Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Claudia Dell. Show all posts
Showing posts with label Claudia Dell. Show all posts

Thursday, August 31, 2017

THE WOMAN CONDEMNED

Claudia Dell and Richard Hemingway
THE WOMAN CONDEMNED (1934). Director: Mrs. Wallace Reid (Dorothy Davenport).

Mediocre radio singer Jane Merrick (Lola Lane) confuses everyone, especially her boss and lover Jim (Jason Robards Sr. of Desperate), by taking off for unknown reasons and refusing to come out of her apartment. She gives instructions to her maid, Sally (Louise Beavers), that she is to tell everyone she is not at home. Then a woman named Barbara (Claudia Dell of The Lost City) is arrested when she is found sneaking around the tony apartment house where a woman is later found murdered. Reporter Jerry Beall (Richard Hemingway) goes to bat for Barbara when she's accused of the crime, and even winds up being married to her in court when he falsely tells one judge she is his fiancee. Confused? The Woman Condemned is suspenseful all right, primarily because you're wondering what the hell is going on and how these different people fit together. The solution is somewhat ridiculous, but what is especially mind-boggling is the silly reason for why Jane feels she needs to disappear. Director Dorothy Davenport, who had been married to the late Wallace Reid, an actor, was also an actress and she dabbled in writing and directing.She proves as adept as most of her male colleagues of the time. The cast in this is also adept, with Mischa Auer playing against type as a doctor. Richard Hemingway was a pleasing leading man -- despite his mild-mannered demeanor he was a boxing champion in real life -- but he had very few credits. Lola Lane [Deadline at Dawn] was one of the Lane sisters, Priscilla being the most successful.

Verdict: This holds the attention but there isn't much pay-off. **1/2.

Thursday, April 23, 2015

MEETING AT MIDNIGHT/BLACK MAGIC

Sidney Toler and Helen Beverly
MEETING AT MIDNIGHT (aka Black Magic/1944). Director: Phil Rosen.

"Mr. Chan, I've been leavin' ever since I got here." -- Birmingham Brown.

During a seance, the lights go out and the medium is found shot to death. The strange thing is that an autopsy reveals there's a gunshot wound in the body but no bullet! [The explanation for this is clever even if today's forensics people might scoff.] The suspects include the widow, Mrs. Bonner (Jacqueline deWit of The Damned Don't Cry); Norma Duncan (Helen Beverly), who bore the man a grudge; assistants Tom and Vera Starky (Charles Jordan and Claudia Dell); mousy fan manufacturer, Edwards (Harry Depp); and two victims of blackmail, Hamlin (Frank Jaquet) and Harriet Green (Geraldine Wall), who had a brief fling with the murdered man. The cops are Rafferty (Ralph Peters) and Matthews (Joseph Crehan of The Case of the Black Parrot). A suspenseful scene has another victim hypnotized into throwing herself off of a roof, something which nearly happens to Charlie in the film's best sequence and climax. Birmingham Brown (Mantan Moreland of On the Spot) is along for the ride but Tommy Chan has been replaced by his sister Frances (coincidentally played by a not-very-talented actress named, believe it or not, Francis Chan. A decade earlier she also played a Chan daughter in the lost film Charlie Chan's Greatest Case with Warner Oland.). This is another rather mediocre Monogram cheapie but it does pick up a bit towards the end. NOTE: Actress Jacquline deWit spelled it "DeWit," "de Wit" and probably others.

Verdict: Neither Charlie's best nor worst. **1/2.