OSS 117 UNLEASHED

Kerwin Mathews

OSS 117 UNLEASHED 

(aka OSS 117 se dechaine/1963) 

Director: Andre Hunebelle.

An American agent with the Office of Strategic Services is searching for the prototype of a device that can detect atomic submarines and thinks he's found it in a grotto when he is killed. Hubert Bonisseur de la Bath, also known as OSS 117 (Kerwin Mathews of The Viscount), is sent to replace the dead man, and investigates a scuba instructor, Renotte (Henri-Jacques Huet), and his girlfriend, Brigitta (Nadia Sanders), who is keeping secrets. A nasty character named Mayan (Roger Dutoit) is out to keep 117 from finding the detector and employs various unsavory agents, male and female, to stop him. The climax takes place at a spooky estate located above the grotto where 117 will either destroy the device or die trying. 

Irina Demick holds a rifle on 117

OSS 117 was introduced in a series of French novels and made his first film appearance in 1957 where the character had a different name and was a French agent. When Dr. No became a sensation in 1962 filmmakers in France decided to revive the character and make him more like James Bond. Hence Mathews' adroit performance is clearly cut from the same cloth: a man with an eye for the ladies, callous and ruthless, and not at all bothered by the death of anyone, good guy or bad. The movie is fast-paced and suspenseful, with some colorful supporting characters. It cries out for a much better score, however, and the pop song that opens the film is especially bad. Followed by Panic in Bangkok. In French with subtitles. Director Hunebelle directed most of the succeeding 117 films in the sixties as well as Fantomas. 117 still appears in movies made in the 21st century. 

Verdict: Acceptable Eurospy film with handsome Mathews quite effective as the spy. **3/4. 

FANTOMAS (1964)

FANTOMAS (1964). Director: Andre Hunebelle.

"I have committed most of most of my crimes wearing the faces of my victims."

Inspector Juve (Louis de Funes) is determined to catch the master criminal and murderer, Fantomas (Jean Marais). Reporter Fandor (also played by Marais) thinks that Famtomas doesn't really exist and writes a phony interview with the man. This angers the real Fantomas, who not only kidnaps Fandor, but uses a life-like mask of his face to commit his crimes, such as an incredible jewel robbery where there are dozens of guards and guests all over the place. Then he uses the mask (made of something resembling real skin, which Fantomas has created) of Inspector Juve, who is arrested as Fantomas! This all leads to a merry chase with both Juve and Fandor frantically pursuing the arch-fiend as he tries to make it to his waiting submarine. 

Fantomas is inspired by French novels of the sociopathic criminal, Fantomas, but the tone of this movie, following the cue of the James Bond movies, is much lighter, and eventually approaches parody (unlike the Bond films). Inspector Juve's antics make him begin to resemble Inspector Clouseau, but Funes is good in the role (although not as good as Herbert Lom as Clouseau's nemesis in the films with Peter Sellers) and there are a few genuinely amusing sequences, such as when a whole room of witnesses puts together an identikit photo of "Fantomas" and it looks just like Juve, to his horror. In his true guise, Fantomas wears a blue mask that disguises his features, and his underground headquarters is full of arches and macabre touches (just like a Bond villain). Mylene Demongeot is cast as Fandor's fiancee, Helene, a photographer who gets into the action on more than one occasion but who is still mostly decorative, as is Marie-Helene Arnaud as Lady Beltham, an associate and lover of Fantomas'. The action scenes that comprise the last quarter of the film are never on the same thrilling level as the best of the Bonds, and a scene when Fandor's brakes fail seems to go on forever. More Fantomas features followed.

Verdict: Passable sixties version of durable French villain. **1/2.