Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Richard Wagner. Show all posts
Showing posts with label Richard Wagner. Show all posts

Thursday, April 18, 2013

CHRISTMAS HOLIDAY

CHRISTMAS HOLIDAY (1944). Director: Robert Siodmak.

Now here's a weird one. Someone got the idea of taking a serious novel by Somerset Maugham (The Razor's Edge and many others) and casting Gene Kelly and, of all people, Deanna Durbin in the leads -- talk about epic miscasting. True, neither of these actors exactly disgrace themselves, it's just that you can imagine what a wholly different picture this would have been with different leads. But in any case, it wouldn't have been much good. Lt Mason (an effective Dean Harens) has just been jilted by his fiancee when he meets up with a singer named "Jackie" (Durbin), whose real name is Abigail but who changed it after her husband, Robert (Kelly) was convicted of murder. Most of Christmas Holiday consists of flashbacks as Jackie pours out her story [seemingly at the drop of a hat] to the kind lieutenant. Robert remains a shadowy character, however, and we never really learn the details of his crime nor anything about his victim. We do get to know his strange mother (Gale Sondergaard), who does the best she can with another underwritten role. Richard Whorf, who later became a director, plays a reporter named Simon, and Gladys George is cast as Valerie, who runs the club that Jackie sings at. Kelly does no singing or dancing, but Durbin gets to warble "Spring Will Be a Little Late This Year" and "Always," the film's signature tune. There's an interesting segue from a Beethoven concert to a dance club, but Christmas Holiday has the gall to use Wagner's liebestod from "Tristan and Isolde" to try to add dramatic heft to this kitsch. It doesn't work, although, ironically, the best scene in the movie has Kelly and Durbin listening to the music and being, quite understandably, moved by it. Durbin did seven more films before retiring four years later. Harens did two more films and then had a long list of credits in television.

Verdict: With these leads the fare should be much lighter. **.

Saturday, January 26, 2008

SIEGFRIED


SIEGFRIED (1924). Directed by Fritz Lang. With Paul Richter, Theodor Loos, Margarete Schon, Hanna Ralph.

This is the first half of Lang’s epic Die Nibelungen, which employs characters from German folklore. Siegfried sets out to win the hand of fair Kriemhild, but first he has to help her brother, King Gunther, win over the completely disinterested queen of Iceland, Brunhilde. Using magical items given to him by the King of the Dwarfs, Siegfried helps Gunther best Brunhilde through trickery. When this comes out, Brunhilde exacts a terrible but understandable revenge. The picture builds in power and interest as it goes along, aided immensely by intense performances from the leads, some elaborate sets, and a splendid sequence wherein Siegfried defeats the colossal dragon Fafnir, played by a highly sophisticated machine. Snatches of Wagnerian opera (from the Ring cycle, also employing some of these characters) played on organ in the background add to the total effect, although they don’t always match with what’s going on in the movie.
Verdict: Interesting silent with some great effects work. ***.