Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Philip Dunne. Show all posts
Showing posts with label Philip Dunne. Show all posts

Thursday, February 3, 2022

HILDA CRANE

HILDA CRANE (1956). Director: Philip Dunne. 

After two disastrous marriages and what she considers "failure" in New York City, Hilda Crane (Jean Simmons) returns to her home town and her mother and ponders her future. Her unaffectionate mother, Stella (Judith Evelyn), thinks she should forget all about romantic notions of "love" and settle for appearances, a marriage that is settled and stabled (and, perhaps, without passion). Should Hilda marry small-town guy Russell Burns? (The fact that Burns is not only rich and nice, but is played by handsome Guy Madison, must have made Hilda's indecision over the matter seem a little comical to some ladies in the audience.) Or should she settle for a more passionate relationship with her former teacher Jacques (Jean-Pierre Aumont) whom she apparently finds more exciting? Evelyn Varden almost steals the picture as Russell's termagant of a mother, who thinks Hilda is nothing but a tramp and isn't afraid to say so. Peggy Knudsen adds some bite as Hilda's blunt friend, Nell, and Jeannette MacDonald's sister Blossom Rock (AKA Marie Blake) is cast as Mrs. Crane's housekeeper. (Years later she played Grandmama on The Addams Family TV show.) The usually reliable Judith Evelyn doesn't quite seem to get a handle on how she should play her character. Hilda Crane is watchable and generally well-acted, but despite the occasional crisp or intelligent line, it's just comes off as a forgettable soap opera. 

Verdict: Peyton Place Lite. **.

Thursday, December 10, 2020

THREE BRAVE MEN

THREE BRAVE MEN
(1956). Director: Philip Dunne. 

Bernie Goldsmith (Ernest Borgnine) is horrified to discover that he's been summarily fired from his government job because he's been deemed a security risk due to an alleged "radical" (i.e. communist) past. He hires lawyer Joe DiMarco (Ray Milland) to defend him. Apparently Goldsmith angered some people because of his activism in minority housing (oddly, the subject of anti-Semitism is never broached). Even after a board presided over by Captain Wingfield (Frank Lovejoy) and Lt. McCoy (Nina Foch) clears Goldsmith, he still can't get his job back or get hired by anyone else. DiMarco takes the case to the Army man, Rogers (Dean Jagger), who had the board's decision reversed. Three Brave Men intelligently examines how gossip and innuendo, jumping to conclusions, and sheer sloppy investigating can ruin someone's life as it did many during the McCarthy anti-communist era. The film also has a nice subtext examining how the whole ordeal has revealed how strong Bernie's marriage to his wife (Virginia Christine) is. Still, it's all a bit matter of fact, with few nuances and shades of gray. Yet the fact that it was even made in 1956 -- years before our deplorable "cancel culture" -- speaks volumes. Dr. No's Joseph Wiseman has a notable cameo as a bigot. 

Verdict: Absorbing story of family's ruination and their struggle back. ***.

Thursday, January 26, 2012

BLINDFOLD

BLINDFOLD (1965). Director: Philip Dunne.

Psychiatrist Dr. Bartholomew Snow (Rock Hudson) is drafted by General Prat (Jack Warden) to treat an old patient of his, a scientist named Vincenti (Alejandro Rey). Snow is blindfolded and flown to a secret location where the paranoid Vincenti is being held. But is General Prat really who he says he is, and is stuttering patient Fitzpatrick (Guy Stockwell) somehow involved as well? When Snow realizes something's rotten in Denmark, he and Vincenti's sister Vicky (Claudia Cardinale) have to try and retrace Snow's steps while blindfolded and find her brother. Based on a novel by Lucille Fletcher, Blindfold has a good story, but at times the [admittedly often funny] comedy relief simply overwhelms the suspense and dissipates the tension, with the result that the movie wears out its welcome long before it's over. Climactic scenes with alligators, explosions and bullets flying everywhere are busy but handled without any directorial aplomb. Hitchcock probably could have done a lot with this, but Dunne? Cardinale is cute and perky; Hudson more than acceptable in the lead although no Cary Grant. As Snow's secretary Anne Seymour doesn't have enough oomph [a la Eve Arden]. Seymour appeared on The Honeymooners more than once and had a long, long list of credits. Guy Stockwell was the older brother of Dean Stockwell. Jack Warden comes off best as Prat.Dunne also directed The View from Pompey's Head and wrote the screenplay for The Ghost and Mrs. Muir.

Verdict: Okay, if you're not expecting another North By Northwest. **1/2.

Thursday, February 10, 2011

THE VIEW FROM POMPEY'S HEAD


THE VIEW FROM POMPEY'S HEAD (1955). Director: Philip Dunne.

"I was only eight when [my father] died but I would have killed him if I could." -- Garvin.

"The past is a thief, it doesn't give us anything but only robs us of the future." -- Dinah.

Lawyer Anson "Sonny" Page (Richard Egan) returns to his home town in the south to investigate a lawsuit filed against a publishing house he represents by the wife (Marjorie Rambeau) of a famous author, Garvin Wales (Sidney Blackmer). While he attempts to discover the truth behind the lawsuit -- which charges a late friend and associate of Wale's with virtual embezzlement -- he meets up with his old flame Dinah (Dana Wynter), and finds himself falling in love with her again -- and vice versa -- despite the fact that both are married. The film concentrates much more on the love story than did the Hamilton Basso novel upon which it was based, but also manages to touch upon racial inequality and class distinctions as well, albeit in a way that may seem dated and limited due to the time period. On the plus side, the film is very romantic, with lush photography of real and very beautiful Southern locations, and a very nice score by Elmer Bernstein. Cameron Mitchell is cast and plays well as Dinah's husband; Egan is quite good as Page; and Dana Wynter -- lovelier than ever -- gives perhaps her finest performance as Dinah. The title refers to an old-fashioned, genteel, oh-so-proper Southern way of life and thinking. There are interesting situations and developments along the way, although most of the melodramatic moments concerning the love triangle seem to have been cooked up by the screenwriter. Beautiful to look at, The View from Pompey's Head might be a good bet for a wide screen digitally-remastered DVD release.

Verdict: Despite its flaws, this is rather sumptuous and Wynter is in her summer. ***.