Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Tom Holland. Show all posts
Showing posts with label Tom Holland. Show all posts

Thursday, August 31, 2023

ROUND UP OF NEW AND RECENT FILMS PART TEN

Brendan Fraser
THE WHALE (2022). Director: Darren Aronofsky. Brendan Fraser stars as Charlie, a gay man who has been slowly killing himself through food since the suicide of his partner. He has a teenage daughter from his earlier marriage and tries to bond with her before it's too late. Along the way he interacts with his late partner's sister, his ex-wife, and a young religious man who wants to "save" him. Based on a stage play, this goes behind the scenes of a morbidly obese person and answers the question of how and why they got that way. This is a fairly interesting if imperfect film, with the daughter being nearly too obnoxious to take, and Fraser's Oscar-winning performance, while good, perhaps too dependent on a fat suit and prosthetics. Rob Simonsen's musical score seems to be doing most of the work. **1/2.  

Tai Gabrielle
UNCHARTED (2022). Director: Ruben Fleischer. Another movie inspired by a video game, this teams Tom Holland and Mark Wahlberg trying to find a treasure collected by Magellan even as Antonio Banderas tries to stop them. Tai Gabrielle makes an impression as a ruthless assassin working for Banderas. The players are game, there are some exciting scenes and stunt work, but the whole project is just so overfamiliar and ultimately forgettable. **1/2. 

Dennis Quaid and Bradley Cooper
THE WORDS (2012), Written and directed by Brian Klugman and Lee Sternthal. Bradley Cooper appropriates an old man's manuscript as his own and becomes rich and famous, but what happens when the truth comes out? Besides being very well-acted -- the cast also includes Dennis Quaid, Jeremy Irons, Ron Rifkin and others -- the film boasts cinematography by Antonio Calvache and a score by Marcelo Zarvos. Despite all this, The Words is not entirely satisfying and many viewers were not that happy with the ending. **3/4. 

Lady Gaga
A STAR IS BORN (2018), Directed by Bradley Cooper. This is not so much a remake of the Janet Gaynor or Judy Garland versions of the venerable story, but of the Barbra Streisand version with the characters being singers instead of actors. Bradley Cooper as the older addict whose career is going to pieces, and Lady Gaga as the younger wannabee who accepts his help and achieves stardom, are both good but not spectacular. Rafi Gavron scores as a reptilian manager and there are good turns from Sam Elliott as Cooper's brother and Andrew Dice Clay as Gaga's father. 

Bradley Cooper
In addition to "Shallow" there are some good tunes in the movie, well-performed by the leads, especially Gaga. Just as Garland is transformed in her version of the story, Gaga is turned from a more original performer into a tiresome, sexed-up clone of Madonna, but not enough is done with this aspect of the story. A scene when Gaga wins a Grammy doesn't have a drunken Cooper accidentally hitting her but rather peeing in his pants! Ultimately, this version, although slickly done in some ways, lacks any emotional resonance, and you really don't care about any of the characters. Two former co-stars of Cooper's, all of whom appeared on the TV show Alias, are in the film: Greg Grunberg as a driver and Ron Rifkin as a counselor. Missing is Michael Vartan, another Alias alumnus, who I always thought was much more compelling and attractive than the somewhat over-rated and average-looking Cooper. **1/2. 

Thursday, October 31, 2019

CHILD'S PLAY (1988)

Best Buddies? Chucky and little Alex Vincent
CHILD'S PLAY (1988). Director: Tom Holland.

A very nice widow named Karen Barclay (Catherine Hicks) wants to get her little son Andy (Alex Vincent) a popular "Good Guy" doll but finds it too expensive. However, she manages to acquire one from a street vendor and brings it home to her delighted six-year-old son. Neither of them realize that the doll -- Chucky by name -- has been possessed by the spirit of nasty strangler Charles Lee Ray (Brad Dourif of Dario Argento's Trauma), who is out to get revenge on certain people, such as cop Mike Norris (Chris Sarandon), and anyone else who gets in his way. But both Andy and then his mother will have a tough time convincing anyone that this weird little doll is actually alive ...

Chris Sarandon and Catherine Hicks
Child's Play manages to be both suspenseful and creepy in spite of its absurd premise, thanks to some adroit direction and editing and the casting of Catherine Hicks, who is quite good as the mother, and little Alex Vincent, who is sympathetic and appealing as the innocent and rather resourceful Andy. Chris Sarandon [The Light in the Piazza] plays the cop on the case as the stereotypical blase and gruff detective and is okay on that level. But one might wonder why no one would think Chucky was a pygmy or midget before they would accept a supernatural explanation. It's also a little strange that no one in the subway remarks upon a six-year-old traveling by himself on the subway -- we New Yorkers are not that indifferent to what's going on around us.

Don't make Chucky mad
One of the best sequences has Chucky attacking Norris as he drives in his cop car, desperately trying to keep his body up off the seat when Chucky starts trying to thrust a knife into his private parts. Considering his small size, Chucky manages to inflict a lot of damage on certain individuals, such as Karen's friend, Maggie (played by Lee Grant's daughter, Dinah Manoff), who babysits Alex when Karen has to work and comes afoul of that demonic plastic toddler. An interesting touch is that the spell that put the dying Dourif's spell in the doll will eventually turn him completely human. (Although Dourif tries his damnedest to have his consciousness wind up inside Andy, he might as well stay inside the doll as in either case he'll still be a child.)

Child's Play was so successful that it was followed by several sequels, and also engendered a terrible remake that just came out this year. Tom Holland also directed the memorable Fright Night, which starred Sarandon. Child's Play may have been influenced by a segment of the TV film Trilogy of Terror, which also featured a lively killer doll.

Verdict: Appealing players help put over this pretty exciting horror flick. ***. 

Thursday, January 24, 2013

FRIGHT NIGHT

Roddy McDowall as Peter Vincent













FRIGHT NIGHT (1985). Writer/director: Tom Holland.

High school student Charley Brewster (William Ragsdale) becomes convinced that his new next-door neighbor Jerry Dandrige (Chris Sarandon) is a vampire who is preying upon women in the neighborhood, but he has trouble convincing his girlfriend, Amy (Amanda Bearse), let alone the police. When Jerry tells Charley that his days are numbered, the desperate boy appeals to local television celebrity Peter Vincent (Roddy McDowall), who hosts a movie program called "Fright Night" and played a vampire hunter countless times in the cinema. Unfortunately, Vincent has no real skill at killing vampires and is horrified at the whole situation, first thinking Charley is unhinged, and almost becoming unhinged himself when he discovers the lad is telling the truth. When Amy is kidnapped by Jerry, these two unlikely vampire hunters have to gather up their courage to take action ... Fright Night skillfully blends suspense, scares, sensuality and humor in an absorbing and very entertaining movie that features top-notch performances from all of the named principals, as well as good work from Stephen Geoffreys as Charley's friend "Evil" Ed, and Jonathan Stark as Jerry's non-vampire but hardly human helpmate. One clever scene has Amy dancing with Jerry in a disco, glancing in the wall-length mirror, and seeing that she's apparently dancing with herself -- vampires cast no reflection. Excellent special effects throughout as well. Followed by Fright Night Part 2 and remade in 2011; this version was also good but had a lot less charm.

Verdict: Rousing, light-hearted horror thriller. ***.