Thursday, March 21, 2019

THEY CALL IT SIN

Loretta Young and David Manners
THEY CALL IT SIN (1932). Director: Thornton Freeland.

New Yorker Jimmy Decker (David Manners of Crooner), supposedly a "nice guy", is engaged to Edith Hollister (Helen Vincent). On a business trip to Kansas, he meets up with church organist Marion (Loretta Young) and begins a romance with her. After Jimmy returns to Manhattan, Marion's hateful mother (Elizabeth Patterson) tells her that she is not only "sinful" but was adopted and not wanted in the first place. Marion takes off to New York to find David, as well as work as a musician, but she doesn't know that the guy has a fiancee ...

Loretta Young and George Brent 
In New York Marion gets involved with two other men, Jimmy's friend, Dr. Travers (George Brent) and theatrical impresario Ford Humprhies (Louis Calhern of Athena). The latter character, who hits on women shamelessly and fires them if they don't play ball, is meant to be the true "bad guy" to make Jimmy look better, but that doesn't quite work. In any case, the film has an abrupt, surprising and unconvincing wind-up that -- despite this being a "pre-code" film -- smacks of compromise, although most viewers will be glad that Marion winds up with the man she eventually chooses. There are also some melodramatic and rather absurd complications before the fade-out.

Hateful: Elizabeth Patteron. 
Young gives an excellent performance, which is no surprise. Manners and Brent are both fine, but it is Calhern who nearly steals the movie from the better-looking gentlemen. Elizabeth Patterson is sterling as usual in a very unsympathetic part that is a far cry from the babysitter on I Love Lucy. The scene when she reveals the truth to her "daughter" is one of the best in the movie. Jimmy is such a clueless idiot that he actually asks his fiancee to take Marion under her wing -- this before either lady even knows what's going on! Una Merkel [Red-Headed Woman]  is also in the cast as a chorus girl friend of Marion's and she is even more ugly and grotesque than usual. George Brent is top-billed with Young even though Manners has the much, much bigger role.

Verdict: Morally ambiguous, but at least it's unpredictable for the most part. **1/4. 

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