Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Peter Sarsgaard. Show all posts
Showing posts with label Peter Sarsgaard. Show all posts

Thursday, June 29, 2017

JACKIE

Natalie Portman as Jackie
JACKIE (2016). Director: Pablo Larrain.

Jacqueline Kennedy was the most famous, admired, and influential woman in the world, and that all ended in one shocking moment in Dallas in 1963. Whatever the flaws of JFK and the First Lady, neither of them deserved such a terrible fate, and I think the president's widow never fully got over what happened that day -- the suddenness, the gruesomeness, the shock and horror of it all. Jackie presents JFK's widow in all her complexities and mixed emotions as she struggles to get by in the hours and days after her husband's assassination. Natalie Portman [Black Swan] gives an excellent performance as Jackie, and there is good work from Peter Sarsgaard [The Dying Gaul] as Bobby Kennedy, Greta Gerwig [The Humbling] as Jackie's aide, Nancy; John Hurt as a priest; and Billy Crudup as a reporter who comes to interview Jackie some time after the tragedy (the main story is told in flashback). There is first-class photography from Stephane Fontaine, and a deeply poignant score by Mica Levi (some could argue that the music does most of the work). This may not be the last word on the final days of Camelot, nor on Jacqueline Kennedy Onassis, but it is a moving and absorbing picture. Portman and Levi both received Oscar nominations.

Verdict: An American tragedy. ***.

Saturday, June 28, 2014

THE DYING GAUL

Robert clacks away at that keyboard
THE DYING GAUL (2005). Director: Craig Lucas. Screenplay by Craig Lucas from his play.

"You can do anything that you want as long as you don't call it what it is." 

Robert (Peter Sarsgaard), a struggling screenwriter, is inexplicably offered a million dollars for his script called The Dying Gaul, even though the producer, Jeffrey (Campbell Scott), thinks he should rewrite the gay lead characters as a straight couple. Robert takes the money, and doesn't exactly put up much resistance when the closeted "bisexual" Jeffrey comes on to him. Before long the two have entered into an affair behind the back of Jeffrey's wife, Elaine (Patricia Clarkson of Carrie). Elaine, intrigued by Robert, enters a gay web site to chat with him, and then creates a phony identity with which to send him texts and emails, pretending to be his dead lover. Then things get even more warped ... The Dying Gaul has a lot of problems, not the least of which is that Hitchcock himself would have trouble wringing drama out of a movie in which characters seem to spend most of the time clacking away at their keyboards; in fact the movie becomes tedious after awhile. However, the three leads all give good performances, although Sarsgaard's [Blue Jasmine] stereotypical "queeniness" seems to come and go like a bad accent. One scene when he starts crying when he and Jeffrey are having sex borders on camp. An even bigger problem with the movie is that these are not likable people, and the ending makes one of them, no matter how justifiably angry, seem almost psychotic. Lucas could have taken this premise, as contrived as it is, and said something about a lot of things, but this muddled movie doesn't really seem to be saying anything about anything. On the stage, this may have worked, but presented all too literally on the screen it just doesn't.

Verdict: There are times when this almost seems homophobic! **.

Thursday, March 27, 2014

BLUE JASMINE

Cate Blanchett










BLUE JASMINE (2013). Writer/Director: Woody Allen.

Jasmine (Cate Blanchett) once had a successful husband, Hal (Alec Baldwin of The Departed), a great life in New York, plenty of money, and pretty much never let her sister, Ginger (Sally Hawkins), whom she finds declasse, forget it. But now her husband is a jail suicide, her life is in tatters, she's flat broke, and her stepson, Danny (Alden Ehreinreich), won't even talk to her. Who does Jasmine turn to, but Ginger in San Francisco, with whom she moves in, continuing their love/dislike relationship. Flashbacks show Jasmine's former life, and reveal that Ginger's ex-husband, Augie (Andrew Dice Clay), who invested with crooked Hal and lost all of his money, still believes that Jasmine knew everything the man was up to. Ginger has a boyfriend, Chili (Bobby Cannavale), but enters into an affair with Al (Louis C.K.), who turns out to be married, while Jasmine fights off advances by her dentist employer, and meets a great guy in widower Dwight (Peter Sarsgaard of Green Lantern), only to have ... well, that would be telling. Blue Jasmine is Woody Allen's [Shadows and Fog] best movie in years, a totally absorbing comedy-drama with expert thesping, a great cast, and a totally winning lead performance from Blanchett, who manages to make Jasmine sympathetic in spite of everything. The movie examines how we can love people we may not otherwise respect or approve of, and looks at how lives can go completely awry without any warning, especially when it comes to people left behind when their loved one is convicted of  various malfeasances. Blanchett won a completely deserved best actress Oscar, as well as several other best actress awards.

Verdict: Near-perfect with a fantastic Blanchett. ***1/2.

Thursday, October 27, 2011

GREEN LANTERN (2011)

GREEN LANTERN (2011). Director: Martin Campbell.

"I've seen you naked. You think I wouldn't recognize you because your cheek bones are covered?" -- Carol Ferris. 

The super-hero Green Lantern of the "silver age" first appeared in comic books in the late 1950's. In this big-screen adaptation, somewhat flighty [pun intended] test pilot Hal Jordan (Ryan Reynolds) is chosen by a dying alien named Abin Sur (Temuera Morrison) to be his replacement in an Intergalactic policing force known as the Green Lantern Corps. Jordan not only has to prove to some skeptical colleagues, including the obnoxious drill instructor Kilowog [voice of Michael Clarke Duncan] and the slightly bitchy Sinestro (Mark Strong), that he has the right stuff, but also himself -- as he doesn't exactly see himself as someone "without fear." In the meantime, the alien blue-skinned Guardians, who formed the Corps, learn that one of their number has been mutated into an evil and monstrous being known as Parallax -- and it's pissed off and coming to Earth. Other characters include Hal's sort of girlfriend, Carol Ferris (sexy Blake Lively), the parrot-like corpsman Tomar-Re (voice of Geoffrey Rush), smarmy Senator Hammond (Tim Robbins), and his weird son Hector (Peter Sarsgaard), who is becoming mutated and dangerous himself after examining the body of Abin Sur. Green Lantern takes a while to get going, looking too much like a video game in the beginning, but once Jordan puts on the uniform it kicks into high gear and becomes quite exciting and entertaining. The cast is quite good, with Reynolds sheer perfection as our hero, although he gets a lot of competition from Strong as an impeccable Sinestro. Great scenic design. 68-year-old Campbell also directed the 2006 Casino Royale, the earlier Bond film Goldeneye, and Criminal Law, among many others. [Moral: You don't have to be a comparative kid to handle a trendy big-screen action flick.] NOTE: You can read more about the early comic book adventures of Green Lantern, Sinestro [originally a bad guy], Tomar-Re and the rest in The Silver Age of Comics.

Verdict: It's great fun watching GL do his "ring thing." ***.

Wednesday, December 17, 2008

FLIGHT PLAN


FLIGHT PLAN (2005). Director: Robert Schwentke.

Jodie Foster is splendid, as usual, as a woman who boards a plane with her young daughter and then spends the rest of the movie trying to convince virtually everyone on board that her daughter actually exists -- this after the girl disappears and a flight attendant says there's no record of her ever having been on the flight. Foster just lost her husband; could she be hallucinating from grief? Is she mentally unstable? Or is there a predator on board who's taken and hidden her daughter somewhere on the plane? This is a good and very suspenseful movie with some very evil antagonists, but despite Foster's fine performance, it's just an entertaining time passer. To think what Hitchcock could have done with this material! The climax is over too quickly and is a little flat as well, and an opportunity for a rousing cat fight is muffed. But this will hold your attention for certain. Peter Sarsgaard also scores as the deputy on the flight.

Verdict: Not too shabby. ***.