RAGTIME

Howard E. Rollins Jr. as Coalhouse Walker

RAGTIME (1981). Director: Milos Forman. 

A well-to-do couple (James Olson and Mary Steenburgen) live with their young son and her brother (Brad Dourif) after the turn of the century. They take in a homeless black woman, Sarah (Debbie Allen), and her baby, and become friendly with the child's father, Coalhouse Walker (Howard E. Rollins Jr.). Dourif pursues a relationship with Evelyn Nesbit (Elizabeth McGovern), whose husband Henry Thaw (Robert Joy) shoots and kills her former lover, the architect Stanford White (Norman Mailer). Evelyn also encounters Tateh (Mandy Patinkin) and his little daughter, and winds up starring in the silent films he makes when he goes to Hollywood. When Coalhouse is humiliated by a bunch of Irish firefighters, feces dumped in his model T, he tries to get justice. Failing that, he somehow puts together a virtual militia with many weapons and begins bombing firehouses and shooting firemen. Dourif agrees to supply them with explosives. Nothing good will come of this ...  

Elizabeth McGovern as Evelyn Nesbit

For me Ragtime pretty much falls apart about this time as despite Coalhouse's understandable anger at his treatment, his murderous overreaction seems wildly contrived -- it's not as if these firemen killed anyone after all. (Besides, I have never found any kind of terrorism to be justifiable no matter how legitimate the grievances.) Dourif's character and his actions go undeveloped and unexplored, and the whole notion of mingling the Stanford White/Evelyn Nesbit story and its "trial of the century" with the Coalhouse Walker story (novelist E. L. Doctorow based all this on a German novella entitled Michael Kohlhaas, and claimed Ragtime is a homage to it) is perhaps ill-advised to begin with. What might have worked on the printed page doesn't always work in the cinema. 

Mandy Patinkin, Mary Steenburgen, James Olson

There are good performances in the film -- Rollins (who was Oscar-nominated and died of AIDS-related complications at only 46); an excellent Olson; James Cagney (at 81 playing a real-life police commissioner who was actually in his thirties at the time); Moses Gunn as Booker T. Washington trying to convince Coalhouse of the error of his ways --  and a notable score by Randy Newman. But as a whole I found the movie unconvincing and occasionally ridiculous. Other old-time stars in the film are Pat O'Brien and Donald O'Connor. Later this was turned into a Broadway musical. 

Verdict: Has its pleasures, but overall a misfire. **1/4. 

HAIR

HAIR (1979). Director: Milos Forman.

By the time this film version of the sixties "hippie" musical was released in 1979 it was already dated, and today it comes off less as a document of its time than as mind-numbing rot. A storyline was fashioned in which Claude (John Savage), a farm boy heading for Vietnam, runs into the hairy crew in Manhattan and becomes involved in their pretty stupid adventures, such as crashing a wedding reception and turning up on an Army base. The production numbers aren't very impressive and while some of the songs are snappy, only one -- "Easy to Be Hard" -- is really memorable. Sung with real panache by a young woman (Cheryl Barnes) who discovers that the father of her little boy may have made somebody else pregnant, the song not only looks at the underside of free love but deals with the interesting fact that there are people who care more about strangers -- the "bleeding" masses -- than they do about the people in their lives that they may have hurt. Treat Williams, Beverly D'Angelo, and Nell Carter are some of the others in the cast. Based on the musical by Gerome Ragni and James Rado.

Verdict: Forgettable but for the "Easy to be Hard" number. *1/2.