in a sexy fashion that has him practically leering at any woman he encounters. An interesting feature of this short-lived series in that the episodes unfold as flashbacks being told by Drake to a pretty lady shrink played by Patricia Morison. I've seen only one episode of the show, "Shoot the Works," and it is terrific, making me wish more of these classics were available. In "Shoot the Works" a wealthy, cheating wife hires Drake to find a watch given to her by her husband, but which was stolen during a robbery at a casino. The story has a number of interesting plot twists, real snappy dialogue, and is very well-acted by all, with Haggarty playing Drake in just the right note. A radio show entitled The Cases of Mr. Ace and starring George Raft used the same device of having the private eye tell his stories to a shrink, and may have been the basis for this program. Haggarty would have made a terrific Michael Shayne. ***.

Lee Bowman as Ellery Queen

Ellery Queen, or The Adventures of Ellery Queen, debuted live on the Dumont network in 1950 with Richard Hart playing Queen. The character of Ellery Queen -- a novelist and amateur sleuth whose father is a police inspector -- is not forgotten, of course; in fact Ellery Queen's Mystery Magazine is still being published. However, today people are more likely to remember the 70's Ellery Queen TV series than any other. The 1950's show lasted several seasons, with Lee Bowman [Next Time I Marry] eventually replacing Hart as the protagonist. Four or so seasons in, the show changed its name to Murder Is My Business, and Hugh Marlowe was cast as Queen. In 1959 there came a new series, The Further Adventures of Ellery Queen, this time starring George Nader as the hero.

Ellery Queen was a bit primitive, with that old organ music and all, but Hart and Bowman were both fine as variations of the character. Judging from the very few episodes I've seen, the show had some good scripts. In "The Hanging Acrobat" Kurt Katch makes an impression as the trapeze artist Hugo, whose wife is strangled. "Death Spins a Wheel," in which a piano player is murdered near a nightclub that may be a front for a counterfeiting racket, features another knock-put performance by Robert H. Harris as the club owner; this time he's affecting a very convincing accent. In "The Adventure of the Man Who Enjoyed Death," a mentally-disturbed district attorney, who lost a case due to Queen's testimony, gets even with him by playing a cat and mouse game in which he strangles a series of women. John Newland, best known as the host of One Step Beyond, is very good as the D.A. In "Buck Fever" Queen gets involved in murder and corruption when a deputy is shot while deer hunting and the detective is initially accused. "Murder to Music" features Jerome Cowan as a maestro whose crippled wife seems neurotic and dangerous to his protege, a pretty young pianist named Anita, but she may be up to something. Cowan is as terrific as ever but the show is stolen by the excellent actress who plays Anita, but whose identity I could not uncover although I tried several sources. ***.

Updated on 9/25/2018. 

THE BRASHER DOUBLOON

Nancy Guild and George Montgomery

THE BRASHER DOUBLOON (1947). Director: John Brahm.

Private eye Philip Marlowe (George Montgomery of Street of Sinners) is hired by the formidable Mrs. Murdock (Florence Bates) to recover a very valuable coin which he suspects was taken by her own son, Leslie (Conrad Janis). Marlowe is attracted to Mrs. Murdock's somewhat strange secretary, Merle (Nancy Guild of Somewhere in the Night), who seems to be keeping secrets from him. As Marlowe investigates, he keeps tripping over bodies, and uncovers some family secrets and a mysterious death in the past. Along the way he encounters cops, gangsters and gamblers, most of whom have little respect for his health. It all winds up in his office as he unveils the killer and his motives with a piece of provocative film. The Brasher Doubloon is based on Raymond Chandler's "The High Window," and despite being a little too short, is a very good example of both film noir and the detective story. As Marlowe, George Montgomery is excellent -- smooth, handsome and very adept -- but the critics felt he couldn't compare to Humphrey Bogart in the role and he was again mostly delegated to westerns after that. Guild and Janis are on the money, and Bates offers a ferociously dynamic performance as Mrs. Murdock. Roy Roberts is also effective as Lt. Breeze. The picture is full of amusing and sexy scenes such as when Guild holds a gun on Montgomery and orders him to take his clothes off! Director Brahm keeps the movie atmospheric, fast-paced, and suspenseful. Great ending! The Chandler novel was also filmed as Time to Kill some years earlier with Lloyd Nolan playing not Marlowe but Michael Shayne!

Verdict: This long-forgotten movie is a lost gem. ***.