Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Harry Horner. Show all posts
Showing posts with label Harry Horner. Show all posts

Thursday, September 26, 2024

NEW FACES

Robert Clary stinks up another number
NEW FACES (1954).  Director: Harry Horner.

Making CinemaScope productions of Broadway revues was certainly a rare occurrence in the 1950's, but New Faces was quite successful and it was supposed that it would transfer well to the screen. Well ... the trouble is the material and some of the players. The two performers who get the most screen time are Eartha Kitt and Robert Clary.  Kitt (of Anna Lucasta) was a very talented actress, but her voice was not always exactly euphonic. Clary, best-known for a supporting role on the sitcom Hogan's Heroes, must have had an uncle or somebody else who backed the show, for his appearance in this is inexplicable. He does number after number but betrays no great singing talent nor comedic ability. You'll be reaching for the fast forward button!

"Love is a Simple Thing" dance routine
Fortunately there are a few more talented people in the movie. Paul Lynde (of Bye Bye Birdie) does a hilarious routine on going on a disastrous vacation in Africa. Singers Virginia Wilson and June Carroll do a couple of numbers each. Carol Lawrence [A View from the Bridge] and Alice Ghostly [Rodger and Hammerstein's Cinderella] also appear, the latter doing a forgettable skit with Lynde. The rest is decidedly a mixed bag. "Penny Candy" is an awful number that seems to go on forever; Kitt is at least given a fairy decent song with "Santa Baby," and "Love is a Simple Thing" is the most memorable tune; the dancers excel during this number. "You Can't Chop Your Papa Up in Massachusetts" -- about Lizzie Borden -- is meant to be cute and whimsical but is simply an exercise in bad taste. In the barely existing backstage plot, Ronny Graham tries to get Virginia's father to fork over the money for the show. Harry Horner also directed Vicki, a murder mystery set in the theater world. 

Verdict: Too much tedium but Paul Lynde helps a lot. **. 

Thursday, January 2, 2014

VICKI

Crain, Reid, Peters and Showalter in a tense moment
VICKI (1953). Director: Harry Horner.

From the start we learn that a model-actress named Vicki Lynn (Jean Peters) has been murdered, while the rest of the movie explores who might have done the deed and provides flashbacks (supposedly) illuminating the woman and her friends and acquaintances. Among them are her sister, Jill (Jeanne Crain), manager Steve (Elliott Reid), boyfriend Larry (Max Showalter/Casey Adams), ham actor Robin (Alexander D'Arcy), and even a grizzled, homely and obsessed cop named Ed Cornell (Richard Boone) who is relentless in his pursuit of one particular suspect. A nerdy room manager named Harry is a bit overacted by Aaron Spelling, who found much greater success as a television producer years later. This lower case rip-off of Laura features a low-rent cast, superficial characterizations, and an utterly mediocre performance from Boone. The other actors are okay, with Peters, who has been better elsewhere, un-riveting in the central role; four years later she married Howard Hughes and made no more theatrical films. Crain and Peters were also together in Take Care of My Little Girl. Horner also directed The Wild Party.

Verdict: Probably not even Clifton Webb could have saved this from the scrapheap. **.