Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Winona Ryder. Show all posts
Showing posts with label Winona Ryder. Show all posts

Thursday, May 5, 2016

ALIEN RESURRECTION

Isn't she pretty: an alien-human hybrid
ALIEN RESURRECTION (1997). Director: Jean-Pierre Jeunet.

"I used to be afraid to dream, but no more. No matter how bad the dream gets, when I wake up it's worse."

"I should have known -- no human being is that humane."

Hundreds of years after the events of Alien and Alien 3, a crew of rather rambunctious technicians bring a certain sinister cargo to a humongous U.S. military medical research vessel, where the Army has taken over research into the strange alien species that so bedeviled Ripley. The "cargo" turns out to be kidnapped humans who are deliberately exposed to the alien parasite in an attempt to create more monsters that the military can control. But they make one big mistake: when some of the aliens turn against one of their number, tearing it apart, its acid-blood burns through the floor and releases the aliens! Now it's a fight for survival for the cloned Ripley (Sigourney Weaver), who turns out to be part-alien; General Perez (Dan Hedaya); and the technicians, including Call (Winona Ryder); Johner (Ron Perlman of Pacific Rim); Elgyn (Michael Wincott), among others; the nasty Dr. Wren (J. E. Freeman); and the terrified Purvis (Leland Orser of The Guest), who is one of the poor souls with an alien egg implanted within him. Now the ship is about to crash land on earth with all those nasty critters on board! There is not much attempt to create any kind of realistic "future," with the characters using twentieth century slang, and there are other borderline campy moments and dumb dialogue that work against the movie -- no wonder, the screenplay was written by Joss Whedon [Marvel's The Avengers], who did the silly Buffy the Vampire Slayer -- and the pic is terribly cold-blooded to put it mildly, but it is also suspenseful and exciting. The acting is very good from all concerned. Relentlessly downbeat even to the infinitely bleak conclusion. Attempts to create erotic tension between Ripley and the alien queen don't really work.

Verdict: Can't keep those aliens down! ***.

Thursday, January 17, 2013

THE LETTER (2012)

Josh Hamilton and Winona Ryder deserve better












THE LETTER (2012). Writer/director: Jay Anania.

Here's how not to make a movie. According to IMDB.com, Jay Anania "heads the directing program at the graduate film school at New York University" and actor James Franco was one of his students. Which is probably how Franco, a talented actor, wound up in this mess along with a bunch of other talented actors, including Winona Ryder [who's gotten even prettier with the years]. She plays Martine [who is apparently directing her own play, it is never quite made clear] and who invites strange Tyrone (Franco) to join the cast. The other actors in the play-within-the-movie are Martine's boyfriend Raymond (Josh Hamilton), Anita (Marin Ireland), and Julie (Katherine Waterston -- and yes she's the daughter of Sam Waterston). Tyrone is a little obnoxious, and the others are confused by Martine's obvious lack of directing skills and her abrupt changes to the play. The only interesting development has to do with a woman who interviews Martine, who is later told by police officers that she was hit by a car and is in a coma; yet she calls Martine the next day and apparently nothing happened. Huh? Martine is unraveling, seeming to have a nervous breakdown, and there's a last minute explanation for her actions. Even if you hadn't been misled into believing The Letter was a suspense film or thriller by the promotion, you would still be disappointed by this basically plot-less and pointless exercise in minimalism. One shudders to think what kind of dreadful movies the students at NYU will be churning out with Anania as their teacher! The Letter is deliberately paced, to say the least, and tedious to the extreme, with no pay-off of any kind. Anania wastes five good actors who should have been given a real storyline to emote for. How on earth did this ever get released?

Verdict: This would probably be a complete bore even if you watched the whole thing on fast forward. It gets * strictly for the acting and for a depressing but somewhat evocative score. Watch William Wyler's The Letter if you want to see a real movie!