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Maggie Smith as the airy Miss Brodie |
THE PRIME OF MISS JEAN BRODIE (1969). Director: Ronald Neame.
In 1930's Scotland Miss Jean Brodie (Maggie Smith) is a tenured teacher at the Marcia Blaine School for Girls. Jean is free-spirited, putting her at odds with the relatively new headmistress Miss Mackay (Celia Johnson of
Brief Encounter), who keeps reminding her that this is a
conservative school. Jean is one of those teachers who is convinced she can leave a lasting impression on her students and always supposedly knows what's best for them, even though she can be naive, dismissive, and rather stupid at times. She does her best to stay out of the clutches of the art teacher, Teddy Lloyd (Smith's real life husband at the time, Robert Stephens), her former lover, who is married and has six children. Jean encourages one of her charges, Mary (Jane Carr of
Something for Everyone) to go off to Spain to fight alongside her brother, something which does not end at all well. Jean may have met her match in young Sandy (Pamela Franklin of
The Food of the Gods), who replaces her in Teddy's bed and ultimately helps bring about her downfall.
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Smith gets a dressing down from Pamela Franklin |
The prime joy of
Miss Jean Brodie is the performance of Maggie Smith, which netted her a well-deserved Best Actress Oscar. She fully brings to life all of the different, often maddening facets of Brodie's character and engages your full attention from start to finish. She is surrounded by other wonderful actors: Stephens as the utter pig of an art teacher; Gordon Jackson as the more gentlemanly music teacher with whom Jean dallies; Pamela Franklin, who is ferociously good as Sandy and especially excels in her climactic scene when she really tells off her irresponsible teacher, Jean; Celia Johnson as the long-suffering Miss MacKay, who tries various methods to send her nemesis packing; Jane Carr as the stammering, ill-fated Mary; and others.
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Smith with Robert Stephens |
Miss Jean Brodie is by no means perfect. A comedy-drama, there are sequences in the girls' school that , unfortunately, remind one of antics in
St. Trinian's! There is something a bit artificial and unreal about the film at times. However, what's amazing is that the particular school girls who form Jean's closest circle all look convincingly like children, despite their real ages, who age gracefully (or otherwise) into adulthood -- Franklin's transformation is especially astonishing. Rod McKuen composed a pretty song for the picture, but he should have been convinced not to sing it, as he has no voice. He had a certain run as a sappy poet and composer.
Verdict: Smith's Academy Award-winning performance makes this film fully engaging whatever its flaws. ***.
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