Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Art Baker. Show all posts
Showing posts with label Art Baker. Show all posts

Thursday, June 18, 2026

MASSACRE RIVER

Guy Madison
MASSACRE RIVER (1949). Director: John Rawlins. Colorized

On a fort in disputed territories in the old west, Phil (Rory Calhoun) is rejected when he proposes to Kitty (Cathy Downs of Missile to the Moon), the colonel's (Art Baker) daughter. Phil takes it surprisingly well when she gets engaged to his best buddy, Larry (Guy Madison of Hilda Crane), not much later. Complications arise in the nearby town of Jackson when Larry falls for the co-owner of the Blue Star saloon, Laura (Carole Mathews of Betrayed Women), after she ministers to the colonel's son, Randy (Johnny Sands), when he is shot by Indians. Before long Larry is caught in a triangle situation: will he marry the colonel's daughter and make advancements in the army, or decide that his future is with a woman who is more like him? His friendship with Phil will certainly be put to the test by further dark developments. 

Rory Calhoun
One could easily say that Massacre River takes advantage of well-worn tropes and cliches in its story, but somehow that doesn't matter. There are beautiful widescreen vistas of western landscapes, courtesy of Jack MacKenzie, a stirring score by John Leipold and Lucien Moraweck, and a fast-paced, engrossing ambiance throughout. Though one wouldn't necessarily argue that the two handsome male leads are acting geniuses, they acquit themselves nicely, as do the ladies. Johnny Sands is appealing as Randy, but had only a few credits. An especially lovely scene has Laura waving at Larry from a window, disappointed that he doesn't wave back from the street below, but then happy again when he finally does wave as he rides off on his horse. As usual, the Indians in this -- on again/off again antagonists -- are mere backdrop for the white players and not even the chief gets much of a back story. John Rawlins directed a wide variety of movies, including Arabian Nights with Maria Montez.  

Verdict: Very entertaining western melodrama-romance. ***. 

Thursday, May 11, 2017

HOT ROD

Jimmy Lydon, Art Baker, Myron Healey
HOT ROD (1950). Director: Lewis D. Collins.

"Parents, be grateful you're attending a hearing today instead of a funeral. -- Judge Langham.

David Langham, a kind of mopey "youngster" (Jimmy Lydon, billed as James Lydon), is in love with hot rods and wants to build a super-charged one to impress his sometime girl, Janie (Gloria Winters), Janie is more taken with obnoxious Jack (Tommy Bond), who gets David in trouble when he "borrows" his vehicle and gets into an accident. David's older brother, Joe (Myron Healey of Panther Girl of the Kongo), is a cop and their father is Judge Langham (Art Baker), who takes a dim view of hot rods and the lives cost by dangerous amateur racing. David feels that lives might be saved if the town opened a legal racing strip so the kids wouldn't have to race illegally and get into trouble. Seventy years ago hot rods and racing were a big issue, and lots of movies, mostly "B" films, dealt with it, along with juvenile delinquency. Lydon, who so winningly played Henry Aldrich in a series of comedies, gives a good performance in this, but the film is mediocre, like an expanded "Leave It To Beaver" episode with a heavy-handed (if appropriate) moral tone. Gil Stratton is weird as David's geeky pal, Swifty. Serial stars Marshall Reed and Dennis Moore both have small roles in Hot Rod, with the former playing a guy whose car is hit by David's jalopy, and the latter as a motorcycle patrolman. Those hoping to see some amazing souped up and sexy hot rods in this picture will have to look elsewhere. Lewis D. Collins co-directed many serials (generally with Ray Taylor) and also helmed The Spanish Cape Mystery.

Verdict: Despite a high speed chase at the end, this has little zzzooom. **.