DARK SHADOWS: BLOOPERS AND TREASURES

Louis Edmonds without the fly

DARK SHADOWS: BLOOPERS AND TREASURES.

Dark Shadows was presented "live on tape"-- it didn't go out live over the air, but it was shot through without stopping, mistakes and all. This is a compilation of many of those mistakes. Most of these have people stumbling over a word, saying the wrong character's name, forgetting a line, and so on, but since people do make mistakes like this in real life, most of the actors could cover pretty well. Other mistakes include boom mikes being included in the shot, crew men walking into or across the set, startling Willie Loomis or Angelique, and cameras accidentally rolling into the action. The funniest bits have to do with a persistent fly that buzzes around various cast members and finally lands right on Louis Edmonds' nose! Since Edmonds' character of "Roger" was always so imperious and dignified, this just makes it funnier. The collection also includes promos for the show, spoofs on TV shows, game show appearances by the cast, and so on.

Verdict: For Dark Shadows fanatics and completists only! **.

DARK SHADOWS ANNIVERSARY SPECIALS

John Karlen and Jonathan Frid

DARK SHADOWS ANNIVERSARY SPECIALS.

Both the 25th and 30th Dark Shadows anniversary specials are available on DVD, but they are strictly for DS fanatics. The specials consist of footage shot at the question and answer segments at Dark Shadows conventions, along with many clips from the show and comments from some of the actors. There are also cast appearances on such talk shows as AM Los Angeles and others. The actors seem genuinely impressed and gladdened that so many people remember the show even though it went off the air so many years before, and thanks to cable it has gotten a whole new generation of fans. There's a charming moment when a seven-year-old boy asks David Selby (Quentin Collins) a question about the werewolf to Selby's obvious pleasure. One of the definite highlights is when Louis Edmonds (Roger Collins) sings a jazz number and reveals a fine voice and a lot of Broadway-style charisma. Less memorable is Marie Wallace (Eve) telling off Roger Davis, whom she clearly doesn't like, for allegedly bumping her out of camera range on a regular basis. Davis attributes it all to intense emotion to hide the fact that he'd forgotten some of his lines. Who knows?

Verdict: For Dark Shadows completists. **1/2.

HOUSE OF DARK SHADOWS

Grayson Hall and Thayer David

HOUSE OF DARK SHADOWS (1970). Director: Dan Curtis.

In this first theatrical feature based on the popular Gothic soap opera Dark Shadows, the storyline that introduced vampire Barnabas Collins (Jonathan Frid) is retold, although it ultimately goes off in its own direction separate from the series. Looking for treasure, Willie Loomis (John Karlen) stumbles across a coffin containing the centuries-old Barnabas and inadvertently releases him. Barnabas introduces himself as a cousin to the American branch of the Collins family, and is struck by the resemblance of Maggie Evans (Kathryn Leigh Scott) to his lost love, Josette. While Barnabas feeds upon young ladies in the vicinity, and even turns Carolyn Stoddard (Nancy Barrett) into one of the undead, two people figure out his secret: Dr. Julia Hoffman (Grayson Hall) and Professor Stokes (Thayer David). Julia discovers that there's a cell in Barnabas' blood that may be responsible for his condition and begins to cure him, falling in love with him as well. But when she discovers that the person he's committed to is not her but Maggie ..uh oh!  Like the series, House of Dark Shadows benefits from some good acting, with Karlen, David and Scott being especially notable; Don Briscoe as Carolyn's boyfriend and Grayson Hall as Julia are also effective, as is Louis Edmonds as Roger Collins. Joan Bennett shows up now and then as Elizabeth Collins, wringing her hands and looking worried. Roger Davis is fine as Maggie's boyfriend, Jeff, and Dennis Patrick (Dear Dead Delilah) appears as a sheriff. While Dan Curtis [Curse of the Black Widow] could never be considered a great stylist, he keeps things moving and manages to build up some tension toward the end. Certain sequences are especially atmospheric and there is some good art direction, most memorably in a climactic sequence in Barnabas' misty basement. The tune that Josette's music box plays is evocative and the old age make up used on Frid is quite convincing. There are some unintentionally comical moments, and this hasn't the visceral impact of the best of the Hammer horrors, but it really isn't at all bad. Followed by Night of Dark Shadows.

Verdict: About a hundred times better than the Tim Burton version. ***.