CAFE SOCIETY

Jesse Eisenberg

CAFE SOCIETY (2016). Writer/director: Woody Allen.

"First a murderer, then a Christian -- what did I do to deserve this?" -- Rose.

Bobby (Jesse Eisenberg) moves from Brooklyn to try his luck in 1930's Los Angeles, where his uncle Phil (Steve Carell) is an agent. Bobby becomes friends with Phil's secretary, Vonnie (Kristen Stewart), unaware that she is his uncle's mistress. Later Bobby opens up a New York nightclub with his gangster brother, Ben (Corey Stoll of Dark Places). But can Bobby outrun his heart and Ben the law? Cafe Society is a pleasant Woody Allen movie without Allen in the cast. Wisely recognizing that he could no longer play the naive young man starting out in life, Allen cast appealing Jesse Eisenberg as his surrogate, and it was a smart choice. You can just hear Allen saying the dialogue in his inimitable way as we watch Eisenberg play his part, and play it well, although the better-looking man plays the real, shrewd Allen more than his usual nebbish on-screen persona -- another wise choice. The gangster stuff is as tiresome as it generally is in Allen's movies, but there are some fine performances, especially from Jeanne Berlin [The Heartbreak Kid] as Mother Rose and Ken Stott as her husband. The picture is handsomely produced, with Vittorio Storaro's cinematography especially breath-taking. Cafe Society is a nice enough picture, but it's still a minor effort with a somewhat unsatisfying conclusion and a protagonist who can be annoying at times. The cast-off spouse of one character is completely forgotten, which is pretty typical of Allen since his split from Mia Farrow and even before. Eisenberg is certainly better in this than he was in Batman V Superman: Dawn of Justice.  Storaro's exquisite work was also seen in such films as Exorcist: The Beginning.

Verdict: Great to look at, with a highly pleasant lead actor, but no great shakes when all is said and done. **1/2.

BATMAN V SUPERMAN: DAWN OF JUSTICE

Superman (Henry Cavill)  vs Batman (Ben Affleck)

BATMAN V SUPERMAN: DAWN OF JUSTICE (2016). Director: Zack Synder.

Some of the public are losing faith in Superman (Henry Cavill) of Metropolis and fear he may be too powerful, which is also a concern of Gotham's Batman (Ben Affleck). Meanwhile, the Man of Steel is disgusted by Batman's violent vigilantism. When Lex Luthor (Jesse Eisenberg) kidnaps Superman's mother, Martha (Diane Lane), he tells him he can only save her by killing the Batman. The Man of Steel has no intention of murdering anyone, and tries to get Batman to work with him to save Martha and take down Luthor, but their misunderstandings about their different approaches only lead to conflict. Years ago I complained that some comic book and comic book-like movies were much too mindless, but now they've gone to the other extreme. Unfortunately, Batman V Superman mistakes a continuous grimness with seriousness, but ironically none of it is very profound. The picture has an admirable intensity, and while no one wants to return to the camp and silliness of the old days, couldn't all these billions of dollars and all that work have been employed to make a more entertaining movie? In some ways Batman v Superman comes off like a mere prelude to the upcoming Justice League of America movie, the idea of which I find less exciting after sitting through the somewhat tedious 151 minutes that make up this film. The picture has some interesting elements and sets up clever situations (the conflict between Bats and Supes has already been explored in the comics) but its action scenes are more frenetic than well-done, and half the time you can't really tell what's happening. With the exception of a dreadful, almost-camp, boyish geek version of Lex Luthor played by Eisenberg [Cursed] , the acting is excellent, with both Affleck [Hollywoodland] and Cavill [Immortals] quite adept at the new ultra-intense super-hero style. Amy Adams is also quite effective as Lois Lane, as is Holly Hunter as a senator. Wonder Woman (Gal Gadot) shows up at the end to help the fellows fight Doomsday, and is fine, and there are cameos by the Flash, Aquaman, and Cyborg (what, no Green Lantern?) to set up the next DC Universe movie. A confusing prologue shows an attack on Gotham by what appears to be Brainiac, but the film never makes it clear exactly what's happening, and in general the screenplay is mediocre. [Apparently Batman v Superman starts off where Man of Steel ended, and the antagonist is General Zod, but couldn't there have been some attempt made to remind viewers of this?] Moments of cuteness happen so infrequently that they're jarring, such as when Batman asks Superman if Wonder Woman is with him, and he responds "I thought she was with you." There are guest appearances from Anderson Cooper, Andrew Sullivan (!), Nancy Grace and others, all commenting on one hero or another. Too many anti-climaxes by far.

Verdict: Very talky and not a hell of a lot of fun but there are a few good scenes. **1/2.

CURSED

CURSED (2005). Director: Wes Craven.

"There's no such thing as 'safe sex' with a werewolf."

Ellie (Christina Ricci of Lizzie Borden Took an Axe) and Jimmy (Jesse Eisenberg) are a likable brother and sister team living on their own, but their lives are upended when they are attacked by a werewolf, whose identity is unknown. As the two wonder what's going to happen to them due to the werewolf curse, they try to ferret out the identity of the original werewolf, whom they suspect might be Ellie's boyfriend, Jake (Joshua Jackson of I Love Your Work). Or could it be someone else they know? Cursed is an entertaining, well-acted flick, with some exciting scenes and good FX work, but it becomes rather stupid as it progresses. Actor Scott Baio plays himself in a couple of scenes, as does former talk show host Craig Kilborne, and Lance Bass. Good-looking Milo Ventimiglia plays Bo, a homophobic jock who bullies hetero Jimmy, but who turns out to be gay himself; he's fine.

Verdict: Likable actors and characters help put this over. **1/2.