Thursday, November 9, 2017

CLUB HAVANA

"Isabelita" (Lita Baron) does her stuff
CLUB HAVANA (1945). Director: Edgar G. Ulmer.

"You know darling, even when I hate you the most I still love you."

In a fashionable Latin-themed nightclub that could be anyplace, several people converge. Newly divorced Rosalind (Margaret Lindsay) discovers that her lover, Johnny (Don Douglas), no longer wants her. Piano player Jimmy (Eric Sinclair) realizes that he can smash the alibi of mobster and accused murderer, Joe Reed (Marc Lawrence) and calls the police, causing consternation for his girlfriend, the entertainer Isabelita (Lita Baron). Wealthy old Mrs. Cavendish (Renie Riano) proposes marriage to borderline gigolo, Rogers (Paul Cavanagh), who obviously needs an income. A middle-aged separated couple decide whether or not to reconcile, and an intern (Tom Neal) goes on his first date with the nervous Lucy (Dorothy Morris). Myrtle (Sonia Sorel), the switchboard operator, tells Joe Reed what Jimmy has done, leading to a dramatic climax. Hovering over everything are the host, Charles (Pedro de Cordoba) and the ladies room attendant, Hetty (Gertrude Michael). Club Havana is a snappy and entertaining picture with music that could have benefited from another twenty or thirty minutes of character development and background. Using the same name as her character, Isabelita (which she also used for other pictures), Lita Baron [Jungle Jim] sings s nifty version of "Besame Mucho." The picture is smoothly directed by Ulmer and quite fast-paced. The performances are all good, with Michael [Flamingo Road] and an emotional Lindsay [Dangerous] taking top honors.

Verdict: Fun movie with nice music and some very good sequences. ***.

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