THE PUBLIC ENEMY

James Cagney and Jean Harlow

THE PUBLIC ENEMY (1931). Director: William A. Wellman.

Tom Powers (James Cagney) and his pal, Matt (Edward Woods), grow up in a tough part of the city, and get in with a bad crowd. Tom becomes a gangster and killer during prohibition, earning the enmity of his brother, Mike (Donald Cook), who has little but contempt for him. Tom is such a creep that at one point he even shoots a horse! Tom and Matt work for Nails Nathan (Leslie Fenton) and Paddy Ryan (Robert Emmett O'Connor), and get involved with such "broads" as Gwen Allen (Jean Harlow), Mamie (Joan Blondell), Kitty (Mae Clarke), who gets a grapefruit in the face, and Nail's unnamed girlfriend (Dorothy Gee), who earns Tom's scorn by getting him drunk and going to bed with him. The Public Enemy is refreshingly frank and well-acted, with Cagney getting high marks, along with Fenton [The House of Secrets], O'Connor, and Beryl Mercer [Jane Eyre] as Ma Powers. Harlow was still considered a lousy actress this early in her career, but she's actually competent, if unexceptional, and her performance is satisfactory. Frankie Darro and "Junior" Coghlan (Frank Coghlan, Jr.) play Matt and Tom as boys and are both good. One of the best scenes is a dinner at the Powers house where ex-soldier Mike can no longer control his anger at his brother and bootleg beer goes flying, and the death of Putty Nose (Murray Kinnell of Charlie Chan in Paris) is also well-handled. That said, The Public Enemy has not really worn well with time -- especially when you take into account the many superior gangster films that came later --   but it still remains an interesting picture. The great final scene of the movie almost makes the whole movie! Handsome Edward Woods was supposed to play Tom Powers, the lead role, but it was given to Cagney instead,; he became a star and Wood's career eventually faded out after only 13 credits.

Verdict: Cagney holds the attention. *** out of 4.

MURDER OVER NEW YORK

Ricardo Cortez, Victor Sen Yung and Sidney Toler

MURDER OVER NEW YORK (1940). Director: Harry Lachman.

When Hugh Drake (Frederick Worlock), formerly of Scotland Yard and now with Military Intelligence, is found dead of gas poisoning, Charlie Chan (Sidney Toler) goes into [relative] action, while son Jimmy (Victor Sen Yung) kibbitzes. A strange man named Paul Narvo is involved in the murder plot, but even his wife, Pat (Marjorie Weaver of The Great Alaskan Mystery) -- from whom she ran away -- doesn't know who or where he is. Suspects and other characters include the butler Boggs (Leyland Hodgson); Inspector Vance (Donald MacBride); Drake's friend, Kirby (Ricardo Cortez); stockbroker Richard Jeffery (John Sutton); David Elliot (Robert Lowery), special friend of Pat's; the obnoxious Britisher Herbert Fenton (Melville Cooper); and Ralph Percy (Kane Richmond); who is involved with experimental aircraft that may be subject to sabotage. Junior Coghlan [The Adventures of Captain Marvel] has a nice bit as a club employee who helps Chan, and Shemp Howard [Brideless Groom] has an amusing turn as Shorty, who pretends to be the "Great Rashid." The exciting climax has many of the characters in a death-trap on a plane miles high in the air. With Richmond, Lowery, and Cortez in the cast -- as they were in many other Charlie Chan films -- this practically comprises the Charlie Chan Stock Company.

Verdict: Death-traps are always fun! ***.

CHARLIE CHAN AT THE RACE TRACK

Keye Luke and Warner Oland

CHARLIE CHAN AT THE RACE TRACK (1936). Director: H. Bruce Humberstone.

Charlie Chan (Warner Oland) uncovers skulduggery surrounding a race horse when its jockey (Frankie Darro of Burn 'Em Up Barnes) throws a race, and that's only the beginning. On shipboard, the horse's owner is found trampled to death but Chan quickly deduces that it was not an accident and the horse is not to blame. Suspects and other characters include Lee Chan (Keye Luke) who pretends to be a steward to help/hinder his father; Alice Fenton (Helen Wood), Bruce Rogers (Thomas Beck), jockey Eddie Brill (Junior Coghlan of The Adventures of Captain Marvel); horse owner George Chester (Alan Dinehart of Seven Days Ashore); and his daughter, Catherine (Gloria Roy). There's also a mischievous monkey called Lollipop; a groom named Streamline (John Henry Allen, who seems to be doing a Stepin Fetchit imitation); and when offered refreshment, Chan asks not for spirits but sarsaparilla. Charlie actually discusses blood spatter evidence at one point, proving such matters were invoked decades before CSI and Henry Lee.

Verdict: Fun, as usual, if not topnotch Chan. **1/2.

THE ADVENTURES OF CAPTAIN MARVEL

THE ADVENTURES OF CAPTAIN MARVEL (1941). Directors: William Witney; John English.

Noticing and envying the success of Superman, in the 1940's Fawcett Comics came out with their own super-strong guy and named him Captain Marvel. This character's tremendous success made DC Comics (publisher of Superman, Batman etc.) nervous, so they initiated a law suit, which was initially dismissed. Eventually it was Fawcett's lack of faith in the continuing viability of super-hero comic books – and the enormous court costs -- that wiped the good captain and his “marvelous” associates off the newsstands. Fawcett settled out of court and discontinued its entire comic book line. But not before Republic pictures made a serial based on the comic book. [Ironically, decades later DC Comics acquired the rights to all the Fawcett Comics' characters, including Captain Marvel, and began publishing new adventures of the character, making it clear once and for all that they should never have won that law suit.] In the comic books the facial features of Captain Marvel were based on Fred MacMurray's, but MacMurray was too big a star at the time to appear in a Republic serial so “B” western player Tom Tyler got the job while Frank “Junior” Coghlan got the plum assignment of the captain's young alter ego Billy Batson.

Adventures of Captain Marvel, despite the usual assortment of dumb moments and lapses in logic, is a stupendously entertaining chapter play that moves quickly and features some outstanding sequences (the best of which has Captain Marvel about to be sizzled in a flash flood of molten lava at the end of the fifth chapter out of twelve). The identity of the villain, The Scorpion, isn't telegraphed, and some suspense is worked up over his unmasking. The stunts, fisticuffs, and other action scenes (courtesy of co-director William Witney) are all first-rate. Now available in a crisp DVD print, this is highly recommended for super-hero and action fans, and kids of all ages.

NOTE: If you love classic cliffhanger serials, go directly to the cliffhanger page of Quirk's Reviews Online by clicking here.

Verdict: One of the great classic cliffhangers! ***1/2.