Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Cora Witherspoon. Show all posts
Showing posts with label Cora Witherspoon. Show all posts

Thursday, March 28, 2024

THE BANK DICK

THE BANK DICK (1940). Director: Edward F. Cline.

W. C. Fields is simply splendid as Egbert Souse (pronounced Sousay, and don't you forget it!), who inadvertently foils a bank robbery and is given a job as a bank guard as a reward. Egbert's future son-in-law, Og (the wonderful Grady Sutton) borrows money from the bank for an investment opportunity and discovers to his horror that the bank examiner J. Pinkteron Snoopington (the superb Franklin Pangborn) is in town to look over the books! Egbert does what he can to prevent Snoopington from discovering the missing loot until Og can return it and has other assorted misadventures as well, even winding up directing a film. Una Merkel and Cora Witherspoon are terrific as members of Egbert's family. Jan Duggan from The Old-Fashioned Way has a cameo as a customer in the bank, and Pierre Watkin [Atom Man vs. Superman] is actually excellent as the bank president.

Verdict: This is a very funny and well-acted movie. ***1/2.

Thursday, July 11, 2013

CHARLIE CHAN'S MURDER CRUISE

Charlie Chan (Toler) meets Ming the Merciless (Middleton)
CHARLIE CHAN'S MURDER CRUISE (1940). Director: Eugene Forde.

When Inspector Duff (Montague Shaw) comes to tell Chan  that he needs his help in finding a strangler who has already claimed several innocent lives, Chan (Sidney Toler) only seems to turn his back for a minute and Duff himself becomes the next victim! Since Duff had narrowed the identity of the mysterious strangler to one of several passengers on a cruise ship, Chan joins the cruise and tries to ferret out who the killer might be. The suspects include: Dr. Suderman (Lionel Atwill), who doesn't seem to hold Chan's abilities in high regard; Susie Watson (Cora Witherspoon of The Bank Dick), a spirited high-society dowager; her playful friend James Ross (Don Beddoe); Professor Gordon (Leo. G. Carroll); wealthy Gerald Pendleton (Leonard Mudie); dreamy Dick Kenyon (Robert Lowery) and his pretty gal, Paula (Marjorie Weaver); the gloomy religious fanatics Mrs. Walters (Claire Du Brey) and her husband (Charles Middleton); and others. Jimmy Chan (Victor Yen Sung) is along for the ride as well. The cast consists of old pros who know just how to play this amusing, suspenseful material. Toler is in top form, Sen Yung as charming as ever, and Atwill, Middleton, Mudie and Witherspoon are all in fine fettle. It's worth the price of admission just for the scene when Toler confronts Middleton and you realize that Chan is having a chat with Ming the Merciless from Flash Gordon! This has a good mystery plot with a few surprises as well.

Verdict: Utterly delightful! ***.

Sunday, January 13, 2008

ON THE AVENUE


ON THE AVENUE (1937). Directed by Roy Del Ruth.

A charming and genuinely amusing musical with some pleasant (if unspectacular) Irving Berlin songs. Gary Blake (Dick Powell) is the star of a hit Broadway revue, and his co-star, Mona Merrick (Alice Faye), seems a bit smitten with him. In one of the show’s most popular sketches, Mona plays a well-known heiress, Mimi Carraway (Madeleine Carroll), and Blake is her very stuffy father, the Commodore (George Barbier). Father and daughter Carraway are outraged by the sketch and Mimi contacts Gary in an attempt to gain revenge. The two wind up falling in love with each other, naturally, and Blake agrees to make the sketch less offensive. However, a jealous Mona decides she’s not going to take all the juice out of the sketch, and ... well, let’s just say it leads to the funniest sequence in the movie. All three leads and the supporting cast are in top form. Especially notable is Cora Witherspoon as Mimi’s free-spirited aunt, who thinks the aforementioned sketch is hilarious and seems to be the only person in the family with a sense of humor. The Ritz Brothers do some funny routines but one of them goes on forever and nearly stops the picture dead. Otherwise, this fast-moving musical comedy is a pip.
Verdict: Lots of fun. ***.