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Nutty as a fruitcake: Sally Field |
SYBIL (1976 four hour two-part mini-series. Director: Daniel Petrie.
Sybil (Sally Field) is a young substitute teacher in New York City who tries to hide the fact that she has blank spots in her memory and often wakes up days or even months later with no idea of what she's been doing. After an accident, she meets a sympathetic psychiatrist named Dr. Wilbur (Joanne Woodward), who discovers that Sybil has several different personalities. Using hypnosis and interviewing people from her patient's past, Wilbur determines to discover what happened in Sybil's childhood that made her this way, but Sybil may not like the answers.
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Gullible as a guppie: Joanne Woodward |
Sybil has much in common with an earlier theatrical film (this one about reincarnation) entitled
The Search for Bridey Murphy. Both films were based on best-selling "non-fiction" works that caused a sensation, influenced millions of people, and, incidentally, made much money for their authors. Both books have also turned out to be, mostly, crap. Dissociative Identity Disorder, as its now called, was popularized by the book
Sybil, but a new 2011 book entitled
Sybil Exposed reveals that, while there may be a few genuine cases of DID, the real woman who was called Sybil was actually faking. "Sybil" confessed this to gullible Wilbur, but Wilbur chose not to believe her. Both women had very good reasons not to own up: Wilbur had her reputation to think of, as well as the money from the book (she worked with a professional writer); and Sybil, who became like a daughter to Wilbur, was virtually supported by her.
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Be a clown: Brad Davis and Sally Field |
So while this strips the telefilm of much of its power, we have to look at what remains, and the answer is: not much. Three hours long without commercial breaks,
Sybil eventually becomes tedious, with too many repetitious flashbacks, a slow pace, and padding. Emmy-winning Field is quite good, and she gets wonderful support from Woodward and Brad Davis as a free-spirited young neighbor that she dates, as well as others, but after awhile all of those "personalities," male and female, become rather irritating, and the whole thing nearly collapses into farce when "Sybil" turns into her own grandmother on the street. Woodward, of course, appeared in her own multiple personality picture,
The Three Faces of Eve (which was also based on a non-fiction book), which engendered the similar
Lizzie with Eleanor Parker.
Sybil was remade as a TV movie in 2007.
Verdict: Field is impressive, but this is a turgid and unconvincing mini-series. **.
This is another one in my collection, Bill, and I like it much more than you. It is a tour de force for Field, and I love that many of those separate characters she created as the split personality find their way into many of her later films...the hysterical scenes in both Mrs. Doubtfire and Steel Magnolias come to mind. I also lov Martine Bartlett as the nutty mother.
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Good points, Chris! After being Gidget and the Flying Nun, this mini-series made Field an actress to be reckoned with.
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