"I hate the talk of this being a young man's industry ... Not because I am an old man, but because I hate the notion you must be young to be hot ... Experience is terribly important, a tremendous help in writing." -- Charles Bennett.
This very interesting tome is essentially the memoirs of screenwriter Charles Bennett, with added chapters written by his son, John Charles Bennett. Bennett did several screenplays for Alfred Hitchcock -- Blackmail (from Bennett's play), The Man Who Knew Too Much, Foreign Correspondent etc. -- and much more work for the movies and television, along with plays and novels. While never denying Hitchcock's talent, both Bennetts seem to feel, rightly or wrongly, that the elder Bennett didn't get enough credit, and like many screenwriters, feels that directors walk off with the lion's share of the attention whether they deserve it or not. Bennett felt that Hitch was a great director, not a great writer. Bennett spends a lot of pages writing about his wartime experiences, in which he admits that he had it much better than most because of his wealth at the time. Bennett's first marriage ended when his wife left him for another man; she knew he had had numerous affairs with other women. His second disastrous marriage went on the rocks quickly but continued for many, many miserable years. The most affecting chapter in the book is one in which his son describes in heart-wrenching detail and effective prose how his childhood was all but ruined by his mother's alcoholism and emotional issues and his father's comparative neglect. Soldier, spy, writer and lover boy, the narcissistic Bennett remains a fascinating figure, but sadly, he wasn't much of a father, and the emotional scars endured by his son have clearly not quite healed. Charles Bennett, who did some wonderful screenplays for such films as Night of the Demon and Where Danger Lives, doesn't emerge for the most part as an especially likable character, but his comments on the age discrimination of Hollywood are well-taken. The chapters which describe his struggles to be taken seriously despite his advanced years make him a more sympathetic figure, at least during that period. For money, Bennett did several entertaining screenplays for Irwin Allen [The Lost World; Voyage of the Bottom of the Sea], which Allen would invariably muck around with to their detriment. When Bennett was in his nineties he was hired to write a remake of Blackmail, but the film was never made, although he briefly became a name again.
Verdict: Excellent bio-memoir from a Hollywood insider's pov and a highly interesting slice of film history. ***1/2.
Looks interesting...Hitchcock himself was a fascinating character, as was wife Alma--recently rewatched The Girl about Tippi Hedren's experience with the Master of Suspense.
ReplyDeleteHitchcock always surrounded himself with first class collaborators.
-C
Yes, he was a smart man! Will have to look into "The Girl." Always wondered if Hedren was over-reacting because she had to get roughed up a bit in "The Birds." Not a trouper.
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